Arch-mediator between the divine and the mundane, the angel is an enduring figure in the Western world. It has been interpreted as an externalization of repressed fantasies, a projection of the self as other, and a metaphor for modern estrangement. This book is the first comparative study of sacred medieval images of angels and their cinematic treatment, including reference to both the medieval and modern imaginations. The text traces the traditional functions of angels and their reworking in film, then takes particular note of new icons like the female angel and others who become models for our connection with transcendence.

Bede and the Cosmos examines Bede’s cosmology—his understanding of the universe and its laws. It explores his ideas regarding both the structure and mechanics of the created world and the relationship of that world to its Creator. Beginning with On the Nature of Things and moving on to survey his writings in other genres, it demonstrates the key role that natural philosophy played in shaping Bede’s worldview, and explores the ramifications that this had on his cultural, theological and historical thought. From questions about angelic bodies and the destruction of the world at judgement day, to subtle arguments about free will and the meaning of history, Bede’s fascinating and unique engagement with the natural world is explored in this comprehensive study.

Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.