This title features a wonderfully evocative collection of portraits of some of the greatest stars of 20th century British theatre. The photography of Angus McBean encompasses more than three decades of the history of British theatre. His work includes some of the most memorable theatre productions of the Old Vic Company and what is now the Royal Shakespeare Company; opera productions at Glyndebourne and the Royal Opera House, Covent Garden; ballet from Sadler's Wells; and West End productions of plays and musicals. He was a favourite photographer of Vivien Leigh, Lourence Olivier, and Edith Evans. He photographed countless plays starring the likes of John Gielgud, Ralph Richardson, and Alec Guinness, not to mention young stars such as Audrey Hepburn, Richard Burton, and Elizabeth Taylor. This sumptuously illustrated volume features 120 evocative images - reproduced from McBean's original negatives - of some the greatest stars of Twentieth-century British theatre.

Drawing on the outstanding collection of the National Portrait Gallery, this volume celebrates the variety and complexity of portraiture The National Portrait Gallery holds the world's most extensive collection of portraits: a museum of people, a gallery of stories and ideas, and a home of artistic masterpieces. Icons and Identitiesdraws together icons from Shakespeare to Audrey Hepburn alongside less well-known sitters that provide insight into the representation of identity in portraits. It also includes some intriguing surprises to reflect the diversity of the National Portrait Gallery's collection and to introduce audiences around the world to exceptional portraits of many kinds. Icons and Identitiesshows how artists, working across mediums, have revealed the visually stimulating and intellectually vibrant tradition of portrait making. The book is structured around a series of key themes and each section includes a selection of works from a range of periods. Artists include: Peter Paul Rubens, Anthony van Dyck, Joshua Reynolds, Thomas Gainsborough, Andy Warhol, Marlene Dumas and Shirin Neshat.

The best of his theatrical portraits, in which he immortalized the likes of Audrey Hepburn, Laurence Olivier and Alec Guinness, are superbly reproduced here in this sumptuous volume, which will be snapped up by anyone with an interest in British theatre, photography and surrealism.

Facemaker is the first full-length biography of Angus McBean, one of the most influential photographers of the 20th Century, whose surreal and romantic portraiture of iconic film stars and musicians is still imitated throughout the world in fashion images and pop videos. Drawing from a multitude of direct sources and recorded interviews, Adrian Woodhouse tells the authoritative, unexpurgated story of McBean’s dramatic life, from his humble origins in South Wales to his arrest, trial and imprisonment during World War II for homosexuality; from his rise, fall, and resurgence in the world of photography to his final years in Suffolk. Full of scandal and controversy, and rich with previously untold anecdotes and revelations about his famous subjects like Vivien Leigh, Laurence Olivier, Maria Callas, and the Beatles, Facemaker provides the private and the official portrait of a man who helped define the look of an age.

Cecil Beaton called him the best photographer in Britain; Lord Snowdon declared him a genius. It is no exaggeration to say that Angus McBean revolutionized portraiture in the 1930s, or that he immortalized the likes of Audrey Hepburn, Marlene Dietrich, and Elizabeth Taylor. Blending wit, drama, and fantasy with the consummate skill of a master photographer, McBean was the most prominent theater photographer of his generation and, along with Beaton, the last of the British avant-garde studio photographers. For the first time since his death in 1990, McBean's photographs of stars such as Vivien Leigh, Peggy Ashcroft, Laurence Olivier, John Gielgud, and Audrey Hepburn and his rarely seen color prints from the 1960s of the Beatles, Maria Callas, and Shirley Bassey are brought together in this fascinating book. Terence Pepper's intriguing account of McBean's life and work includes extracts from the photographer's unpublished autobiography. Terence Pepper is curator of photographs at the National Portrait Gallery in London. He is the author of The Man Who Shot Garbo: The Photographs of Clarence Sinclair Bull, High Society: Photographs 1897-1914, and monographs on Lewis Morley and Dorothy Wilding.

Examines both theatrical and staged art photographs, demonstrating their role in fixing and unfixing Shakespearean authority.

Angus McBean (1904-90) was one of the most extraordinary British photographers of the 20th century. This collection of his work includes extracts from the photographer's unpublished autobiography.

During her lifetime , the Belgian - born British actress Audrey Hepburn (1929 - 93), star of such films as Roman Holiday , Sabrina , Funny Face , Breakfast at Tiffany's, My Fair Lady , Charade and Two for the Road , was recognised around the world. Posthumously, her popula rity has endured and her image continues to be reproduced in a variety of international cultural contexts. Unlike other collections, in this new book the authors call attention to the circumstances in which pictures of Hepburn were published and consumed, thereby illuminating more generally our changing relationship with such images over the course of the twentieth century. Hepburn's career is charted through over 145 portraits and supporting images - from her early years in London as a student of ballet an d a performer on the West End stage, to her Hollywood heyday and her final years as a special ambassador for the United Nations Children's Fund (UNICEF). Alongside work by the photographers whose portraits defined Hepburn's image and shaped her career are publicity photographs and images made on - and off - set during the production of her films, as well as family photographs and informal archive news pictures. Possessing the features, height and poise of a model, Hepburn collaborated with a number of couturie rs, notably Hubert de Givenchy. Her image often graced the pages and covers of fashion magazines such as Harper's Bazaar , for which she was photographed by Richard Avedon, whose work is represented here together with portraits by Cecil Beaton, Antony Beauchamp, Philippe Halsman, Angus McBean, Norman Parkinson and Irving Penn.

An examination and celebration of the Baroque culture of excess.