Russell's Knob is not paradise. But already in 1849 this New Jersey highlands settlement is home to a diverse population of blacks, whites, and reds who have intermarried and lived in relative harmony for generations. It is a haven for Dossie Bird, who has escaped north along the Underground Railroad and now feels the embrace of the Smoot family. Duncan Smoot presides as accidental patriarch, protector of his enterprising sister, Hattie, and his two rambunctious nephews. As Dossie busies herself with cleaning, cooking, and tending the chickens at Duncan's homestead, she wonders: Could this man, her rescuer -- so godlike in her eyes, so much older than she -- expect her to become his helpmeet?. Tentatively, Dossie begins to put down roots -- until a shocking act of violence propels her away from Russell's Knob and eventually into the mayhem of New York City's mean streets. With the same storytelling brio that distinguished the acclaimed novels River, Cross My Heart and Stand the Storm, Breena Clarke weaves a richly dramatic story of interracial harmony in the Civil War era -- and of one woman's triumph in the crucible of history.

A collection of poems centered around life in Appalachia addresses topics ranging from the marginalization of the region's people to the environmental degradation it has endured throughout history.

Do you believe in angels? When Xaviere is tasked with transcribing taped interviews her deceased friend Daphne left to her in her will, she begins to piece together the story of the photographer Irene Guernsey, a moderately well known but elusive photographer Daphne was interviewing. Irene's mysterious images captivate Xaviere as they had Daphne. Irene had never given interviews or talked about her work publicly, but near the end of her life, she reveals the magic hidden in plain sight in her mysterious and ethereal photographs and her attempt to capture angel wings on film.?And once the angels appear, the reader is taken on a journey that spans decades and changes the lives of multiple women along the way. Everything Affects Everyone, /em> is a novel about listening, about how women speak to one another, and about the power of the question.

Number one international bestselling author Lorna Byrne, an Irish mystic who gives hope and a sense of peace (The Times, UK), shares the encouraging messages she receives from angels to help carry us through life's challenges. Lorna Byrne sees and speaks to angels physically every day, communicating with them as clearly as the rest of us see people. In A Message of Hope from the Angels, Lorna comforts and consoles us with the knowledge that, no matter how alone you might feel, you always have a guardian angel by your side. As she writes, These days I see a lot of angels holding lights in front of people, helping to encourage them. I see so much to be hopeful about and in this book I pass on these messages of hope. Through this inspiring and uplifting book, Lorna reveals how we can call on the help of angels to carry us through the difficulties that we all inevitably face, including loneliness, depression, stress, financial strain, heartbreak, the death of a loved one, or feelings of inadequacy. No matter what obstacles you encounter, you can always call on the support of angels to make your life happier and more fulfilling.

This collection juxtaposes text from Google Search autocomplete with the intimate language of prayer. Corporate jargon coexists with the incantatory and ancient ghazal form. Ahmed’s second book of poetry explores the terrain of loss—of a beloved family member, of human dignity and potential, of the earth as it stands, of hope. Her poems weave mourning with the erratic process of healing, skepticism with an unsteady attempt to regain faith. With poems that are by turns elegiac, biting, and tender, Bring Now the Angels conveys a desire to move toward transformation and rebirth, even among seemingly insurmountable obstacles: chronic disease, corporate greed, environmental harm, and a general atmosphere of anxiety and violence. UNDERGROUND …They are turning their locks to paint their faces and their daughters’ faces. They look on as the girls regard their eyes in mirrors, in the long cracked mirror of history, and war. They paint themselves into existence inside the shuttered rooms of their hearts, where freedom still bristles…

Five-year-old Clara Bynum is dead, drowned in the Potomac River in the shadow of a seemingly haunted rock outcropping known locally as the Three Sisters. River, Cross My Heart, which marks the debut of a wonderfully gifted new storyteller, weighs the effect of Clara's absence on the people she has left behind: her parents, Alice and Willie Bynum, torn between the old world of their rural North Carolina home and the new world of the city, to which they have moved in search of a better life for themselves and their children; the friends and relatives of the Bynum family in the Georgetown neighborhood they now call home; and, most especially, Clara's sister, ten-year-old Johnnie Mae, who must come to terms with the powerful and confused emotions stirred by her sister's death as she struggles to decide what kind of woman she will become. This highly accomplished first novel resonates with ideas, impassioned lyricism, and poignant historical detail as it captures an essential part of the African-American experience in our century.

A piercing, unforgettable love story set in Greenwood, Oklahoma, also known as the “Black Wall Street,” and against the Tulsa Race Massacre of 1921. Isaiah Wilson is, on the surface, a town troublemaker, but is hiding that he is an avid reader and secret poet, never leaving home without his journal. Angel Hill is a loner, mostly disregarded by her peers as a goody-goody. Her father is dying, and her family’s financial situation is in turmoil. Though they’ve attended the same schools, Isaiah never noticed Angel as anything but a dorky, Bible toting church girl. Then their English teacher offers them a job on her mobile library, a three-wheel, two-seater bike. Angel can’t turn down the money and Isaiah is soon eager to be in such close quarters with Angel every afternoon. But life changes on May 31, 1921 when a vicious white mob storms the Black community of Greenwood, leaving the town destroyed and thousands of residents displaced. Only then, Isaiah, Angel, and their peers realize who their real enemies are.

Voted a Best Poetry Book of the Year by Library Journal Included in Publishers Weekly's Top 10 Poetry Books of the Year One of LitHub's most Anticipated Books of the Year! A State of the Union from the nation’s first Latino Poet Laureate. Trenchant, compassionate, and filled with hope. "Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed."—New York Times "Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be."—NPR "Juan Felipe Herrera's magnificent new poems in Every Day We Get More Illegal testify to the deepest parts of the American dream—the streets and parking lots, the stores and restaurants and futures that belong to all—from the times when hope was bright, more like an intimate song than any anthem stirring the blood."—Naomi Shihab Nye, The New York Times Magazine "From Basho to Mandela, Every Day We Get More Illegal takes us on an international tour for a lesson in the history of resistance from a poet who declares, 'I had to learn . . . to take care of myself . . . the courage to listen to my self.' You hold in your hands evidence of who we really are."—Jericho Brown, author of The Tradition "These poems talk directly to America, to migrant people, and to working people. Herrera has created a chorus to remind us we are alive and beautiful and powerful."—José Olivarez, Author of Citizen Illegal "The poet comes to his country with a book of songs, and asks: America, are you listening? We better listen. There is wisdom in this book, there is a choral voice that teaches us 'to gain, pebble by pebble, seashell by seashell, the courage.' The courage to find more grace, to find flames."—Ilya Kaminsky, author of Deaf Republic In this collection of poems, written during and immediately after two years on the road as United States Poet Laureate, Juan Felipe Herrera reports back on his travels through contemporary America. Poems written in the heat of witness, and later, in quiet moments of reflection, coalesce into an urgent, trenchant, and yet hope-filled portrait. The struggle and pain of those pushed to the edges, the shootings and assaults and injustices of our streets, the lethal border game that separates and divides, and then: a shift of register, a leap for peace and a view onto the possibility of unity. Every Day We Get More Illegal is a jolt to the conscience—filled with the multiple powers of the many voices and many textures of every day in America. "Former Poet Laureate Juan Felipe Herrera should also be Laureate of our Millennium—a messenger who nimbly traverses the transcendental liminalities of the United States . . ."—Carmen Gimenez Smith, author of Be Recorder