This is the story about an alliance between two families that saved the land and preserved the living 'ohana by heroic commitment to what it is to be Hawaiian. Over two centuries, the continuity in family leadership and the persistent use of education and partnership are woven into the 'Ohana's tapestry of life. What emerged is an uncommon alliance that endures to this day. The kanakas overcame illness, an austere new religion and the loss of their lands and birthrights, in the Great Mahele of 1848. Many feel the Hawaiians are a dying race. The future challenge for the Hawaiians and the goal is to pass on the culture and empower today's kanakas to not lose their identity in the face of changing social and economic processes. The 'ohana and the 'aina are the tools kanakas have, to give lyrics to the silence of hope. Education is the tool for that hope.

Seventeen years after she married, Judith Strasser escaped her emotionally and physically abusive husband and sought a better way to live. In the process, Strasser rediscovered what she had suppressed through that long span of time: exceptional strength and a passion for writing. Black Eye includes excerpts from a journal Strasser kept from 1985 to1986, the year she made the decision to leave her marriage, and present-day commentary on the journal passages and her family history. Strasser works like a detective investigating her own life, drawing clarity and power from journal passages, dreams, and memories that originally emerged from confusion and despair. With language that is both insightful and poetic, she reveals the psychological and social circumstances that led a "strong" woman, an intelligent and politically active feminist, to become an emotionally dependent, abused wife. Not coincidentally, the same year that Strasser finally found the courage to leave her husband, she also reclaimed her creative voice. Newly empowered and energized by this enormous life change, Strasser began writing again after twenty-five silent years dominated by her mother s illness and death, her own cancer, and her painful, fearful marriage. Black Eye is one of the fruits of this creative reawakening. Strasser s writing is refreshingly honest and instantly engrossing. Not shy of wretchedness or beauty, Strasser s story is bitterly personal, ultimately triumphant, and inspiring to all who deal with the adversity that is part of human life."

This classic book on Hawaiian families and culture is an essential text for anyone interested in pre-American Hawaii. The Polynesian Family System in Ka-'U, Hawai'i is a collaboration of the distinguished scholars Dr. Mary Puku and Dr. E.S. Craighill Handy. It provides us with this fascinating review of traditional Hawaiian life. Manners and customs relating to birth, death, marriage, sexual practices, religious beliefs, and family relationship are all clearly described. The main sources of information were elderly Hawaiian informants of then remote Kacu district of the island of Hawaii. This Hawaiian history and culture book provides professional scholars and laymen a like with an unrivaled picture of traditional Hawaiian society. Based on original work in the field with living Hawaiians, it combines research into the literature by two authors of unusual qualifications with field work conducted under unique circumstances. This edition will be welcomed by librarians, anthropologists, and indeed all who have a serious interest in Polynesian life.

When most Americans think of surfing, they often envision waves off the coasts of California, Hawai'i, or even New Jersey. What few know is that the South has its own surf culture. To fully explore this unsung surfing world, Steve Estes undertook a journey that stretched more than 2,300 miles, traveling from the coast of Texas to Ocean City, Maryland. Along the way he interviewed and surfed alongside dozens of people—wealthy and poor, men and women, Black and white—all of whom opened up about their lives, how they saw themselves, and what the sport means to them. They also talked about race, class, the environment, and how surfing has shaped their identities. The cast includes a retired Mississippi riverboat captain and alligator hunter who was one of the first to surf the Gulf Coast of Louisiana, a Pensacola sheet-metal worker who ran the China Beach Surf Club while he was stationed in Vietnam, and a Daytona Beach swimsuit model who shot the curl in the 1966 World Surfing Championships before circumnavigating the globe in search of waves and adventure. From these varied and surprising stories emerge a complex, sometimes troubling, but nevertheless beautiful picture of the modern South and its people.

This book addresses the complex socio-political context of natural resource management in coastal and marine environments throughout the contemporary Pacific Islands and provides lessons that can be applied around the globe. The author spotlights one particular case in which Native Hawaiians worked successfully to develop a formal policy mechanism through which to advise government agencies in the State of Hawaii on matters regarding traditional and customary use and management of the island’s natural resources. Glazier describes historic-traditional aspects of natural resource use and management in the Hawaiian Islands and the challenging process that was employed to enhance the capacity of modern Hawaiians to influence the course of their future. This process successfully broached and addressed truly difficult challenges, including but not limited to: the convening of representatives of a complex society of indigenous persons in order to elicit traditional place-based knowledge and varying perspectives on the appropriate use and management of natural resources; the incorporation of such knowledge and perspectives into the modern natural resource management and policy context; and the need to balance the interests of indigenous persons and those of more recently-arriving persons around the island chain. The lessons learned were many and varied and are particularly germane for resource managers, scientists, policymakers, and indigenous persons seeking to undertake balanced natural resource policy decisions in island, coastal, and indigenous settings around the Pacific and beyond.

The explosive combination of nihilist leanings together with a craving for totalitarianism was an ideal of philosophers, cultural critics, political theorists, engineers, architects and aesthetes long before it materialised in flesh and blood, not only in technology, but also in fascism, Nazism, bolshevism and radical European political movements. "The Nihilist Order", originally published in three hardcover volumes and now published in a consolidated paperback edition with an encompassing new Introduction, inspired excellent review endorsements, both amongst the academic and public spheres -- and has been heralded as a great achievement in European intellectual and cultural history.

The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world. Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos

Corporate lawyer Sara Grant is all about the rules, even when she swaps practicing law for cleaning cabins aboard the cruise ship The Spirit of Ohana. But then one dark and stormy night, she drags an impossibly attractive, cocky Brit from the ocean… Rick Winchester's doing his damnedest to spit out the silver spoon that hampers his philanthropic ventures, so the last thing he needs is to be rescued from a tropical cyclone only to find himself consumed by Hurricane Sara. Unless Sara can overcome her distrust of wealthy, entitled men and Rick is able to set aside his belief that women are only after his money, their affair is doomed to be hotter than Kilauea and shorter than the brief cruise.