Zoe Evelyn Lionheart, a young roboticist, and her house-robot, Herbert, are inadvertently swept away on an adventure to stop a war, after a powerful government vies for control of a much smaller, but technologically superior nation. When the smaller nation's government refuses to be controlled, robot production is put into overdrive in an attempt to create a robot army, alarming the world-renowned roboticist, Michael Alouicious Copperpot. After Lord President Smythe and Vice-President Perriwinkle realise that the robots are disobeying their expertly hacked programming, they resort to unleashing an army of mindlessly obedient clones to overthrow the robots and take control of the resistant nation. Seeing how events are about to unfold, and concerned that the people of the world they created are about to destroy themselves, The First Five Gods send in one of their own - Dalfor, The God of Order & Chaos - to try and soften the blow of the war and prevent things from getting out of hand.

'Undoubtedly the most powerful and immediate book to emerge from the Balkan horror of ethnic civil war' Antony Beevor, Daily Telegraph In 1993, Anthony Loyd hitchhiked to the Balkans hoping to become a journalist. Leaving behind him the legends of a distinguished military family, he wanted to see 'a real war' for himself. In Bosnia he found one. The cruelty and chaos of the conflict both appalled and embraced him; the adrenalin lure of the action perhaps the loudest siren call of all. In the midst of the daily life-and-death struggle among Bosnia's Serbs, Croats and Muslims, Loyd was inspired by the extraordinary human fortitude he discovered. But returning home he found the void of peacetime too painful to bear, and so began a longstanding personal battle with drug abuse. This harrowing account shows humanity at its worst and best. It is a breathtaking feat of reportage; an uncompromising look at the terrifyingly seductive power of war. 'As good as reporting gets. I have nowhere read a more vivid account of frontline fear and survival. Forget the strategic overview. All war is local' Martin Bell, The Times

When Ellie and six of her friends return home from a camping trip deep in the bush, they find things hideously wrong -- their families gone, houses empty and abandoned, pets and stock dead. Gradually they begin to comprehend that their country has been invaded and everyone in the town has been taken prisoner. As the horrible reality of the situation becomes evident they have to make a life-and-death decision: to run back into the bush and hide, to give themselves up to be with their families, or to stay and try to fight. This reveting, tautly-drawn novel seems at times to be only a step away from today's headlines.

Nationalism is a particularly slippery subject to define and understand, particularly when applied to early modern Europe. In this collection of essays, Brendan Bradshaw provides an insight into how concepts of ’nationalism’ and ’national identity’ can be understood and applied to pre-modern Ireland. Drawing upon a selection of his most provocative and pioneering essays, together with three entirely new pieces, the limits and contexts of Irish nationalism are explored and its impact on both early modern society and later generations, examined. The collection reflects especially upon the emergence of national consciousness in Ireland during a calamitous period when the late-medieval, undeveloped sense of a collective identity became suffused with patriotic sentiment and acquired a political edge bound up with notions of national sovereignty and representative self-government. The volume opens with a discussion of the historical methods employed, and an extended introductory essay tracing the history of national consciousness in Ireland from its first beginnings as recorded in the poetry of the early Christian Church to its early-modern flowering, which provides the context for the case studies addressed in the subsequent chapters. These range across a wealth of subjects, including comparisons of Tudor Wales and Ireland, Irish reactions to the ’Westward Enterprise’, the Ulster Rising of 1641, the Elizabethans and the Irish, and the two sieges of Limerick. The volume concludes with a transcription and discussion of ’A Treatise for the Reformation of Ireland, 1554-5’. The result of a lifetime’s study, this volume offers a rich and rewarding journey through a turbulent yet fascinating period of Irish history, not only illuminating political and religious developments within Ireland, but also how these affected events across the British Isles and beyond.

The impact of the Cold War is still being felt around the world today. This insightful single-volume reference captures the events and personalities of the era, while also inspiring critical thinking about this still-controversial period. Cold War: The Essential Reference Guide is intended to introduce students to the tensions between the Soviet Union and the United States that dominated international affairs in the second half of the 20th century. A comprehensive overview essay, plus separate essays on the causes and consequences of the conflict, will provide readers with the necessary context to understand the many facets of this complex era. The guide's expert contributors cover all of the influential people and pivotal events of the period, encompassing the United States, the Soviet Union, Europe, Southeast Asia, China, the Middle East, Latin America, and Africa from political, military, and cultural perspectives. Reference entries offer valuable insight into the leaders and conflicts that defined the Cold War, while other essays promote critical thinking about controversial and significant Cold War topics, including whether Ronald Reagan was responsible for ending the Cold War, the impact of Sputnik on the Cold War, and the significance of the Prague Spring.

Born in June 1883 to an aristocratic Scottish family, Dorothy Gibson-Craig was brought up with dogs and horses. In 1926 she married Maj. Gen. Geoffrey Brooke, recipient of the Distinguished Service Order in World War I and a writer on equine culture. She followed her new husband to Cairo, where she discovered thousands of malnourished and suffering former British war horses leading lives of backbreaking toil and misery. Brought to the Middle East by British forces during the Great War, these ex-cavalry horses had been left behind at the war’s end, abandoned like used equipment too costly to send home. In Dorothy Brooke and the Fight to Save Cairo’s Lost War Horses Grant Hayter-Menzies chronicles not only the lives and eventual rescue of these noble creatures, who after years of deprivation and suffering found respite in Brooke’s Old War Horse Memorial Hospital, but also the story of the challenges of founding and maintaining an animal-rescue institution on this scale. The legacy of the Old War Horse Memorial Hospital and its founder endures today in the dozens of international Brooke animal-welfare facilities dedicated to improving the lives of working horses, donkeys, and mules across Africa, Asia, and Latin America. The author, Grant Hayter-Menzies, is making a donation of 20% of the royalties from the book to The Brooke Hospital for Animals and 20% of the royalties to its affiliate in Egypt, Brooke Hospital for Animals (Egypt). Neither the author or the publisher receives any payment from Brooke or any other party in connection with sales of this book.The Brooke Hospital for Animals is a charity registered in England and Wales no. 1085760.

Originally published in 1938, this book consists of a group of papers considering widely different subjects, but all bearing upon one social problem – the causation and prevention of war. The authors all occupy the same general political position, they are democratic socialists and active members of the Labour Party. The book falls into three rough divisions, although all the papers are self-contained. The first part of the book is psychological and attempts to summarise and analyse the non-historical evidence (ecological, psychological, and anthropological) about the causes of fighting. The second part is historical. It surveys the different causes of international war in the nineteenth century and then discusses the relation between nationalism and capitalism during the same period. The third part is political and first considers the relation of the use of force to the preservation of peace. Then analyses the choices of foreign policy for a pacific power confronted by the threat of aggressive military dictatorship. It concludes with a review and assessment of the various available policies for the prevention of war in general and under the specific contemporary conditions of the time.

This provocative and timely primer on the just war tradition connects just war to the concrete practices and challenges of the Christian life. Daniel Bell explains that the point is not simply to know the just war tradition but to live it even in the face of the tremendous difficulties associated with war. He shows how just war practice, if it is to be understood as a faithful form of Christian discipleship, must be rooted in and shaped by the fundamental convictions and confessions of the faith. The book includes a foreword by an Army chaplain who has served in Iraq and study questions for group use.

Based on a true story, the book tells of an English womans travels and experiences in the former Yugoslavia during the vicious fighting that saw its breakup. After the failure of her first marriage, in 1987 she moves to Amsterdam and there she meets and falls in love with Ilija Celar. They travel to pre-war Osijek and there Amanda experiences Serbian culture, relates humorous anecdotes, explores Kopacki Rit and other parts of Croatia. Following the election of Franjo Tudjman in 1990, Amanda and Ilija are made aware of the increasing tensions and are horrified by Croatian friends talking about racial purity. Following a sinister visit from paramilitaries to their home, they appeal to Josip Reihl-Kir the Osijek Police Chief, who tries to reassure them. Tragically, he is later ambushed and murdered by Croatian extremists. After witnessing the burning of Serbian and dissident Croatians books, maps and paintings, on the local piazza, Ilija receives a warning from a friendly policeman that he is on a death list. He and Amanda flee, in the middle of the night, to Baranja where Ilija becomes very involved in the defence of the villages and is one of the original 19 fighters. Fighting erupts in Beli Manastir on the night of the 19th August 1991. Meanwhile, in London Amanda joins the Serbian Lobby with Prince Tomislav, Michael Lees, and other prominent figures.She hurriedly returns to Baranja in October 1991, after receiving the news that Ilija is wounded, The story tries to convey the terror, so many Serbians felt when they heard Tudjmans Ustasha rhetoric and symbols he reintroduced from the Ustasha fascist regime of WW2. Then comes the nightly terror of the shelling attacks from Osijek, the arrival of refugees and the harsh conditions the people of Baranja must endure during these months.