This book is a delightful collection of anecdotes and stories about the lives and works of famous artists and architects. The author provides a fascinating glimpse into the world of art and creativity, with tales of triumphs and tragedies, eccentricities and obsessions, and all the quirks and foibles of artistic genius. The book is a must-read for anyone who loves art and wants to gain a deeper understanding of the human side of creativity. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Shearjashub Spooner's 'Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art' is a captivating exploration of the lives and works of various artists throughout history. As the second volume in a series of three, this book delves into the personal stories behind some of the most iconic pieces of art, offering a unique perspective on the creative processes of these individuals. Spooner's literary style is both informative and engaging, providing readers with a comprehensive look at the world of art. Set in the context of the 19th century, this book is a valuable resource for art history enthusiasts. As a renowned art historian and educator, Shearjashub Spooner's passion for the subject shines through in this meticulously researched volume. His expertise in the field of art allows him to offer readers a deep insight into the lives of these artists, making this book a must-read for anyone interested in the intersection of art and history. Spooner's own background as a scholar adds credibility to the narrative, further enhancing the reader's understanding of the material. I highly recommend 'Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art' to art lovers and history buffs alike. Spooner's detailed accounts and thoughtful analysis make this book a valuable addition to any collection, providing a glimpse into the fascinating world of art and the individuals who shape it.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The book "" Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Volume-II), has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

Reproduction of the original: Anecdotes of Painters, Engravers, Sculptors and Architects and Curiosities of Art (Vol. 3 of 3) by S. Spooner

Excerpt from Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, Vol. 2 On the death of Giorgione, Titian rose rapidly into favor. He was soon afterwards invited to the court Of Alphonso, Duke of Ferrara, for whom he painted his celebrated picture Of Bacchus and Ari adne, and two other fabulous subjects, which still retain somewhat Of the style of Giorgione. It was there that he became acquainted with Ariosto, whose portrait he painted, and in return the poet spread abroad his fame in the Orlando Furioso. In 1523, the Senate Of Venice employed him to decorate the Hall of the Council Chamber, where he represented the famous Battle of Cadore, be tween the Venetians and the Imperialists - a grand performance, that greatly increased his reputation. This work was afterwards destroyed by fire, but the composition has been preserved by the burin Of Fontana. His next performance was his cele brated picture of St. Pietro Martire, in the church of ss. Giovanni e Paolo, at Venice, which is gene rally regarded as his master-piece in historical paint. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.