This is the first book-length study to survey the phenomenon of twentieth-century Anglo-Jewish poetry. It proceeds by reading established Anglo-Jewish poets against the grain of conventional thinking about English verse. For example, rather than understanding Isaac Rosenberg and Siegfried Sassoon as simply First World War poets, it approaches them as minority Anglo-Jewish poets as well. A similar challenge to the notion of an undifferentiated English literature is made with respect to four other major writers: John Rodker (1894-1955), Jon Silkin (1930-97), Elaine Finestein (1930- ) and Karen Gershon (1923-93). All these poets share a peripheral relationship with English and Jewish culture, together with a common attachment to the diasporic narrative of exile and deferred return to a textually imagined homeland.

English has become the major language of contemporary Jewish literature. This book shows the transnational character of that literature and how traditional viewpoints need to be reassessed.

Isaac Rosenberg was among the greatest poets of the First World War. The British-born son of impoversihed Russian Jews, Rosenberg fought as a private in the trenches of the Great Was and died on the Western Front in 1918 as the age of 27. In Isaac Rosenberg, Wilson examines the influence of Rosenberg's class and heritage on his writings, as well as the development of his poetic technique. She traces his maturation from his childhood in Bristol and the Jewish East End of London to art school, his travels to South Africa, and finally his harrowing service as a private in the British Army. Rosenberg was also a gifted painter and this beautifully illustrated volume oncludes some hitherto inseen self-portraits, along with photogrpahs of Rosenberg and his family. Wilson's biogrpahy brings together all known Rosenberg material with a mass of important new discoveries. Isaac Rosenberg is a long-overdue consideration of a remarkable war poet.

In its analysis of Anglo-Jewish women writing the Holocaust, this book highlights the necessity of their inclusion in the evolving canon of modern British literature, by showing how these writers complicate theories of trauma and memory by using fantasy and the Gothic as a response to silence.

This authoritative and comprehensive guide to key people and events in Anglo-Jewish history stretches from Cromwell's re-admittance of the Jews in 1656 to the present day and contains nearly 3000 entries, the vast majority of which are not featured in any other sources.

Anglo-Jewry since 1066: Place, locality and memory is a study of the history and memory of Anglo-Jewry from medieval times to the present and is the first to explore the construction of identities, both Jewish and non-Jewish, in relation to the concept of place. The introductory chapters provide a theoretical overview focusing on the nature of local studies then moves into a chronological frame, starting with medieval Winchester, moving to early modern Portsmouth and then chapters covering the evolution of Anglo-Jewry from emancipation to the twentieth century. Emphasis is placed on the impact on identities resulting from the complex relationship between migration (including transmigration) and settlement of minority groups. Drawing upon a wide range of approaches, including history, cultural and literary studies, geography, Jewish and ethnic and racial studies, Kushner uses extensive sources including novels, poems, art, travel literature, autobiographical writing, official documentation, newspapers and census data. This book will appeal to scholars interested in Jewish studies and British history

This volume introduces students to the most important figures, movements and trends in post-war British and Irish poetry. An historical overview and critical introduction to the poetry published in Britain and Ireland over the last half-century Introduces students to figures including Philip Larkin, Ted Hughes, Seamus Heaney, and Andrew Motion Takes an integrative approach, emphasizing the complex negotiations between the British and Irish poetic traditions, and pulling together competing tendencies and positions Written by critics from Britain, Ireland, and the United States Includes suggestions for further reading and a chronology, detailing the most important writers, volumes and events

The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.

The extraordinary range of responses to Jewish culture and history in the work of these writers will appeal to literary scholars and readers interested in Jewish women's history.

The first of its kind, this companion to British-Jewish theatre brings a neglected dimension in the work of many prominent British theatre-makers to the fore. Its structure reflects the historical development of British-Jewish theatre from the 1950s onwards, beginning with an analysis of the first generation of writers that now forms the core of post-war British drama (including Tom Stoppard, Harold Pinter and Arnold Wesker) and moving on to significant thematic force-fields and faultlines such as the Holocaust, antisemitism and Israel/Palestine. The book also covers the new generation of British-Jewish playwrights, with a special emphasis on the contribution of women writers and the role of particular theatres in the development of British-Jewish theatre, as well as TV drama. Included in the book are fascinating interviews with a set of significant theatre practitioners working today, including Ryan Craig, Patrick Marber, John Nathan, Julia Pascal and Nicholas Hytner. The companion addresses, not only aesthetic and ideological concerns, but also recent transformations with regard to institutional contexts and frameworks of cultural policies.