Chi Vu takes the central figure in a traditional Buddhist folktale, a deranged killer who wears his victims’ fingers in a garland around his neck, and turns him into a menacing abbatoir worker who carries bloody chunks of meat home to his lodgings in plastic bags, in this suburban Gothic tale set in 1980s Melbourne, when the flight of Vietnamese refugees to Australia was at its height. The novella gives a compelling insight into the relations formed between refugees who have been displaced from their families or their communities, and lead isolated lives haunted by suspicion and fear. At the same time the novella’s macabre humour and surreal effects point to redemptive possibilities, in demonstrating how these old fears are played out and resolved in their new settings.

This book is the first to examine gender and violence in Australian literature. It argues that literary texts by Australian women writers offer unique ways of understanding the social problem of gendered violence, bringing this often private and suppressed issue into the public sphere. It draws on the international field of violence studies to investigate how Australian women writers challenge the victim paradigm and figure women’s agencies. In doing so, it provides a theoretical context for the increasing number of contemporary literary works by Australian women writers that directly address gendered violence, an issue that has taken on urgent social and political currency. By analysing Australian women’s literary representations of gendered violence, this book rethinks victimhood and agency, particularly from a feminist perspective. One of its major innovations is that it examines mainstream Australian women’s writing alongside that of Indigenous and minoritised women. In doing so it provides insights into the interconnectedness of Australia’s diverse settler, Indigenous and diasporic histories in chapters that examine intimate partner violence, violence against Indigenous women and girls, family violence and violence against children, and the war and political violence.

The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.

In recent years, Australian literature has experienced a revival of interest both domestically and internationally. The increasing prominence of work by writers like Christos Tsiolkas, heightened through television and film adaptation, as well as the award of major international prizes to writers like Richard Flanagan, and the development of new, high-profile prizes like the Stella Prize, have all reinvigorated interest in Australian literature both at home and abroad. This Companion emerges as a part of that reinvigoration, considering anew the history and development of Australian literature and its key themes, as well as tracing the transition of the field through those critical debates. It considers works of Australian literature on their own terms, as well as positioning them in their critical and historical context and their ethical and interactive position in the public and private spheres. With an emphasis on literature’s responsibilities, this book claims Australian literary studies as a field uniquely positioned to expose the ways in which literature engages with, produces and is produced by its context, provoking a critical re-evaluation of the concept of the relationship between national literatures, cultures, and histories, and the social function of literary texts.

English-language scholarship all too often dismisses South Vietnam as an American creation, a product of US imperialism. Republican Vietnam, 1963–1975 boldly upends this depiction, exposing a diverse and dynamic portrait of the Second Republic. In twelve essays, each based on original archival research, the volume brings to life the Second Republic in all its complexities, displaying how politicians, students, educators, publishers, journalists, musicians, religious leaders, businessmen, and ordinary citizens built a highly intricate society—with dazzling entrepreneurial zeal, an outspoken press, globally engaged religions, a vibrant intellectual and associational culture, and a level of artistic production that remains unmatched since the Vietnam War. That inspired and frenzied age, though short lived, held a resilient spirit that Vietnamese refugees have kept alive. The trove of vernacular music and print media, not to mention the many associations the Vietnamese diaspora founded, exemplify the republican values that once energized South Vietnamese culture. But this nuanced society has appeared in popular media and American scholarship as a hopelessly dependent nation, led by corrupt dictators beholden to US interests. In contrast to such negative stereotypes, this account situates South Vietnamese front and center as agents of their own histories. Republican Vietnam is the first collection of scholarly essays on the Second Republic since the end of the Vietnam War. It is also among the first to use republicanism as a lens to re-examine twentieth-century Vietnamese history, the Vietnam War, and the diaspora. The twelve essays together show how war, in tandem with external intervention, shaped South Vietnam’s economy, culture, and the life of every individual and family. By featuring works from Vietnamese and Vietnamese diasporic studies, this text takes the important step of bridging the two fields, laying the foundation for cross-disciplinary projects in the future.

Descendants of Vietnam veterans and refugees confront the aftermath of war and, in verse and prose, deliver another kind of war story. Fifty years after the Vietnam War, this anthology by descendants of Vietnam veterans and refugees—American, Vietnamese, Vietnamese Diaspora, Hmong, Australian, and others—confronts war and its aftermath. What emerges is an affecting portrait of the effects of war and family—an intercultural, generational dialogue on silence, memory, landscape, imagination, Agent Orange, displacement, postwar trauma, and the severe realities that are carried home. Including such acclaimed voices as Viet Thanh Nguyen, Karen Russell, Terrance Hayes, Suzan-Lori Parks, Nick Flynn, and Ocean Vuong, Inheriting the War enriches the discourse of the Vietnam War and provides a collective conversation that attempts to transcend the recursion of history. “Each unique work in Inheriting the War embraces a collective that aims to engage through some daring and passionate truths calibrated by bravery.” —Yusef Komunyakaa, from the foreword

The first volume of a three-volume complete edition of Newton's optical papers contains his Optical Lectures, delivered at Cambridge University between 1670 and 1672. The Lectures is Newton's first major scientific treatise, and consequently it represents a crucial link between his early years of discovery and his mature investigations and publications, such as the Optiks in 1704. It is divided into two parts: the first part devoted to color and the second to refraction. Originally published in 1984, this edition made available the complete text, together with translation and commentary, of both surviving versions of the Lectures, a draft and a vastly expanded revision. Until the time of publication, scholars had to depend on an uncritical text of the revision and an inadequate partial English translation, both published shortly after Newton's death. Professor Shapiro's critical edition has made a great contribution to the study of Newtonian science.

Written by two renowned experts, this book surveys the use of botulinum toxin A in aesthetic medicine, including patient selection and evaluation, as well as rules and requirements. The book provides hands-on information for common indications, such as forehead and glabella, lateral brow lift, crow’s feet and lower eyelid, bunny lines and marionette lines, nose and nasolabial folds, cheeks and "gummy smile," upper and lower lip, and the chin and neck. A section with tips and tricks makes this book an invaluable resource for the practicing dermatologist, plastic surgeons and all other physicians interested in the field of aesthetic medicine.