The epic story of the planet’s oldest trees and the making of the modern world Humans have always revered long-lived trees. But as historian Jared Farmer reveals in Elderflora, our veneration took a modern turn in the eighteenth century, when naturalists embarked on a quest to locate and precisely date the oldest living things on earth. The new science of tree time prompted travelers to visit ancient specimens and conservationists to protect sacred groves. Exploitation accompanied sanctification, as old-growth forests succumbed to imperial expansion and the industrial revolution. Taking us from Lebanon to New Zealand to California, Farmer surveys the complex history of the world’s oldest trees, including voices of Indigenous peoples, religious figures, and contemporary scientists who study elderflora in crisis. In a changing climate, a long future is still possible, Farmer shows, but only if we give care to young things that might grow old.

Captivating black-and-white photographs of the world’s most majestic ancient trees. Beth Moon’s fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs. This handsome volume presents nearly seventy of Moon’s finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews—some more than a thousand years old—that grow in English churchyards; the baobabs of Madagascar, called “upside-down trees” because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon’s-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa. Moon’s narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at The New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon’s unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art.

Celebrates some of the oldest living trees on earth, from the redwoods in California to the banyan trees in China.

This is an extraordinary book about trees. It's an account by a veteran science journalist that ranges to the limits of scientific understanding: how trees produce aerosols for protection and 'warnings'; the curative effects of 'forest bathing' in Japan; or the impact of trees in fertilizing ocean plankton. There is even science to show that trees are connected to the stars. Trees and forests are far more than just plants: they have myriad functions that help maintain the atmosphere and biosphere. As climate change increases, they will become even more critical to buffer the effects of warmer temperatures, clean our water and air and provide food. If they remain standing. The global forest is also in crisis, and when the oldest trees in the world suddenly start dying - across North America, Europe, the Amazon - it's time to pay attention. At the heart of this remarkable exploration of the power of trees is the amazing story of one man, a shade tree farmer named David Milarch, and his quest to clone the oldest and largest trees - from the California redwoods to the oaks of Ireland - to protect the ancient genetics and use them to reforest the planet.

Leading landscape photographers Diane Cook and Len Jenshel present Wise Trees—a stunning photography book containing more than 50 historical trees with remarkable stories from around the world. Supported by grants from the Expedition Council of the National Geographic Society, Cook and Jenshel spent two years traveling to fifty-nine sites across five continents to photograph some of the world’s most historic and inspirational trees. Trees, they tell us, can live without us, but we cannot live without them. Not only do trees provide us with the oxygen we breathe, food gathered from their branches, and wood for both fuel and shelter, but they have been essential to the spiritual and cultural life of civilizations around the world. From Luna, the Coastal Redwood in California that became an international symbol when activist Julia Butterfly Hill sat for 738 days on a platform nestled in its branches to save it from logging, to the Bodhi Tree, the sacred fig in India that is a direct descendent of the tree under which Buddha attained enlightenment, Cook and Jenshel reveal trees that have impacted and shaped our lives, our traditions, and our feelings about nature. There are also survivor trees, including a camphor tree in Nagasaki that endured the atomic bomb, an American elm in Oklahoma City, and the 9/11 Survivor Tree, a Callery pear at the 9/11 Memorial. All of the trees were carefully selected for their role in human dramas. This project both reflects and inspires awareness of the enduring role of trees in nurturing and sheltering humanity. Photographers, environmentalists, history buffs, and nature-lovers alike will appreciate the extraordinary stories found within the pages of Wise Trees!

This title explores the historical and cultural associations of ancient trees and their biological importance, as well as their sheer beauty. It encourages us to pause and look up at their gnarled branches and appreciate these silent witnesses which have remained rooted and constant through the centuries

‘Among all the varied productions with which Nature has adorned the surfaces of the earth, none awakens our sympathies, or interests our imagination so powerfully as those venerable trees, which seem to have stood the lapse of ages...’ John Muir, 1868 A fascinating celebration of the some of the oldest living organisms on the planet, from the grand Oaks of Europe and mighty Redwoods of California to Africa’s ‘upside-down’ Baobab tree, and from the Ginkgos of China and Korea to the Olive tree, the worldwide symbol of peace. Ancient Trees covers those species of tree that have lived for more than a thousand years: the Redwood, Bristlecone pine, Montezuma Cypress, the Monkey Puzzle, Amazonian Ancients, Yew, Oak, Sweet Chestnut, Lime, Olive, Welwitschia, the Baobab, Kauri, Totara, Antarctic Beech, the Fig, Cedar, and Ginkgo. Anna Lewington, the well-known writer on all things botanical, and leading wildlife photographer Edward Parker provide an illuminating and visually striking history of each tree species, including where the long-living species can still be found, the tree’s botanical details, and its mythical associations.

A repetitive text describes how everything in an old-growth forest is interrelated around a three-hundred-year-old Douglas fir.

Shrouded in the lore of legendary Indians, Mt. Timpanogos beckons the urban populace of Utah. And yet, no “Indian” legend graced the mount until Mormon settlers conjured it—once they had displaced the local Indians, the Utes, from their actual landmark, Utah Lake. On Zion’s Mount tells the story of this curious shift. It is a quintessentially American story about the fraught process of making oneself “native” in a strange land. But it is also a complex tale of how cultures confer meaning on the environment—how they create homelands. Only in Utah did Euro-American settlers conceive of having a homeland in the Native American sense—an endemic spiritual geography. They called it “Zion.” Mormonism, a religion indigenous to the United States, originally embraced Indians as “Lamanites,” or spiritual kin. On Zion’s Mount shows how, paradoxically, the Mormons created their homeland at the expense of the local Indians—and how they expressed their sense of belonging by investing Timpanogos with “Indian” meaning. This same pattern was repeated across the United States. Jared Farmer reveals how settlers and their descendants (the new natives) bestowed “Indian” place names and recited pseudo-Indian legends about those places—cultural acts that still affect the way we think about American Indians and American landscapes.