Does not seek to judge the wisdom of Britain leaving the EU, but exposes nostalgia's great danger: the oversimplification of reality.

Aesthetics of Nostalgia reads Anglo-Saxon historical verse in terms of how its aesthetic form interacted with the culture and politics of the period.

The story of how the country house, historically a site of violent disruption, came to symbolize English stability during the eighteenth century. Country houses are quintessentially English, not only architecturally but also in that they embody national values of continuity and insularity. The English country house, however, has more often been the site of violent disruption than continuous peace. So how is it that the country how came to represent an uncomplicated, nostalgic vision of English history? This book explores the evolution of the country house, beginning with the Reformation and Civil War, and shows how the political events of the eighteenth century, which culminated in the reaction against the French Revolution, led to country houses being recast as symbols of England’s political stability.

• The book demonstrates how a vernacular British performance form emerged as a hybrid of forms from Afro-American and minstrel, as well as French mime and Italian commedia dell’arte roots. • Theatre history is an essential part of theatre and drama courses across the UK and would be recommended reading. • There is no comparable book which makes critical analysis of British pierrot troupes and concert parties in existence – the only ones that do exist on the specific topic are written as reminiscence and anecdote.

Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Bolesław Drobiński and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.

The Anglo-Saxon world continues to be a source of fascination in modern culture. Its manifestations in a variety of media are here examined.

Reflecting the profound impact of critical theory on the study of the humanities, this collection of original essays examines the texts and artifacts of the Anglo-Saxon period through key theoretical terms such as ‘ethnicity’ and ‘gender’. Explores the interplay between critical theory and Anglo-Saxon studies Theoretical framework will appeal to specialist scholars as well as those new to the field Includes an afterword on the value of the dialogue between Anglo-Saxon studies and critical theory

Intermediate Examination Paper from the year 2003 in the subject Politics - International Politics - Topic: Miscellaneous, grade: 2,3 (B), University of Göttingen, language: English, abstract: Winston Churchill coined the term Special Relationship in his famous speech in Fulton, Missouri in 1946. This term characterises the unparalleled close Anglo-American relations during the Second World War and in the time thereafter. The shared perception that Nazi Germany and the Soviet Union constituted major external threats to their well-being bound the societies and leaderships of Great Britain and the United States together. The looming menace ceased to exist after the break-up of the Soviet Union and the demise of Communism, and for several authors so did the raison d ́être of the Special Relationship as well. It was more however that brought these two countries together than the shared perception of a communist threat. Why is it that "neither country has fully adjusted its mind to thinking of the members of the other society as foreigners", and that Americans still refer to Britain as the "mother country" every now and then? Why do certain authors call Britain the "fortified outpost of the Anglo-Saxon race" or the "unsinkable aircraft carrier"? And is it just by chance that fictional author George Orwell calls Britain "Airstrip One" and associates it with North America in his novel "1984"? Is it a coincidence or are these - admittedly vague - expressions signs of subtle yet overarching bonds between the two countries? This work will analyse and discuss various aspects of Anglo-American relations. The apparent cooperation in the fields of foreign and security policy will be assessed, as well as the more disguised realm of military and intelligence collaboration. Following is a chapter about two aspects that dominate our time, economy and business in the Anglo-American relationship. The last chapter attempts to illuminate the obscure field of "private" relations between th

A short, polemical study of the persistence of imperial nostalgia in modern British culture, politics, heritage and media.

Wide-ranging studies offer an in-depth analysis of castle-building 11th - 12th centuries and place castles within their broader social and political context. The castles of the eleventh and twelfth centuries remain among the most visible symbols of the Anglo-Norman world. This collection brings together for the first time some of the most significant articles in castle studies, with contributions from experts in history, archaeology and historic buildings. Castles remain a controversial topic of academic debate and here equal weight is given to seminal articles that have defined the study of the subject while at the same time emphasising newer approaches to the fortresses of the Anglo-Norman aristocracy. The studies in this volume range from discussions of the residential and military role of the castle to architectural symbolismand royal attitudes to baronial fortification. The result is a survey that offers an in-depth analysis of castle-building during the eleventh and twelfth centuries but which also places Anglo-Norman castles within their broader social, architectural and political context. Contributors: ANN WILLIAMS, RICHARD EALES, DEREK RENN, LAWRENCE BUTLER, ROBERT HIGHAM, MARJORIE CHIBNALL, R.ALLEN BROWN, CHARLES COULSON, SIDNEY PAINTER, FREDERICK C. SUPPE, GRANT G. SIMPSON, BRUCE WEBSTER, J.R. KENYON, THOMAS McNEILL, T.A. HESLOP, PHILIP DIXON, PAMELA MARSHALL, JOHN BLAIR, CHARLES COULSON, ROBERT LIDDIARD