When United Flight 93, the fourth plane hijacked in the September 11, 2001 terrorist attacks, crashed into a field near Shanksville, Pennsylvania, the gash it left in the ground became a national site of mourning. The flight’s 40 passengers became a media obsession, and countless books, movies, and articles told the tale of their heroic fight to band together and sacrifice their lives to stop Flight 93 from becoming a weapon of terror. In Angel Patriots, Alexander Riley argues that by memorializing these individuals as patriots, we have woven them into much larger story of our nation—an existing web of narratives, values, dramatic frameworks, and cultural characters about what it means to be truly American. Riley examines the symbolic impact and role of the Flight 93 disaster in the nation’s collective consciousness, delving into the spontaneous memorial efforts that blossomed in Shanksville immediately after the news of the crash spread; the ad-hoc sites honoring the victims that in time emerged, such as a Parks Department-maintained memorial close to the crash site and a Flight 93 Chapel created by a local Catholic priest; and finally, the creation of an official, permanent crash monument in Shanksville like those built for past American wars. Riley also analyzes the cultural narratives that evolved in films and in books around the events on the day of the crash and the lives and deaths of its “angel patriot” passengers, uncovering how these representations of the event reflect the myth of the authentic American nation—one that Americans believed was gravely threatened in the September 11 attacks. A profound and thought-provoking study, Angel Patriots unveils how, in the wake of 9/11, America mourned much more than the loss of life.

When United Flight 93, the fourth plane hijacked in the September 11, 2001 terrorist attacks, crashed into a field near Shanksville, Pennsylvania, the gash it left in the ground became a national site of mourning. The flight’s 40 passengers became a media obsession, and countless books, movies, and articles told the tale of their heroic fight to band together and sacrifice their lives to stop Flight 93 from becoming a weapon of terror. In Angel Patriots, Alexander Riley argues that by memorializing these individuals as patriots, we have woven them into much larger story of our nation—an existing web of narratives, values, dramatic frameworks, and cultural characters about what it means to be truly American. Riley examines the symbolic impact and role of the Flight 93 disaster in the nation’s collective consciousness, delving into the spontaneous memorial efforts that blossomed in Shanksville immediately after the news of the crash spread; the ad-hoc sites honoring the victims that in time emerged, such as a Parks Department-maintained memorial close to the crash site and a Flight 93 Chapel created by a local Catholic priest; and finally, the creation of an official, permanent crash monument in Shanksville like those built for past American wars. Riley also analyzes the cultural narratives that evolved in films and in books around the events on the day of the crash and the lives and deaths of its “angel patriot” passengers, uncovering how these representations of the event reflect the myth of the authentic American nation—one that Americans believed was gravely threatened in the September 11 attacks. A profound and thought-provoking study, Angel Patriots unveils how, in the wake of 9/11, America mourned much more than the loss of life.

In Patriots, Prostitutes, and Spies, John M. Belohlavek tells the story of women on both sides of the Mexican-American War (1846-48) as they were propelled by the bloody conflict to adopt new roles and expand traditional ones. American women "back home" functioned as anti-war activists, pro-war supporters, and pioneering female journalists. Others moved west and established their own reputations for courage and determination in dusty border towns or bordellos. Women formed a critical component of the popular culture of the period, as trendy theatrical and musical performances drew audiences eager to witness tales of derring-do, while contemporary novels, in tales resplendent with heroism and the promise of love fulfilled, painted a romanticized picture of encounters between Yankee soldiers and fair Mexican senoritas. Belohlavek juxtaposes these romantic dreams with the reality in Mexico, which included sexual assault, women soldaderas marching with men to provide critical supportive services, and the challenges and courage of working women off the battlefield. In all, Belohlavek shows the critical roles played by women, real and imagined, on both sides of this controversial war of American imperial expansion.

An unforgettable new novel set in the year 2031, where gangs, guns, and genetic engineering rule. In a world where genetic engineering and organ transplants are booming businesses on the black market, Malcolm Steel, Jr. is king. His turf is Chicago, a city torn apart by the haves and have-nots alike, and Malcolm-known as Bodyslick on the streets-has found a lucrative hustle stealing healthy organs and selling them to desperate, wealthy patients in need of transplants. Bodyslick has the connections, the knowledge, and the 9mm laser pistol just in case things get hectic. But with the Italian mob, racist skinheads, and the biggest gang in Chinatown on his case, he is going to need all the help he can get, especially when his old 'hood cutbuddy and rival ganglord get ready to take over the trade by any means necessary. Now Bodyslick will make one last run to try to get out of the game for good. But some people will do anything and destroy anyone to make sure that the only way he goes out is piece by bloody piece. John H. Sibley is a writer and accomplished artist. His writing has appeared in "Chicago Reader, "the "Chicago Maroon, New City, Chicago Sun-Times, " and "Midwest Jazz. " His paintings are in the private collections of Chicago's Mayor Richard J. Daley, former NBA star John Salley, author Manik D. Dover, Mike Tyson, the late Walter Payton, and the American Sports Artist Museum Archive. The father of two daughters, he lives on the west side of Chicago.

What is it that leaves us shell shocked in the face of the massacres carried out in New York on 9/11 or in Paris on 13 November 2015? How are we to explain the intensity of the reaction to the attacks on Charlie Hebdo? Answering these questions involves trying to understand what a society goes through when it is subjected to the ordeal of terrorist attacks. And it impels us to try to explain why millions of people feel so concerned and shaken by them, even when they do not have a direct connection with any of the victims. In Shell Shocked, sociologist Gérôme Truc sheds new light on these events, returning to the ways in which ordinary individuals lived through and responded to the attacks of 9/11, of 11 March 2004 in Madrid and 7 July 2005 in London. Analysing political language and media images, demonstrations of solidarity and minutes of silence, as well as the tens of thousands of messages addressed to the victims, his investigation brings about the complexity of our feelings about the Islamists' attacks. It also uncovers the sources of the solidarity that, in our individualistic societies, ultimately finds expression in the first person singular rather than the first person plural: 'I am Charlie', 'I am Paris.' This timely and path-breaking book will appeal to students and scholars in sociology and politics and to anyone interested in understanding the impact of terrorism in contemporary societies.

Before there could be a revolution, there was a rebellion; before patriots, there were insurgents. Challenging and displacing decades of received wisdom, T. H. Breen's strikingly original book explains how ordinary Americans—most of them members of farm families living in small communities—were drawn into a successful insurgency against imperial authority. This is the compelling story of our national political origins that most Americans do not know. It is a story of rumor, charity, vengeance, and restraint. American Insurgents, American Patriots reminds us that revolutions are violent events. They provoke passion and rage, a willingness to use violence to achieve political ends, a deep sense of betrayal, and a strong religious conviction that God expects an oppressed people to defend their rights. The American Revolution was no exception. A few celebrated figures in the Continental Congress do not make for a revolution. It requires tens of thousands of ordinary men and women willing to sacrifice, kill, and be killed. Breen not only gives the history of these ordinary Americans but, drawing upon a wealth of rarely seen documents, restores their primacy to American independence. Mobilizing two years before the Declaration of Independence, American insurgents in all thirteen colonies concluded that resistance to British oppression required organized violence against the state. They channeled popular rage through elected committees of safety and observation, which before 1776 were the heart of American resistance. American Insurgents, American Patriots is the stunning account of their insurgency, without which there would have been no independent republic as we know it.

EVERYTHING YOUR SCHOOLBOOKS DIDN'T TELL YOU ABOUT THE AMERICAN REVOLUTION.

Forget the hotdogs, sports fans! Autographs, Autographs - get your free sports autographs! This book contains over 11,000 addresses for today's hottest stars in some of the most popular sports in America. Do you enjoy football, baseball, basketball, racing, hockey, tennis, figure skating , boxing, wrestling, etc.? If your answer is yes, this is the perfect book for you! Have you ever wanted an autograph from Sugar Ray Leonard, Dale Earnhardt, Jeff Gordon, Monica Seles, Nolan Ryan, Joe Montana, Nancy Kerrigan, Andre Agassi, Wayne Gretzky or Mary Lou Retton? Inside this amazing guide is addresses for these and many more!

A school assistant in Buenos Aires' most prestigious state school, Maria Teresa Cornejo's job is to keep the students in line. Suspecting that some of them are smoking in the school toilets, Maria Teresa takes to spying on them urinate - an activity she gets pleasure from listening to. Found out by her supervisor Senor Biasutto, she is not fired but forced into sexual collusion with him. In this society all appears fair and liberal but within there is brutal repression and the teachers including Señor Biasutto draw up black-lists of candidates for torture. As tense and uncompromising as a novel by Elfriede Jelinek, School for Patriots powerfully shows how in a dictatorship the political and the sexual interact.