Baba Allauddin Khan's daughter, Pandit Ravi Shankar's first wife, Ustad Ali Akbar Khan's sister, representative of Maihar-Senia gharana - Annapurna Devi has an illustrious lineage. And she is a star in her own right - she is the only female surbahar player in the country. Yet, Annapurna's life is shrouded in mystery. Though she is a true guru to her hishyas, to others she is an eccentric recluse or simply too strong-minded. This first authorised biography offers a glimpse into her life, not to reveal or to shock, but to set the record straight - her turbulent years with Ravi Shankar, the death of her only son, her single-minded pursuit of music and a life in seclusion. Drawing on interviews with Annapurna Devi and her family members, admirers, critics and students, Swapan Kumar Bondyopadhyay offers an absorbing portrait of a brilliant individual, who shuns public erformances devoting her time instead to her music, her students and to keeping her father's legacy alive.

Legendary musician Annapurna Devi's life has been shrouded in mystery. Daughter of the unparalleled Allauddin Khan of Maitra and the first wife of Pandit Ravi Shankar, she conquered the summit of Indian classical music, only to later renounce public life to spend her entire life as a recluse in the confinement of her house. Until the age of sixteen, Annapurna Devi was confined to her family home at Maihar, where her father was a court musician and guru to the maharaja. During this period, she devoted herself exclusively to the deepest study and practice of Indian classical music under the strict tutelage of her father. After her estrangement from her husband Pandit Ravi Shankar, Annapurna Devi went ever deeper into self-imposed seclusion. The only people whom she met and communicated with were her disciples who used to visit her for music lessons, which included some of the greatest musicians our era has seen, including Pandit Nikhil Banerjee, Pandit Hariprasad Chaurasia, Ustad Bahadur Khan, Aashish Khan, Dhyanesh Khan, Nityanand Haldipur and Basant Kabra, to name a few. Full of anecdotes and untold stories, this is her life story as told by her to her disciples over a period of time, giving valuable insights into their Guru Ma's personality, music and teachings.

In the 20th Century, India was fortunate to have had the landmark musician Ustad (maestro) Allauddin Khan in the forefront of musical culture, as he broke the bonds of orthodoxy and closed-mindedness with which the old families and teaching lineages withheld the knowledge of North Indian Classical Music. He endeavored to make that art available for anyone interested and talented, without sacrificing the integrity of it in any way whatsoever. Allauddin Khan's achievements as a performer was historic in itself a musician who would be remembered as one of the greatest virtuosos and musical thinkers of all time. At the same time, his service to India and the world in bringing this ancient art out to common society is perhaps an accomplishment paralleled only by the great social reformers of our time. It is impossible to sketch the life-portrait of a man of such scope, particularly as Ustad Allauddin Khan's achievements spanned close to a hundred years. He lived for over a century and continued his work until his very last days. This book has endeavored to give the reader a glimpse of his extraordinary life, as an artist, as a historically significant contributor to this great art, and as a man of the noblest character.

When Namita is ten, her mother takes her to Dhondutai, a respected Mumbai music teacher from the great Jaipur Gharana. Dhondutai has dedicated herself to music and her antecedents are rich. She is the only remaining student of the legendary Alladiya Khan, the founder of the gharana and of its most famous singer, the tempestuous songbird, Kesarbai Kerkar. Namita begins to learn singing from Dhondutai, at first reluctantly and then, as the years pass, with growing passion. Dhondutai sees in her a second Kesar, but does Namita have the dedication to give herself up completely to music—or will there always be too many late nights and cigarettes? Beautifully written, full of anecdotes, gossip and legend, The Music Room is perhaps the most intimate book to be written about Indian classical music yet.

The award-winning journalist Lisa Margonelli, national bestselling author of Oil on the Brain: Petroleum’s Long, Strange Trip to Your Tank, investigates the environmental and economic impact termites inflict on human societies in this fascinating examination of one of nature’s most misunderstood insects. Are we more like termites than we ever imagined? In Underbug, the award-winning journalist Lisa Margonelli introduces us to the enigmatic creatures that collectively outweigh human beings ten to one and consume $40 billion worth of valuable stuff annually—and yet, in Margonelli’s telling, seem weirdly familiar. Over the course of a decade-long obsession with the little bugs, Margonelli pokes around termite mounds and high-tech research facilities, closely watching biologists, roboticists, and geneticists. Her globe-trotting journey veers into uncharted territory, from evolutionary theory to Edwardian science literature to the military industrial complex. What begins as a natural history of the termite becomes a personal exploration of the unnatural future we’re building, with darker observations on power, technology, historical trauma, and the limits of human cognition. Whether in Namibia or Cambridge, Arizona or Australia, Margonelli turns up astounding facts and raises provocative questions. Is a termite an individual or a unit of a superorganism? Can we harness the termite’s properties to change the world? If we build termite-like swarming robots, will they inevitably destroy us? Is it possible to think without having a mind? Underbug burrows into these questions and many others—unearthing disquieting answers about the world’s most underrated insect and what it means to be human.

Himalayan Voices provides admirers of Nepal and lovers of literature with their first glimpse of the vibrant literary scene in Nepal today. An introduction to the two most developed genres of modern Nepali literature-poetry and the short story-this work profiles eleven of Nepal`s most distinguished poets and offers translations of more than eighty poems written from 1916 to 1986. Twenty of the most interesting and best-known examples of the Nepali short story are translated into English for the first time by Michael Hutt. All provide vivid descriptions of Life in twentieth-century Nepal. This book should appeal not only to admires of Nepal, but to all readers with an interest in non-Western literatures.

Fights, action, music, romance, secret trysts-renowned classical musician Pandit Hariprasad Chaurasia's life reads almost like a film script. Wrestler in the morning, student during the daytime and flute player in secret, he lived more than a double life through his early years, till he broke away from his wrestler father's watchful eye to join All India Radio as a flautist. His marriage, relocation to Bombay and his foray into films were events rich in drama. As were his meetings with other musical greats, including Pandit Shiv Kumar Sharma, his dearest friend and music partner, with whom he composed the music for films like Silsila, Lamhe and Chandni. His reminiscences about his journey as a student of the reclusive Annapurna Devi, daughter of the famed Allauddin Khan of Maihar, give deep insights into his nature as well as that of his guruma. Hariprasad Chaurasia has also been a guru to innumerable students in his Mumbai and Bhubaneswar gurukuls, and at the World Music Department, Rotterdam Music Conservatory, the Netherlands, where he is artistic director. His mesmerizing flute can be heard in some of Hindi cinema's most popular songs, in a composition by the former Beatle George Harrison, as well as in recordings with renowned musicians from across the world. A plethora of awards, including the Padma Vibhushan, sits lightly on the man, who has taken the humble flute to international renown as an instrument that can hold its own. Hariprasad Chaurasia and his Breath of Gold will inspire and amaze everyone who reads the life story of this much-loved flautist.

Akhtaribai Faizabadi, or Begum Akhtar as she was better known, was a legend even during her own lifetime, and one of the last of the great singers from the tawaif community. Akhtari documents her eventful life and her music through essays and reminiscences by some of her closest friends and associates, and by people who knew her work deeply -- including the likes of Bismillah Khan, Lata Mangeshkar, Shubha Mudgal, etc. The volume also includes long interviews with Begum Akhtar herself as well as some of her disciples. A bestseller in the original Hindi -- and now available in English -- this is a volume to treasure for all of Begum Akhtar's fans and lovers of music.