The visual world of animals is highly diverse and often very different from that of humans. This book provides an extensive review of the latest behavioral and neurobiological research on animal vision, detailing fascinating species similarities and differences in visual processing.

Animal Visions considers how literature responds to the harms of anthropocentricism, working with Emily Brontë’s Wuthering Heights (1847) and various adaptations of this canonistic novel to show how posthumanist dream writing unsettles the privileging of the human species over other species. Two feminist and post-Freudian responses, Kathy Acker’s poem “Obsession” (1992) and Anne Carson’s “The Glass Essay” (1997) most strongly extend Brontë’s dream writing in this direction. Building on the trope of a ludic Cathy ghost who refuses the containment of logic and reason, these and other adaptations offer the gift of a radical peri-hysteria. This emotional excess is most clearly seen in Kate Bush’s music video “Wuthering Heights” (1978) and Peter Kosminsky’s film Wuthering Heights (1992). Such disturbances make space for a moor love that is particularly evident in Jane Urquhart’s novel Changing Heaven (1989) and, to a lesser extent Sylvia Plath’s poem, “Wuthering Heights” (1961). Brontë’s Wuthering Heights and its most productive afterings make space for co-affective relations between humans and other animal beings. Andrea Arnold’s film Wuthering Heights (2011) and Luis Buñuel’s Abismos de Pasión (1954) also highlight the rupturing split gaze of non-acting animals in their films. In all of these works depictions of intra-active and entangled responses between animals show the potential for dynamic and generative multispecies relations, where the human is one animal amongst the kin of the world.

The subject of this volume is two-fold. First, it gathers typical polarization patterns occurring in nature. Second, it surveys the polarization-sensitive ani mals, the physiological mechanisms and biological functions of polarization sensitivity as weIl as the polarization-guided behaviour in animals. The monograph is prepared for biologists, physicists and meteorologists, espe cially for experts of atmospheric optics and animal vision, who wish to under stand and reveal the message hidden in polarization patterns of the optical environment not directly accessible to the human visual system, but measur able by polarimetry and perceived by many animals. Our volume is an attempt to build a bridge between these two physical and biological flelds. In Part I we introduce the reader to the elements of imaging polarimetry. This technique can be efflciently used, e. g. in atmospheric optics, remote sens ing and biology. In Part 11 we deal with typical polarization patterns of the natural optical environment. Sunrise/sunset, clear skies, cloudy skies, moonshine and total solar eclipses all mean quite different illumination conditions, wh ich also affect the spatial distribution and strength of celestial polarization. We pre sent the polarization patterns of the sky and its unpolarized (neutral) points under sunlit, moonlit, clear, cloudy and eclipsed conditions as a function of solar elevation. The polarization pattern of a rainbow is also shown. That part of the spectrum is derived in which perception of skylight polarization is optimal under partly cloudy skies.

Describes the structure of the eye in insects, crustaceans, fish, amphibians, reptiles, birds, and mammals, and suggests the different ways they perceive the world around them

This book covers the way that all known types of eyes work, from their optics to the behaviour they guide. The ways that eyes sample the world in space and time are considered, and the evolutionary origins of eyes are discussed. This new edition incorporates discoveries made since the first edition published in 2001.

“An emotional masterpiece . . . A novel in which humor, passion, and superb prose conspire to seize a reader by the heart and by the soul.” —New York Daily News From Barbara Kingsolver, the acclaimed author of Flight Behavior, The Lacuna, The Bean Trees, and other modern classics, Animal Dreams is a passionate and complex novel about love, forgiveness, and one woman’s struggle to find her place in the world "Animals dream about the things they do in the daytime just like people do. If you want sweet dreams, you've got to live a sweet life." So says Loyd Peregrina, a handsome Apache trainman and latter-day philosopher. But when Codi Noline returns to her hometown, Loyd's advice is painfully out of her reach. Dreamless and at the end of her rope, Codi comes back to Grace, Arizona, to confront her past and face her ailing, distant father. What she finds is a town threatened by a silent environmental catastrophe, some startling clues to her own identity, and a man whose view of the world could change the course of her life. Blending flashbacks, dreams, and Native American legends, Animal Dreams is a suspenseful love story and a moving exploration of life's largest commitments. This edition includes a P.S. section with additional insights from Barbara Kingsolver, background material, suggestions for further reading, and more.

This book covers advances made since the 2004 Springer volume “Polarized Light in Animal Vision” edited by Horvath and Varju, but also provides reviews and synopses of some areas. Part I examines polarization sensitivity across many animal taxa including vertebrates and invertebrates and details both terrestrial and aquatic life. Part II is devoted to the description of polarized light in nature and explores how the physics of light must be taken into account when understanding how polarized light is detected by the visual system. This includes underwater polarization due to scattering; polarization patterns reflected from freshwater bodies; polarization characteristics of forest canopies; normal and anomalous polarization patterns of the skies; skylight polarization transmitted through Snell’s window and both linearly and circularly polarized signals produced by terrestrial and aquatic animals. This Part also examines polarized “light pollution” induced by anthropogenic factors such as reflection off asphalt surfaces, glass panes, car bodies, and other man-made structures that are now known to form ecological traps for polarotactic insects. Part III surveys some of the practical applications of polarization vision including polarization-based traps for biting insects, ground-based polarimetric cloud detectors and an historical examination of the navigational abilities of Viking seafarers using the sky polarization compass. The deterrent qualities of ungulate pelage to polarization-sensitive biting insects is also examined in this section.

The Victorian period witnessed the beginning of a debate on the status of animals that continues today. This volume explicitly acknowledges the way twenty-first-century deliberations about animal rights and the fact of past and prospective animal extinction haunt the discussion of the Victorians' obsession with animals. Combining close attention to historical detail with a sophisticated analytical framework, the contributors examine the various forms of human dominion over animals, including imaginative possession of animals in the realms of fiction, performance, and the visual arts, as well as physical control as manifest in hunting, killing, vivisection and zookeeping. The diverse range of topics, analyzed from a contemporary perspective, makes the volume a significant contribution to Victorian studies. The conclusion by Harriet Ritvo, the pre-eminent authority in the field of Victorian/animal studies, provides valuable insight into the burgeoning field of animal studies and points toward future studies of animals in the Victorian period.

The automation of visual inspection is becoming more and more important in modern industry as a consistent, reliable means of judging the quality of raw materials and manufactured goods . The Machine Vision Handbook equips the reader with the practical details required to engineer integrated mechanical-optical-electronic-software systems. Machine vision is first set in the context of basic information on light, natural vision, colour sensing and optics. The physical apparatus required for mechanized image capture – lenses, cameras, scanners and light sources – are discussed followed by detailed treatment of various image-processing methods including an introduction to the QT image processing system. QT is unique to this book, and provides an example of a practical machine vision system along with extensive libraries of useful commands, functions and images which can be implemented by the reader. The main text of the book is completed by studies of a wide variety of applications of machine vision in inspecting and handling different types of object.

The authors use Shakespeare's Tempest as a metaphor for the relationship between people and chimps, exploring the very human aspects of this remarkable species. Original.