Cover -- Title -- Copyright -- Dedication -- CONTENTS -- Acknowledgements -- A Note on the Text -- Introduction -- 1 Ernest Hemingway's Francis Macomber in "God's Country"--2 The Anima's Many Faces in Henry Rider Haggard's She -- 3 The Anima and Psychic Fragmentation in Olive Schreiner's The Story of an African Farm -- 4 "The Reality of the Singular": Anima and Unus Mundus in Laurens van der Post's A Story Like the Wind and A Far-Off Place -- 5 "We are All Sailors": C.G. Jung's Memories, Dreams, Reflections and Doris Lessing's Briefing for a Descent into Hell -- 6 "Not a Bad Man But Not Good Either": The Anima and Individuation in J.M. Coetzee's Disgrace -- 7 "The Eyes in the Trees are Watching": The Dissociated Anima and African Agency in Barbara Kingsolver's The Poisonwood Bible -- 8 Mother is Not Supreme: The Anima and (Post)Colonial Strife in Chinua Achebe's Things Fall Apart and Nadine Gordimer's July's People -- 9 The Anima and Shadow Dynamics in Aphra Behn's Oroonoko -- Works Cited -- Index

Beyond simplistic binaries of "the dark continent" or "Africa Rising," Africans at home and abroad articulate their identities through their quotidian practices and cultural politics. Amongst the privileged classes, these articulations can be characterized as Afropolitan projects--cultural, political, and aesthetic expressions of global belonging rooted in African ideals. This ethnographic study examines the Afropolitan projects of Ghanaians living in two cosmopolitan cities: Houston, Texas, and Accra, Ghana. Anima Adjepong's focus shifts between the cities, exploring contests around national and pan-African cultural politics, race, class, sexuality, and religion. Focusing particularly on queer sexuality, Adjepong offers unique insight into the contemporary sexual politics of the Afropolitan class. The book expands and complicates existing research by providing an in-depth transnational case study that not only addresses questions of cosmopolitanism, class, and racial identity but also considers how gender and sexuality inform the racialized identities of Africans in the United States and in Ghana. Bringing an understudied cohort of class-privileged Africans to the forefront, Adjepong offers a more fully realized understanding of the diversity of African lives.

C. G. Jung understood the anima in a wide variety of ways but especially as a multifaceted archetype and as a field of energy. In Anima and Africa: Jungian Essays on Psyche, Land, and Literature, Matthew A. Fike uses these principles to analyze male characters in well-known British, American, and African fiction. Jung wrote frequently about the Kore (maiden, matron, crone) and the "stages of eroticism" (Eve, Mary, Helen, Sophia). The feminine principle’s many aspects resonate throughout the study and are emphasized in the opening chapters on Ernest Hemingway, Henry Rider Haggard, and Olive Schreiner. The anima-as-field can be "tapped" just as the collective unconscious can be reached through nekyia or descent. These processes are discussed in the middle chapters on novels by Laurens van der Post, Doris Lessing, and J. M. Coetzee. The final chapters emphasize the anima’s role in political/colonial dysfunction in novels by Barbara Kingsolver, Chinua Achebe/Nadine Gordimer, and Aphra Behn. Anima and Africa applies Jung’s African journeys to literary texts, explores his interest in Haggard, and provides fresh insights into van der Post’s late novels. The study discovers Lessing’s use of Jung’s autobiography, deepens the scholarship on Coetzee’s use of Faust, and explores the anima’s relationship to the personal and collective shadow. It will be essential reading for academics and scholars of Jungian and post-Jungian studies, literary studies, and postcolonial studies, and will also appeal to analytical psychologists and Jungian psychotherapists in practice and in training.

After a lifetime's close observation of the continent, one of the world's finest Africa correspondents has penned a landmark book on life and death in modern Africa. It takes a guide as observant, experienced, and patient as Richard Dowden to reveal its truths. Dowden combines a novelist's gift for atmosphere with the scholar's grasp of historical change as he spins tales of cults and commerce in Senegal and traditional spirituality in Sierra Leone; analyzes the impact of oil and the internet on Nigeria and aid on Sudan; and examines what has gone so badly wrong in Zimbabwe, Rwanda, Burundi, and the Congo. Dowden's master work is an attempt to explain why Africa is the way it is, and enables its readers to see and understand this miraculous continent as a place of inspiration and tremendous humanity.

The Depths of Anima is an introspective look at Black girlhood and the transition into womanhood. It challenges Carl Jung's concept of "anima" by introducing an interpretation of the feminine-spirit living in all of us. This poetry collection takes a look at our inner worlds as 'Anima' seeks to remind readers that your inner sanctum is worthy of protection and your place in the world is no accident.

Presents pictures and facts about African animals with each letter of the alphabet.

In 1999 (August 30 - September 2) the Pan African Anthropological Association (PAAA) marked the 10th anniversary of its creation by holding its 9th Annual Conference in Yaounde, Cameroon - the city and country of its birth. The conference, themed "The Anthropology of Africa: Challenges for the 21st Century", was attended by some seventy participants, mostly African. Among the international participants was Dr Sydel Silverman, President of the Wenner Gren Foundation at the time - a long term partner of the PAAA; she was present at the inaugural conference in 1988. The conference proceedings were initially published in 2000 with very limited circulation. Given the continued relevance of the papers presented, and in view of the call by the President of the PAAA for African anthropologists to reunite anthropological theory and practice in the teaching programmes of African universities, the PAAA is pleased to republish the proceedings of its landmark 9th Annual Conference. The book consists of forty three divided into eight parts, namely: i) teaching anthropology in the decades ahead; ii) Health Challenges: HIV/AIDS Anthropological Perspectives; iii) NGOS: Use and Misuse of Anthropology; iv) Anthropological Focus on Environment; v) Some Applied Issues in Anthropology; vi) The African Family in Crisis; vii) Ethnicity and Ethnic Conflicts; and viii) Population issues and anthropology: Fertility Crisis. Paul Nkwi concludes his introduction to the volume with these words: "The Anthropology of Africa will remain for a long time, fundamentally applied if it is to meet the challenges of the 21st Century."

"This is the first comprehensive study of contemporary German literature's intense engagement with German colonialism and with Germany's wider involvement in European colonialism. Building on the author's decade of research and publication in the field, the book discusses some fifty novels by German, Swiss, and Austrian writers, among them Hans Christoph Buch, Alex Capus, Christof Hamann, Lukas Hartmann, Ilona Maria Hilliges, Giselher W. Hoffmann, Dieter Kühn, Hermann Schulz, Gerhard Seyfried, Thomas von Steinaecker, Uwe Timm, Ilija Trojanow, and Stephan Wackwitz. Drawing on international postcolonial theory, the German tradition of cross-cultural literary studies, and on memory studies, the book brings the hitherto neglected German case to the international debate in postcolonial literary studies"--Publisher website, July 5, 2013.

The histories of Europe and Africa are closely intertwined. At times, this closeness has been emphasized, at other times, suppressed and denied. Since the nineteenth century, European imperial powers have carved up the continent of Africa among themselves, drawing borders and charting shorelines; in the process, inventing Africa. This was a project anchored in ancient Greek and Roman representations of Africa. For Italy, colonialism in Africa was a matter of consolidating its project of national unification, nominally completed in 1870 with the capture of Rome. By asserting its position as an imperial power, the young nation of Italy hoped to join the club of European nation-states and, in so doing, be rid of the perception that it was a country somewhere in between Europe and Africa. Yet, Italy's colonial endeavour in Africa was also a project with deep historical meaning. Italy posed its imperial project in Africa as a national return to territory which was rightfully Italian. Italian ideologues of imperialism based this claim on the history of Roman history on the continent. When Italian soldiers disembarked on the beaches of Libya during Italy's invasion of 1911-1912, and came across the ruins of Roman imperialism, they were, according to prominent cultural and political figures in Italy, rediscovering the traces of their ancestors. Yet, when Italian imperial ambitions set their sights on East Africa, regions that had not been conquered by Rome, how could Italy nevertheless shape its imperial project in the image of ancient Rome? This book charts this story. Beginning with Italy's first imperial endeavours on the African continent in the last decades of the nineteenth century and continuing right through to Italy's current attitudes towards Africa, this book argues that empire in Africa was a central aspect of Italian nation-building, and that this was a project which anchored itself in memories of ancient Rome in Africa. Although Fascism's invasion of Ethiopia (1935-1936) is the best-known moment of Italian imperialism in Africa, this book shows that Italian imperialism, modelled on ancient Rome, has a history which long predates Mussolini's movement, and has a legacy which continues to be acutely felt.