A fresh, unconventional look at the early post-partition years, suggesting that cooperation rather than conflict was the order of the day between India and Pakistan.

Though largely invisible in histories of the First World War, over??550,000 men in the ranks of the Indian army were non-combatants. From the porters, stevedores and construction workers in the Coolie Corps to those who maintained supply lines and removed the wounded from the battlefield, Radhika Singha recovers the story of this unacknowledged service. The labor regimes built on the backs of these 'coolies' sustained the military infrastructure of empire; their deployment in interregional arenas bent to the demands of global war. Viewed as racially subordinate and subject to 'non-martial' caste designations, they fought back against their status, using the warring powers' need for manpower as leverage to challenge traditional service hierarchies and wage differentials. The Coolie's Great War views that global conflict through the lens of Indian labor, constructing a distinct geography of the war--from tribal settlements and colonial jails, beyond India's frontiers, to the battlefronts of France and Mesopotamia.

Many studies focus on film in Africa. Few, however, study cinema as a leisure activity: one that has influenced several generations and opened up spaces to dream, discuss or contest. Movie theatres offered a break from the daily routine, as places of escape and of education. Cinema was also potentially subversive, offering an alternative to colonial discourse. Tropical Dream Palaces seeks to trace this history in a West African context: of broadening horizons on the one hand, and of censorship and control on the other. It fills a historiographic void, following cinema's arrival in the region in the early twentieth century up until the Independence era, and also looking further afield to Central Africa and its different models. Goerg addresses questions of film distribution in colonial times; of screening venues, their implantation, spread and different categories; while also focusing on audiences, their gender or age; the acquisition of a film culture; and the impact of screening foreign images. Her book draws on extremely varied sources to paint a broad picture of this cinematographic landscape: archives, the accounts of African and European spectators or administrators, novels, autobiographies, the local press, interviews and iconography.

When a group of international activists arrive on the Faroe Islands, intent on stopping the traditional whale hunts, tensions between islanders and protestors run high. And when a woman is found viciously murdered only hours after a violent confrontation, the circumstances seem purposely designed to increase animosity between the two sides. As English DI Jan Reyna and local detective Hjalti Hentze investigate, it becomes increasingly clear that the murder has other, more sinister aspects to it, and that crucial evidence is being hidden. Neither policeman knows who to trust, or how far some people might go to defend their beliefs.

New York Times bestselling author RaeAnne Thayne brings you back to Haven Point—a place made for second chances… McKenzie Shaw would do anything for her hometown of Haven Point. It may be small, but it’s never let her down…unlike gorgeous, infuriating Ben Kilpatrick. He was her childhood hero until he closed his family’s factory, leaving the town’s economy in shambles. Now his tech firm is considering opening a local facility. For Haven Point’s sake, McKenzie has to grit her teeth and play nice. What could a town filled with painful memories ever offer Ben? Yet seeing the town through the eyes of McKenzie—its fiery young mayor—he suddenly has his answer. If only he can resolve the animosity crackling between them, Ben may have found the place where he can build ties and find healing…a place where love arrives when it’s least expected. Don't miss Thayne's next release, The Path to Sunshine Cove: three love stories in one with the emotional pull of Debbie Macomber, Barbara Delinsky and Susan Wiggs!

Lucius Annaeus Seneca (4 BCE–65 CE) was a Roman Stoic philosopher, dramatist, statesman, and adviser to the emperor Nero, all during the Silver Age of Latin literature. The Complete Works of Lucius Annaeus Seneca is a fresh and compelling series of new English-language translations of his works in eight accessible volumes. Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, this engaging collection restores Seneca—whose works have been highly praised by modern authors from Desiderius Erasmus to Ralph Waldo Emerson—to his rightful place among the classical writers most widely studied in the humanities. Anger, Mercy, Revenge comprises three key writings: the moral essays On Anger and On Clemency—which were penned as advice for the then young emperor, Nero—and the Apocolocyntosis, a brilliant satire lampooning the end of the reign of Claudius. Friend and tutor, as well as philosopher, Seneca welcomed the age of Nero in tones alternately serious, poetic, and comic—making Anger, Mercy, Revenge a work just as complicated, astute, and ambitious as its author.

"Although Makaha is a small, isolated town on the Western coast of O'ahu, it has produced some of the most intriguing Hawaiians of the twentieth century: world-class surfers Buffalo Keaulana and his sons Rusty and Brian; beautiful skin diver and surfing pro Rell Sunn; and larger-than-life singer and songwriter Israel Kamakawiwo'ole. What connects them is a love for their culture, their people, and water sports. Fierce Heart combines stories of exciting surfing competitions, dramatic water rescues, and deep friendships with a look at the history and origins of one of the world's most thrilling extreme sports." --

Young. Wealthy. Elite. Ruthless. The boys of Clermont Bay ruled over this town as if it was their kingdom. And Beck Clermont controlled them all. He was arrogant and conceited, and from the moment I met him, he had made up his mind about me. Dangerously handsome and wickedly cruel, he had no intention of letting me spend my senior year under the radar. The secrets of old money ran deep, and even though I barely knew them, the sins of my family had put a target on my back. He was a hurricane, and I was unprepared for the storm. His touch fatal. His impact irreparable. There was no negotiation. He stole my heart. Without warning, without permission. He was the enemy, but that didn't stop me from falling for The Touch of a Villain.

"Lovely and timely. So glad Joshunda is telling our stories." - Jacqueline Woodson Eight-year-old Ava Murray wants to know why there’s a difference between the warm, friendly Bronx neighborhood filled with music and art in which she lives and the Bronx she sees in news stories on TV and on the Internet. When her mother explains that the power of stories lies in the hands of those who write them, Ava decides to become a journalist. I Can Write the World follows Ava as she explores her vibrant South Bronx neighborhood - buildings whose walls boast gorgeous murals of historical figures as well as intricate, colorful street art, the dozens of different languages and dialects coming from the mouths of passersby, the many types of music coming out of neighbors’ windows and passing cars. In reporting how the music and art and culture of her neighborhood reflect the diversity of the people of New York City, Ava shows the world as she sees it, revealing to children the power of their own voice.

Cover -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Note on Transliteration and Translation -- Introduction -- Chapter 1. Frontier with the House of Gold -- Chapter 2. A Foundation for History -- Chapter 3. Dear Son, What Is the Matter with You? -- Chapter 4. A Demon with Ruby Eyes -- Chapter 5. The Half Smile -- Chapter 6. A Conquest of Pasts -- Conclusion -- Notes -- Works Cited -- Acknowledgments -- Index