Best known for his sweet-natured character Latka on Taxi, Andy Kaufman was the most influential comic of the generation that produced David Letterman, John Belushi, and Robin Williams. A regular on the early days of Saturday Night Live (where he regularly disrupted planned skits), Kaufman quickly became known for his idiosyncratic roles and for performances that crossed the boundaries of comedy, challenging expectations and shocking audiences. Kaufman's death from lung cancer at age 35 (he'd never smoked) stunned his fans and the comic community that had come to look to him as its lightning rod and standard bearer. Bob Zmuda -- Kaufman's closest friend, producer, writer, and straight man -- breaks his twenty-year silence about Kaufman and unmasks the man he knew better than anyone. He chronicles Kaufman's meteoric rise, the development of his extraordinary personas, the private man behind the driven actor and comedian, and answers the question most often asked: Did Andy Kaufman fake his own death?

With a movie about Kaufman already out, this is his manager and friend Zmuda's recollection of the late comedian. Best remembered as English-challenged immigrant Latka Gravas on the '70s sitcom "Taxi", Kaufman also appeared regularly on "Saturday Night Live", did stand-up, and wrestled women. Photos.

For the first time ever, the two people who knew Andy Kaufman best open up about the most enigmatic artist of our generation. Comedian and Taxi star Andy Kaufman, known for his crazy antics on screen and off, was the ultimate prankster, delighting audiences with his Elvis and Mighty Mouse impressions while also antagonizing them with his wrestling and lounge-lizard alter ego, Tony Clifton. Some say he died in 1984, while others believe he performed the ultimate vanishing act. In Andy Kaufman: The Truth, Finally, Bob Zmuda, Andy's writer and best friend, and Lynn Margulies, the love of Andy's life, reveal all—including surprising secrets that Andy made Lynne and Bob promise never to tell until both of his parents had died. Hilarious and poignant, this book separates fact from fiction, and includes a candid inside look at the Milos Forman film Man on the Moon, which Zmuda coexecutive produced and featured Jim Carrey as Andy, Paul Giamatti as Zmuda, Courtney Love as Margulies, and Danny DeVito as Andy's manager, George Shapiro. Finally, Bob Zmuda shares in detail the reasons he believes Andy Kaufman did, in fact, fake his own death, including exactly how he did it and why he will return.

Famous for his role as Latka Gravas on TV's Taxi, appearances on Saturday Night Live and his own variety show, legendary eccentric performer Andy Kaufman provoked a national outrage in 1977 by taunting the women of America on TV and challenging them to wrestle him live on television. Thousands of fired-up females (and a few males) responded to the call. Kaufman received a torrent of impassioned challenges, hate mail and love letters from would-be wrestling contenders - all exhibited in this fascinating and sometimes bizarre collection.

Andy Kaufman defied explanation. But between 1978 and 1979, acclaimedNew Yorkershort story writer Julie Hecht attempted to arrange an interview with him, hoping to discover how he came to do what he did. The one-hour interview turned into innumerable surreal meetings and phone conversations with her subject; but she couldn't always tell when his act was on. Whether driving recklessly on icy roads, or drawing the author unaware into his schemes and dada-esque pranks on unsuspecting waiters and college students, Andy Kaufman never seemed to separate himself from his stage personality--or personalities.Was This Man a Genius?is the culmination of a series of bizarre, frequently hilarious meetings; In describing them Hecht, herself a master of wit and observation, illuminates the enigma of Andy Kaufman's work and life.

Draws on interviews with Kaufman's family and friends, as well as unpublished letters and manuscripts, to provide a portrait of the comedian's complex personality.

Full of revealing portraits of many of the best-known comedic talents of the 1970s, "I'm Dying Up Here" is also a poignant tale of the price of success and the terrible cost of failure--professional and moral.

The bold and boundlessly original debut novel from the Oscar®-winning screenwriter of Being John Malkovich, Adaptation, Eternal Sunshine of the Spotless Mind, and Synecdoche, New York. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • “A dyspeptic satire that owes much to Kurt Vonnegut and Thomas Pynchon . . . propelled by Kaufman’s deep imagination, considerable writing ability and bull’s-eye wit."—The Washington Post “An astonishing creation . . . riotously funny . . . an exceptionally good [book].”—The New York Times Book Review • “Kaufman is a master of language . . . a sight to behold.”—NPR NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND MEN’S HEALTH B. Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, filmmaker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he’s convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius. All that’s left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to re-create the lost masterwork while attempting to keep pace with an ever-fracturing culture of “likes” and arbitrary denunciations that are simultaneously his bête noire and his raison d’être. A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

Surveys the stand-up comedy of the 1970s, citing the contributions of celebrity comics, from George Carlin and Richard Pryor to Robin Williams and Andy Kaufman, in an account that also evaluates the roles played by such clubs as Catch a Rising Star, the Improv, and the Comedy Store.

2019 Eisner Award Winner for Best Reality-Based Work Comedian and performer Andy Kaufman’s resume was impressive—a popular role on the beloved sitcom Taxi, a high-profile stand-up career, and a surprisingly successful stint in professional wrestling. Although he was by all accounts a sensitive and thoughtful person, he’s ironically best remembered for his various contemptible personas, which were so committed and so convincing that all but his closest family and friends were completely taken in. Why would someone so gentle-natured and sensitive build an entire career seeking the hatred of his audience? What drives a performer to solicit that reaction? With the same nuance and sympathy with which he approached Andre the Giant in his 2014 biography, graphic novelist Box Brown's Is This Guy For Real? takes on the complex and often hilarious life of Andy Kaufman.