Applying feminist theory to some lesser-known works by well known authors and painters, Munich (English, SUNY, Stony Brook) explores the psychological and cultural implications of the Victorian (male) treatment of the Perseus and Andromeda myth and its medieval analog, the legend of St. George and the dragon. With 31 photographs of the works discussed. Annotation copyright by Book News, Inc., Portland, OR

In Eyes of Love, Stephen Kern offers a bold reinterpretation of women in art and literature.

The Seed of Gods and Warriors is a thrilling epic fantasy novel that will transport you to a world of wonder, magic, and adventure. In a time long ago, gods and humans lived together in harmony. However, the gods grew tyrannical, and humanity rose up to overthrow them. A great war ensued, and in the end, the gods were defeated. The Seed of Life, the source of the gods' power, was hidden away, and humanity was free. But the gods were not truly gone. They were waiting for their chance to return and reclaim their power. Fast-forward to the present day. A group of young people are about to be thrust into a world they never knew existed. They will learn the truth about the gods, the war that was fought, and the Seed of Life. They will also have to decide whether they will stand with humanity or the gods. The Seed of Gods and Warriors is a story about good versus evil, hope versus despair, and the power of love. It is a story that will stay with you long after you finish reading it.

Bolin analyses biblical and extra-biblical traditions and motifs in the book of Jonah, and argues that the book's portrayal of the relationship between God and humanity, much like those of Job and Ecclesiastes, emphasizes an absolute divine sovereignty beyond human notions of mercy, justice, or forgiveness. God is understood as free to forgive, yet he still punishes, and is unfettered by the constraints imposed by attributes of benevolence. The only proper human response to God is fear at his power and acknowledgment of him as the source of welfare and woe.

The Swedish scholar and prelate, Olaus Magnus (1490-1557), last Catholic archbishop of Uppsala, lived the latter half of his life in exile. His devotion to his country and his people never faltered, nor his determination to give them a glorious place on the European cultural map by his writings. On his justly famous Carta Marina, published in Venice in 1539, he promised a fuller account of the North and its marvels. This he accomplished in January 1555 when he issued from his own press in Rome his magnificent Historia de gentibus septenrionalibus. This quarto volume of 815 pages, divided into 22 books and a total of 778 chapters, was lavishly illustrated with some 480 woodcuts, most of them closely relevant to the technical matters discussed by the author. The book was an immediate success, and half a dozen editions appeared in the century after Olaus’s death. It became even better known in an epitome published in Antwerp in 1558, which was also frequently reprinted and translated. This appeared in English in 1658, but it is only with the present version, complete with illustrations, that the whole work is made available to the English-reading world. It is indeed only the second full translation to appear in modern times, preceded a Swedish version published in four parts between 1909 and 1925. There is little history in the sense of chronological narrative in Olaus Magnus’s Historia. It is rightly regarded as an ethnographic essay on an encyclopaedic scale, touching on a vast variety of topics, snowflakes and sea-serpents, elks and artillery, sables and saltpetre, watermills and werewolves. Much of it was culled from ancient authorities- it was a matter of patriotic pride to identify the Swedes as the only legitimate descendants of the Goths- but much of it was derived from the author’s personal observations, especially those made on his early travels in North Sweden. His pioneering and sympathetic account of the Lapps and their way of life has attracted p

The son of Zeus, Perseus belongs in the first rank of Greek heroes. Indeed to some he was a greater hero even than Heracles. With the help of Hermes and Athena he slew the Gorgon Medusa, conquered a mighty sea monster and won the hand of the beautiful princess Andromeda. This volume tells of his enduring myth, it's rendering in art and literature, and its reception through the Roman period and up to the modern day. This is the first scholarly book in English devoted to Perseus' myth in its entirety for over a century. With information drawn from a diverse range of sources as well as varied illustrations, the volume illuminates the importance of the Perseus myth throughout the ages.

These unique essays focus primarily on Woolf's non-fiction and considers her in the context of the modernist marketplace. With research based on new archival material, this volume makes important new contributions to the study of the 'gift economy.'