For an entire generation, 'Annie Hall 'embodied the notion of a New York peopled by sophisticated intellectuals - all sent up by the deadpan comedy genius of Woody Allen, writer, director and of course star. It also confirmed the sparkling acting talent of Diane Keaton as a partner for Woody on screen. The film has survived as a popular comedy, however, by virtue of Allen's inventiveness as a director and the timelessness of his satire. Peter Cowrie's study of 'Annie Hall 'recaptures the mood of the 70s, and examines the myriad imaginative touches that distinguish this film from other American productions of the period. The book also includes a glossary of the many cultural references which give the film its distinctively 'intellectual' tone.

Since its release, Annie Hall has established itself as a key film for Woody Allen's career and the history of romantic comedy more generally. At the 1978 Academy Awards, it won Oscars for Best Film, Best Director, Best Screenplay, and Best Actress and is regularly cited as one of the greatest film comedies ever released, credited with influencing directors such as Wes Anderson, Noah Baumbach, Richard Linklater, Greta Gerwig and Desiree Akhavan. This lively collection brings a new ethical and philosophical perspective to bear on Allen's work quite different from previous generations of scholars. At the same time as exploring the film's continuing influence on contemporary cinema, this book's contributors engage explicitly and implicitly with ongoing debates about Allen's cinematic output following the renewal of accusations against Allen by his adopted daughter Dylan Farrow in 2014 and 2018. The book is alive to debates within film studies about the limits of auteur theory and the role of the spectator.

"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.

Woody Allen's screenplays are some of the wittiest and most sophisticated of modern cinema classics, and these four scripts reflect the emotional range of his talent. Annie Hall, subtitled 'A Nervous Romance', starred Diane Keaton with Woody Allen and won Academy Awards for Best Picture, Best Script, Best Actress and Best Director. Manhattan takes city life as its subject and stars Woody Allen as TV-comedy writer. Interiors and Stardust Memories are studies of the inner lives of their characters.

NEW YORK TIMES BESTSELLER When they were kids in the suburbs of Los Angeles in the 1950s, Diane Keaton and her younger brother, Randy, were best friends and companions. But as they grew up, Randy became troubled, then reclusive. Before he was thirty, he was divorced, an alcoholic, a man who couldn’t hold on to full-time work—his life a world away from his sister’s, and from the rest of their family. Now Diane delves into the nuances of their shared, and separate, pasts to confront the difficult question of why and how Randy ended up living his life on “the other side of normal.” In beautiful and fearless prose intertwined with journal entries, letters, and poetry—much of it Randy’s own—and supplemented by personal photographs and artwork, this insightful, heartfelt memoir contemplates the inner workings of a family, the ties of love and responsibility that hold it together, and the special bond between siblings—even those who are pulled far apart.

The story of one of the most important and least-understood jobs in moviemaking-film editing-is here told by one of the wizards, Ralph Rosenblum, whose credentials include six Woody Allen films, as well as The Pawnbroker, The Producers, and Goodbye, Columbus. Rosenblum and journalist Robert Karen have written both a history of the profession and a personal account, a highly entertaining, instructive, and revelatory book that will make any reader a more aware movie-viewer.

An intimate account by the Academy Award-winning actress documents her rise from an everyday girl to an acclaimed performer while exploring her defining relationship with her mother and how their shared and separate dreams influenced their experiences.

Publisher Description

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This revised and updated edition gathers interviews and profiles covering the entire forty-five-year span of Woody Allen's career as a filmmaker, including detailed discussions of his most popular as well as his most critically acclaimed works. The present collection is a complete update of the volume that first appeared in 2006. In the years since, Allen has continued making movies, including Midnight in Paris and the Oscar-winning Blue Jasmine. While many interviews from the original edition have been retained in the present volume, nine new entries extend the coverage of Allen's directorial career through 2015. In addition, there is a new, in-depth interview from the period covered in the first edition. Most of the interviews included in the original volume first appeared in such widely known publications and venues as the New York Times, the Washington Post, Time, the New Yorker, Rolling Stone, and Playboy. A number of smaller and lesser-known venues are also represented, especially in the new volume. Several interviews from non-American sources add an international perspective on Allen's work. Materials for the new volume include pieces focusing primarily on Allen's films as well as broader profiles and interviews that also concentrate on his literary talent. Perhaps Stephen Mamber best describes Allen's distinctiveness, especially early in his career: “Woody Allen is not the best new American comedy director or the best comedy writer or the best comedy actor, he's simply the finest combination of all three.”