Just once, Ann Devine would like life to be straightforward. But there’s just too much drama knocking about for that to happen. Ann’s family is proving a handful at the moment. Her mother moves in after having a fall, her sister Ger is off ‘finding herself’ in India leaving Ann to look after her teenage, wide a-woke, niece Freya. Her daughter Jennifer is dealing with a love triangle that involves her mother-in-law-to-be. It’s all far from simple. Now Rory, her youngest, has set his sights on a future as a local TD and it’s all Ann can do not to box him up and post him off to the backend of wherever is furthest away from his local ‘mentor’, politician, and all-round chancer Patsy Duggan. Just to save him from himself. Of course, that’s not even an option because now the post office is closing down. The locals are up in arms, but what do the powers-that-be care about rural Ireland? Without really meaning to be, Ann finds herself in the thick of things – and things are getting dodgier by the minute. She only wanted to save the village, but sometimes even saviours need saving from themselves.

Warm, charming and laugh-out-loud funny... Ann Devine, Ready For Her Close-Up is a little ray of sunshine, sure to delight' Irish Independent Meet Ann Devine, a riddle, wrapped up in a fleece, inside a Skoda Octavia. Now that her youngest has flown the nest, Ann finds herself at a loose end. Until, that is, she is put forward for the Kilsudgeon Tidy Towns Committee. Yet all is not neat and tidy in Kilsudgeon. There are strange sightings of people who aren't local driving 4x4s with a yellow reg, a man bun requesting kefir in the restaurant and a quad bike at a funeral. What does this have to do with rumours of a brand new television series to rival Game of Thrones? And what will it all mean for Kilsudgeon's newly proposed town park? A lot, as it happens. As the town begins to fill up with the film crew, extras and a Hollywood star who is fond of the drink, everyone welcomes the chance to make a few bob and to finally get enough broadband to send an attachment. Or nearly everyone. Harmony is threatened when the newcomers seem to be doing more damage than good and the last straw is when Ann's pride and joy - a floral arrangement in a boat - is trashed. She's about to discover what it means to go viral...

Pound by sweaty pound, Greg Dunsmore's plan is working. Greg is steadily losing weight while gaining the material he needs to make the documentary that will get him into film school and away from the constant jeers of "Dun the Tun." But when Greg captures footage of brutal and bloody hazing by his town's championship-winning lacrosse team, he knows he has evidence that could damage as much as it could save. And if the harm is to himself and his future, is revealing the truth worth the cost? CCSS-aligned curriculum guide can be found online at http://www.rpcurriculumguides.com/curriculum_guides.html

An illustrated journal for meeting grief with honesty and kindness—honoring loss, rather than packing it away With her breakout book It’s OK That You’re Not OK, Megan Devine struck a chord with thousands of readers through her honest, validating approach to grief. In her same direct, no-platitudes style, she now offers How to Carry What Can’t Be Fixed—a journal filled with unique, creative ways to open a dialogue with grief itself. “Being allowed to tell the truth about your grief is an incredibly powerful act,” she says. “This journal enables you to tell your whole story, without the need to tack on a happy ending where there isn’t one.” Grief is a natural response to death and loss—it’s not an illness to be cured or a problem to be fixed. This workbook contains no clichés, timetables, or checklists of stages to get through; it won’t help you “move past” or put your loss behind you. Instead, you’ll find encouragement, self-care exercises, and daily tools, including: •Writing prompts to help you honor your pain and heartbreak • On-the-spot practices for tough situations—like grocery store trips, the sleepless nights, and being the “awkward guest” • The art of healthy distraction and self-care • What you can do when you worry that “moving on” means “letting go of love” • Practical advice for fielding the dreaded “How are you doing?” question • What it means to find meaning in your loss • How to hold joy and grief at the same time • Tear-and-share resources to help you educate friends and allies • The “Griever’s Bill of Rights,” and much more Your grief, like your love, belongs to you. No one has the right to dictate, judge, or dismiss what is yours to live. How to Carry What Can’t Be Fixed is a journal and everyday companion to help you enter a conversation with your grief, find your own truth, and live into the life you didn’t ask for—but is here nonetheless.

Mrs. Louise Mallard, afflicted with a heart condition, reflects on the death of her husband from the safety of her locked room. Originally published in Vogue magazine, “The Story of an Hour” was retitled as “The Dream of an Hour,” when it was published amid much controversy under its new title a year later in St. Louis Life. “The Story of an Hour” was adapted to film in The Joy That Kills by director Tina Rathbone, which was part of a PBS anthology called American Playhouse. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

Colm O’Regan’s massive bestseller Isn’t It Well For Ye? The Book of Irish Mammies brought the wonderful world of the Irish Mammy to homes across Ireland, where it took pride of place alongside the good scissors and the bit of string that might come in handy someday. And now, before you can say “Is it that time already?”, Irish Mammy is back with more words of wisdom. That’s More Of It Now: The Second Book of Irish Mammies takes us even deeper into this parallel universe, with advice on everything from how to tell Mammy she is about to become a Granny to how to discipline a child (aged 0–45), touching on Irish Mammies’ role in the worlds of sport, the workplace, technology, religion and culture. Enjoy popular fairy-tales retold with an Irish Mammy at the centre of them; marvel at exclusive, not-yet-released scenes from the epic Game of Scones; and find some essential apps for the Modern Mammy’s tablet. Probably the most important sequel since The Godfather Part II, or at least Fifty Shades Darker, That’s More Of It Now will find a place in everybody’s heart (and stocking). Just don’t leave it on a damp step.

Christmas – a time for peace, joy and Mammies. While others are focusing on Santa/Santy, the school nativity play, the office party and its wild cousin the Twelve Pubs, panicked present shopping and the delicate diplomacy of in-law visiting, the Irish Mammy is mobilized in her war-room – ready for the campaign. Electric blankets have been set to maximum power; cards have been despatched; the turkey has been ordered; the decorations have been retrieved from the Place Where The Decorations Go and the fifth Big Shop (to get breadcrumbs) has been completed. There are homecomings from near and far, new arrivals, drama, bustle, tears and laughter, and Mammy at the heart of it all, directing operations. There’s bound to be something she’s forgotten – but luckily, just like a certain someone, she’s made a list.

29 and unmarried, gasp! - can you think of anything worse? In 1920s rural Canada, Valancy Stirling is considered "past it" and with a controlling, nagging mother and petty gossips for relatives she feels trapped in the life she has ended up in and when she is diagnosed with a terminal heart condition and given a year to live, it seems she will die without ever experiencing happiness. And so, she rebels. She leaves her family home slamming the door as she does and moves in with her old friend Cissy and starts working as a housekeeper. The independence is intoxicating - as is a growing friendship with local man, Barney Snaith. It looks as though Valancy will have love to warm her heart in her final months. But secrets on both sides threaten to ruin things. The intoxicating story of love and loss is perfect for fans of Elizabeth Gaskell and Jodie Picoult. Lucy Maud (L.M.) Montgomery was a Canadian author best known for a series of children's books beginning with 'Anne of Green Gables'. The books were a huge hit in her lifetime and were recently made in the Netflix series 'Anne with an E'. Montgomery published 20 novels, 530 short stories, 500 poems and 30 essays in her lifetime. Most were set in Canada's smallest province, Prince Edward Island.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.