From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.

The autobiography-of-sorts of André Gregory, an iconic figure in American theater and the star of My Dinner with André This is Not My Memoir tells the life story of André Gregory, iconic theatre director, writer, and actor. For the first time, Gregory shares memories from a life lived for art, including stories from the making of My Dinner with André. Taking on the dizzying, wondrous nature of a fever dream, This is Not My Memoir includes fantastic and fantastical stories that take the reader from wartime Paris to golden-age Hollywood, from avant-garde theaters to monasteries in India. Along the way we meet Jerzy Grotowski, Helene Weigel, Gregory Peck, Gurumayi Chidvilasananda, Wallace Shawn, and many other larger-than-life personalities. This is Not My Memoir is a collaboration between Gregory and Todd London who create a portrait of an artist confronting his later years. Here, too, are the reflections of a man who only recently learned how to love. What does it mean to create art in a world that often places little value on the process of creating it? And what does it mean to confront the process of aging when your greatest work of art may well be your own life?

" The Salt From Their Tears," is the bond between a father and his three daughters and their quest to find a source of communication and healing. Andre Simms realizes as a father that he is incomplete without the love and blessings of his daughters. He attempts to be better and do better by offering counseling sessions to express themselves, openly yet, confidently. The sessions start off as heartbreaking confessions of betrayal and pain and concludes with an unexpected bombshell that will shake Mr. Simms, his daughters, and their therapist right to their very core. " The Salt From Their Tears" shows just how common people with mental illnesses can appear with no apparent signs of madness or dysfunction. The most normally acting and composed person can have dark-rooted, hidden mental issues that could unleash upon anyone at any time. Unfortunately, Mr. Simms daughters, Khloe, April and Kiera will find this to be true in a horrifying and tragic experience.

An exceptionally well-illustrated biography of Swiss born Canadian artist André Biéler (1896-1989) who is remembered for his paintings of rural Quebec, portraits of people and the organizations he founded.

Sheridan presents a literary biography of one of the most important writers of the 20th century--an intimate portrait of the reluctantly public man, whose work was deeply and inextricably entangled with his life. 35 halftones.

The unforgettable story of everyone’s favorite giant—and a life cut short—wrestler and actor Andre the Giant. At seven-foot-five, four hundred and fifty pounds, André the Giant was a living, breathing legend—a behemoth taking on all comers. Billed as “the Eighth Wonder of the World,” he was the greatest attraction in sports entertainment and one of the most famous athletes in the world. André the Giant: A Legendary Life is the story of how his enormous charisma and undeniable presence aided World Wrestling Federation's explosive rise to the forefront of popular culture. André's battles with such rivals as Ernie Ladd, Killer Khan, Big John Studd, Jake “The Snake” Roberts, and Randy “Macho Man” Savage are certifiable classics, while his epic WrestleMania III match with Hulk Hogan—before 93,000—still holds the record for largest attendance. Outside the ring, André Roussimoff was equally formidable—his voluminous appetite for life is the stuff of legends. Moreover, André was among the first wrestlers to cross over into pop superstardom with roles in such television series as The Six Million Dollar Man and films like The Princess Bride. André's incredible tale is told through his most memorable matches, with reminiscences and recollections from the people closest to him. In addition to blow-by-blow analysis of his greatest in-ring triumphs, author Michael Krugman takes us behind the curtain to see how this amazing athlete struggled with his size and his stardom, as well as his fight with crippling pain caused by both his profession and the disease that made him who he was. André the Giant: A Legendary Life is the true-life tall tale of one of the most influential and adored Superstars in sports entertainment history.

The centennial of Andre Maurois's birth in 1885 has made this a most appropriate moment to produce a comprehensive work assessing his role as one of the leading literary figures in the Western world. Jack Kolbert's The Worlds of Andre Maurois draws heavily from his close personal association with Maurois as well as from painstaking analyses of each of Maurois' published works and of many of his unpublished and private papers. Maurois had the virtue of serving as a supreme communicator - a writer who could transform the most complex subject matter into readable, tidily organized, and above all lucid works of prose narrative. Unchallenged as the foremost biographer of 20th century literary figures, he also produced well-written and accurate histories of the three nations he knew best: France, England and the United States. For decades his novels and short stories enjoyed worldwide popularity. Climats may well be regarded as a novelistic classic and his science fiction continues to attract many readers. With a warm spirit of appreciation Jack Kolbert's monograph covers all of the major aspects of this fascinating literary figure: his human characteristics, his presence in French and international society, the persons who peopled his private and public worlds, his great biographies, novels, short stories, histories, essays, and articles of criticism. Kolbert's study on Maurois is probably the most comprehensive work on this subject to date.

André Malraux's output, spanning some 55 years, ranges from novels to philosophical essays, studies on the plastic arts and memorialist essays. The present volume is significantly innovative in that it sets out to elucidate this diversity by focusing, for the first time and from a variety of perspectives, on the erosion of boundaries which characterises Malraux's work. This erosion is multi-faceted and includes the crossing of genre boundaries; the appropriation of the literary text as political vehicle; the exploitation of the literary text as historical document; contemporary history as a source of literary texts; the slippage between autobiography and the novel, autobiography and the memorialist essay and between fiction and the memorialist essay. Contributors to this volume explore the complex relationship between fact and fiction underpinning Malraux's writing, and also his life. An understanding of Malraux's determination to ignore boundaries is crucial to the understanding of his life and work. In this respect the present study will interest academics and students, both undergraduate and postgraduate, of French literary and cultural studies.

This comprehensive exploration of curiosity in the fiction and life-writing of André Gide (1869-1951) is an important modernist contribution to the field of curiosity in literature and cultural studies more broadly. Curiosity was a credo for Gide. By observing the world and then manifesting in writing these observations, he stimulates the curiosity of readers, conceived as virtual conduits of a curiosity once his own. Using a thematic structure of sexual, scientific and writerly curiosity, this volume identifies processes of curiosity in the life-writing (including the travel-writing) which illuminate processes in the fiction, and vice versa. Theories of fetishism, gender and sexuality are applied to Gide's corpus to illustrate his championing of a masculine curiosity of enlightenment and adventure over a feminised 'curiosité-défaillance' of disobedience and harm, and to explore objects eliciting his incuriosity. Gide's creativity is nourished by his curiosity, as close readings of his work informed by Melanie Klein's psychoanalytic writing on epistemophilia reveal. Curiosity is a rewarding, non-reductionist perspective from which the exceptional variety of Gide's subject matter, style and genre can be more coherently understood. Research draws principally on the six Pléiade volumes of Gide's oeuvre, published 1996-2009.

This book is the first English-language translation of Andre Salmon's first two books.