This play by the famous dramatist was first performed at the Coliseum Theatre in London at the beginning of 1918. It was a one-act set in an imaginary country not so different from Russia. Shaw was influenced by the Russian Revolution of a few years earlier.

The General's office in a military station on the east front in Beotia. An office table with a telephone, writing materials, official papers, etc., is set across the room. At the end of the table, a comfortable chair for the General. Behind the chair, a window. Facing it at the other end of the table, a plain wooden bench. At the side of the table, with its back to the door, a common chair, with a typewriter before it. Beside the door, which is opposite the end of the bench, a rack for caps and coats. There is nobody in the room.

Russomania is the first comprehensive account of the breadth and depth of the modernist fascination with Russian and early Soviet culture. It traces Russia's transformative effect on literary and intellectual life in Britain between 1881 and 1922, from the assassination of Alexander II to the formation of the Soviet Union. Studying canonical writers alongside a host of less well known authors and translators, it provides an archive-rich study of institutions, disciplines, and networks. Book jacket.

Reproduction of the original.

This selection comprises: "THE ADMIRABLE BASHVILLE" "HOW HE LIED TO HER HUSBAND" "PASSION, POISON AND PETRIFACTION" "THE GLIMPSE OF REALITY" "THE DARK LADY OF THE SONNETS" "OVERRULED" "THE MUSIC-CURE" "GREAT CATHERINE" "THE INCA OF PERUSALEM" "O'FLAHERTY V.C." "AUGUSTUS DOES HIS BIT" "ANNAJANSKA, THE BOLSHEVIK EMPRESS" "VILLAGE WOOING" "THE SIX OF CALAIS" and "CYMBELINE REFINISHED".

This book combines the insights of thirteen Shavian scholars as they examine the themes of marriage, relationships and partnerships throughout all of Bernard Shaw’s major works. It also connects Shaw’s own experiences of love and marriage to the themes that emerge in his works, showing how his personal relationships in and out of matrimonial bonds change the ways his characters enter and exit marriages and misalliances. While providing a wealth of new analysis, this collection of essays also leaves lingering questions for the reader to spark continuing dialogue in both individual and academic settings.

Bertolini provides close, subtle readings of six of Shaws major plays: Caesar and Cleopatra, Man and Superman, Major Barbara, The Doctors Dilemma, Pygmalion, and Saint Joan. He also devotes a full chapter to the one-act plays.

From 1880 to 1956, when John Osborne transformed the British theater world with Look Back in Anger, British playwrights made numerous lasting contributions and provided a foundation for the innovations of dramatists during the latter half of the 20th century. This reference profiles the life and work of some 40 British playwrights active during the late 19th and early 20th centuries, many of whom are also known for their work as novelists and poets. Included are figures such as W. H. Auden, Max Beerbohm, Noel Coward, T. S. Eliot, John Galsworthy, Graham Greene, D. H. Lawrence, W. Somerset Maugham, George Bernard Shaw, and Oscar Wilde. Each entry provides a biographical overview; a list of major plays and summaries of their critical reception; a list of minor plays, adaptations, and productions; an assessment of the playwright's career; and archival and bibliographical information. Included in this reference book are alphabetically arranged entries for some 40 British playwrights active from 1880 through 1956. Entries are written by expert contributors, with each entry providing a biographical overview; a list of major plays, premieres, and significant revivals, along with a summary of the critical reception of these works; a listing of additional plays, adaptations, and productions; an assessment of the playwright's career and contributions, with reference to published evaluations in magazines, journals, dissertations, and books; a listing of locations housing unpublished archival material, if available; a selected bibliography of the dramatist's published plays and of essays and articles by the playwright on aspects of the theater; a selected bibliography of secondary sources; and, when available, a listing of previously published bibliographies on the playwright.