School’s out for the end of the world. Anna and the Apocalypse is a horror comedy about a teenager who faces down a zombie apocalypse with a little help from her friends. Anna Shepherd is a straight-A student with a lot going on under the surface: she’s struggling with her mom’s death, total friend drama, and the fallout from wasting her time on a very attractive boy. She’s looking forward to skipping town after graduation—but then a zombie apocalypse majorly disrupts the holidays season. It’s going to be very hard to graduate high school without a brain. To save the day, Anna, her friends, and her frenemies will have to journey straight to the heart of one of the most dangerous places ever known, a place famous for its horror, terror, and pain...high school. This novel is inspired by the musical feature film, Anna and the Apocalypse—sing and slay along at home with the VOD release! An Imprint Book

School’s out for the end of the world. Anna and the Apocalypse is a horror comedy about a teenager who faces down a zombie apocalypse with a little help from her friends. Anna Shepherd is a straight-A student with a lot going on under the surface: she’s struggling with her mom’s death, total friend drama, and the fallout from wasting her time on a very attractive boy. She’s looking forward to skipping town after graduation—but then a zombie apocalypse majorly disrupts the holidays season. It’s going to be very hard to graduate high school without a brain. To save the day, Anna, her friends, and her frenemies will have to journey straight to the heart of one of the most dangerous places ever known, a place famous for its horror, terror, and pain...high school. This novel is inspired by the musical feature film, Anna and the Apocalypse—sing and slay along at home with the VOD release! An Imprint Book

Anna, a young woman and one of the last survivors of Earth, is forced to live on the space station Ulltra after a crash landing. How will she cope with her new troik family and what does the terrible prôlik want from her? She will soon find out... And she will meet more than one enemy. Suddenly, one of them is always at her side. But all she wants is to get to Opzalon...

Can't fight the dead? Then RUN... The dead are rising and violently attacking people on the streets of the UK. Driven by an insatiable hunger for flesh, they attack anyone who dares to go out. Anna is trapped as the zombie apocalypse rages outside her front door. Desperate and alone, she must find a way to get to her children who are with her Ex-partner. As Anna runs from the dead, she finds help from Rob and his fifteen-year-old brother, Jack, despite Rob's better instincts. Together, they run the nightmare gauntlet that used to be their neighbourhood. Run from the Dead is the first book in a zombie apocalypse series, following ordinary people trying to stay alive no matter what the cost. Battling the dead and humans alike, the people left must become somebody new. Someone prepared to do whatever it takes to live. Anna must learn to survive this cruel new world, where the living can be just as terrifying as the dead.

Carbon County, Wyoming is like a current running through Daphne’s heart. When life gets too tough to bear in Detroit, Daphne flees to her Uncle Floyd’s home, where she believes she’ll find solace in the silent hills of her childhood summers. But Daphne’s Greyhound bus pulls over in downtown Carbon County and it’s not silence that welcomes her. It’s the sound of trumpets. Daphne’s desire to start again in simple country comfort is instantly dashed as the townsfolk declare that the End Times are here. And incredible occurrences soon support their belief. Daphne does all she can to keep her head down and ignore the signs. She works a job at the local oil rig, helps around the house, hangs out with her pregnant cousin Janie and gets to know Owen, a mysterious motocross racer and fellow roustabout at the rig. But soon a startling discovery shatters her resolve and calls into question all her doubts and fears. Daphne landed in Carbon County for a reason. She only has to read the signs—and believe.

Survival is a luxury in the post-apocalyptic world Alex Keener knows. At sixteen, he leaves the confines of Bunker 108, escaping a deadly viral outbreak. But freedom means facing the brutal aftermath of the meteor Ragnarok, which devastated Earth thirty years ago. With every breath a battle for survival, Alex navigates through a barren world, haunted by monstrous remnants of the past. Discover the thrilling journey of Alex in this young adult sci-fi survival novel. Venture through a ravaged world where the past is obliterated, and survival is the only law. Perfect for fans of intense, post-apocalyptic tales and survivalist narratives. Delve into a landscape where the fight for existence eclipses all else. Ideal for readers searching for YA dystopian books, teen survival stories, post-meteor apocalypse narratives, or thrilling science fiction adventures.

A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literatures Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives. Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement. Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.

From the repurposed rubble of salvagepunk to undead hordes banging on shopping mall doors, from empty waste zones to teeming plagued cities, Combined and Uneven Apocalypse grapples with the apocalyptic fantasies of our collapsing era. Moving through the films, political tendencies, and recurrent crises of late capitalism, Evan Calder Williams paints a black toned portrait of the dream and nightmare images of a global order gone very, very wrong. Situating itself in the defaulting financial markets of the present, Combined and Uneven Apocalypse glances back toward a messy history of zombies, car wrecks, tidal waves, extinction, trash heaps, labour, pandemics, wolves, cannibalism, and general nastiness that populate the underside of our cultural imagination. Every age may dream the end of the world to follow, but these scattered nightmare figures are a skewed refraction of the normal hell of capitalism. The apocalypse isn''t something that will happen one day: it''s just the slow unveiling of the catastrophe we''ve been living through for centuries. Against any fantasies of progress, return, or reconciliation, Williams launches a loathing critique of the bleak present and offers a graveside smile for our necessary battles to come.

Sid, Axl, and Ivan volunteer to make a late-night fast-food run for the high school theater crew, and when they return, they find themselves. Not in a deep, metaphoric sense: They find copies of themselves onstage. As they look closer, they begin to realize that the world around them isn’t quite right. Turns out, when they went to the taco place across town, they actually crossed into an alien dimension that’s eerily similar to their world. The aliens have made sinister copies of cars, buildings, and people—and they all want to get Sid, Axl, and Ivan. Now the group will have to use their wits, their truck, and even their windshield scraper to escape! But they may be too late. They may now be copies themselves . . .

Battling creatures made from science gone wrong and culled from the psyches of madmen, Anna's journey claws its way through a future world of violence, depravity, monsters and perhaps...occasionally, even a hero or two. From the carcass of a burned out city she has known as home, to a small town torn between the factions of the enigmatic Mama Shotgun, madame of the town brothel, and Pastoer Jacob, preacher to the tent city "flock" on the outskirts, Apocalypse Girl follows the journey of Anna, from the loss of her papa, to her search for his friend, Abraham, plunging her in to both the conflicts of the town and pitting her against the tyrannical warlord known as General Cleaver and his chief lieutenant, "The Handler."