Book 1 of SHENANDOAH SISTERS. Two young Southern girls, one the daughter of a plantation owner and one the daughter of a slave, barely survive the onset of the Civil War and the loss of both their families. When these tragic circumstances bring them together, they join forces to discover if they can make a life for themselves. As their preconceptions give way to experience, they gradually learn to value their contrasting and complementing strengths and skills as they face the formidable task of keeping body and soul together in the aftermath of this devastating war. But is it possible the Lord they have come to know has something bigger in mind for the plantation than either of them can imagine?

Two girls, brought together amid the turmoil of the Civil War, are forced to break down prejudices to survive. Shenandoah Sisters Book 1.

Shenandoah Sisters Book 4, the sequel to The Color of Your Skin Ain't the Color of Your Heart. Two young women have kept their family plantation safe for more than a year, but now their dreams are coming to an end.

Katie and Mayme face new challenges to their safety and the survival of the plantation. Shenandoah Sisters book 3.

Two years have passed since the conclusion of the Shenandoah Sisters series, and Katie and Mayme are young women with big dreams, running Rosewood with the help of their two uncles and their friends Emma, Josepha, Jeremiah, and Henry. Jeremiah proposes to Mayme, but she is hesitant to accept. She loves him but does not want to give up her life at Rosewood. Local whites are furious at the Daniels brothers for harboring blacks at Rosewood and treating them like equals. The newly rising KKK kidnaps Jeremiah and plans to hang him. Will the brothers rescue him in time? Or will Mayme live to regret not saying yes to Jeremiah when she had the chance? Carolina Cousins Book 1

Following the Civil War, Katie and Mayme, a young slave formed an unlikely partnership. They've managed to managed to hang onto their friendship - and the plantation- while hiding the fact that they are war orphans. But what will happen to them when Katie's uncle decides to claim Rosewood as his own?

Two very different girls, one the daughter of a slave, the other the daughter of a plantation owner, must fight to stay allive--and together--after being orphaned by the Civil War.

Actress Eden Riley's decision to make a film about her mother plunges her into a shattering confrontation with her own past, irrevocably altering her life and the lives of those she loves. Her mother, Katherine Swift, was a renowned children's author who died when Eden was very young. Now Eden, recovering from a divorce and disillusioned with her glamorous life, returns to the childhood home of the mother she barely knew. She moves in with her uncle, archaeologist Kyle Swift and his wife, Louise. Eden gets more than she bargained for when Kyle gives her the journal her mother had kept from the age of thirteen until her death. Eden is spellbound by the powerfully written, intimate diary that chronicles a life of hardship, madness and tragedy. But her fascination turns to horror when she discovers the shocking truth about her mother's life. Eden turns for comfort to Ben Alexander, Kyle's colleague, not knowing that Ben has a secret of his own that could ruin Eden and her career. Now Eden must make a heartbreaking decision as she struggles to lay the ghosts of the past to rest and come to terms with her own future. Shifting gracefully between Eden's world and Katherine's, Secret Lives seduces with the power of its images and the lyricism of its prose.

"Everything abandoned comes alive" Pamela Yenser writes in CLOSE ENCOUNTERS Down Home, which becomes an invocation for resilience in a world filled with disaster at every turn: whether it's the wreckage of flying saucers in Roswell, or a brother and a mother who are irrevocably changed after a complicated birth, or an abusive father who is always in the driver's seat-whether it's by plane or car. Yenser does the difficult work of reckoning with trauma and the "family / history slamming the lid on truth." And though there's comfort in escape, and beauty to be found in the landscapes these poems traverse in a wide range of traditional and open poetic forms, Yenser reminds us "As long as you live / you won't forget," and there's danger everywhere. Lucky for us, we have a wonderful guide who knows her way around language and line, and is cunning enough to "have razor blades sewn / into the hem of every poem." -Gary Jackson Pamela Yenser is a learned poet who knows the context, history, and texts of literature. Here she uses her supple and strict prosody to tell a family story about an abusive, daredevil father, a denying-praying mother, her "little retarded brother" ("She is her brother's keeper") and more. In airplanes and Airstream trailers "one catastrophe after another" happens to mark a childhood where "Visions of the devil / made you tithe, trade in the family silver." This astonishing chapbook delivers one revelation after another in poems exquisitely structured: "The past is a trap the Jaws of Life / can't break," she writes, "... but isn't this the work a poet is meant to do?" One poem in exact rhyming couplets is called "In the Garden of Demented Parents." Another, also in couplets, ends: "Look! I have razor blades sewn / into the hem of every poem." Read this brilliant and triumphant chapbook by a poet who limns the tragedy and triumph of her life. -Hilda Raz Pamela Yenser's brave and tender poems spin together family history, personal resilience, and imaginative perseverance "sharp as that wreckage/ strewn like tinsel on glitter-/fields of tumbled rock" (as she writes in the title poem). Encompassing everything from a "bad weather balloon made of Kryptonite" to "a pineapple/ ruffled doily," Yenser juxtaposes the images and dreams of the otherworldly and the day-to-day life while also writing deeply of love and survival, monsters and angels, magic tricks and memories. This is a captivating and sparkling collection. -Caryn Mirriam-Goldberg Pamela Yenser's CLOSE ENCOUNTERS refers to, yes, the Roswell UFO, as well as family relationships that are a parallel encounter. The poems' narrator sees the flying saucer wreckage as a four-year-old. She writes about this iconic disruption of the skies as a way to reveal the workings of memory itself. This is an exciting personal fable that blends journalism, verse, and narration. -Denise Lowe