A dragon princess once lost… Juniper hunts down the most dangerous criminals on her black ops missions—and she’s good at it. A dragon shifter who was raised by wolves, she doesn’t know her birth clan and gave up trying to find them a hundred years ago. Since The Fall, when rogue dragons razed half the planet, she’s spent her days hunting down supernaturals who think they can escape justice, delivering her own. During a dangerous mission, she falls into the claws of a sexy warrior dragon adjusting to the modern world—and from the start she knows she’s in trouble. Is now found… Dragon shifter warrior Zephyr doesn’t fit into this new world. He doesn’t feel like he fits in anywhere—until he meets Juniper and her crew. He knows from the moment he sees the sexy and brave female dragon that they’re destined to be together. Unfortunately, life just got a whole lot more complicated. Not only are they in the fight of their lives against an overwhelming enemy force, but she’s royalty and her long-lost clan has come to bring her home. Even as they fight side by side to save hundreds of humans, he knows that winning her heart will be the hardest and most pivotal battle he’s ever waged. Juniper doesn’t want to get mated, doesn’t trust anyone with her heart—but this is one battle Zephyr will never stop fighting.

Scott Shauf compares the portrayal of the divine in Acts with portrayals of the divine in other ancient historiographical writings, the latter including Jewish and wider Greco-Roman historiographical traditions. The divine may be represented as a single deity (in Judaism) or many (in Greek and Roman traditions) and also includes representations of angels, God’s spirit, Jesus as a divine figure, or forces with divine status such as fate, chance, and providence. Shauf’s particular interest is in how the divine is represented as involved in history, through themes including the nature of divine retribution, the partiality or impartiality of the divine toward different sets of people, and the portrayal of divine control over seemingly purely natural and human events. Acts is shown to be engaging historiographical traditions of the author’s own day but also contributing unique historiographical perspectives. The way history is written in Acts and in the other writings is shown to be intimately tied to the understanding of the role of the divine in history.

What becomes of the wicked? Hell—exile from God, subjection to fire, worms, and darkness—for centuries the idea has shaped the dread of malefactors, the solace of victims, and the deterrence of believers. Although we may associate the notion of hell with Christian beliefs, its gradual emergence depended on conflicting notions that pervaded the Mediterranean world more than a millennium before the birth of Christ. Asking just why and how belief in hell arose, Alan E. Bernstein takes us back to those times and offers us a comparative view of the philosophy, poetry, folklore, myth, and theology of that formative age.Bernstein draws on sources from ancient Egypt, Mesopotamia, Greece, Rome, and Israel, as well as early Christian writings through Augustine, in order to reconstruct the story of the prophets, priests, poets, and charismatic leaders who fashioned concepts of hell from an array of perspectives on death and justice. The author traces hell's formation through close readings of works including the epics of Homer and Vergil, the satires of Lucian, the dialogues of Plato and Plutarch, the legends of Enoch, the confessions of the Psalms, the prophecies of Isaiah, Ezechiel, and Daniel, and the parables of Jesus. Reenacting lively debates about the nature of hell among the common people and the elites of diverse religious traditions, he provides new insight into the social implications and the psychological consequences of different visions of the afterlife.This superb account of a central image in Western culture will captivate readers interested in history, mythology, literature, psychology, philosophy, and religion.

Even as he fights for their future… With the world still rebuilding after massive dragon attacks, famous singer Star isn’t willing to rely on a stranger to protect her family—though dragon shifter Lachlan is difficult to resist. Something about him is strangely familiar, but she doesn’t understand why. He’s already helped Star rescue her sister from a recent abduction, but trust doesn’t come easy when his kind has nearly hunted her race to extinction. When her sister’s kidnapper launches another violent attack, Star has no choice but to accept Lachlan’s aid. But no matter that he’s stepped up to protect her, she’ll never allow the ancient Scottish dragon into her heart. They’re bound by the past. Lachlan lost the woman he was meant to mate millennia ago. Unable to live in a world without her, his pain drove him to hibernation. He never thought he would move on—until Star. He’s well aware the feisty shifter is his new destiny, so if tailing her to New Orleans is what he has to do to be near her, then so be it. When Star is attacked, Lachlan resolves to protect her at all costs. And he won’t have to do it alone. It will take Lachlan, his clansmen, and Star’s misfit band of friends to rain fiery vengeance down upon their enemy if she and her sister are to ever be truly free. Only then can he claim her and discover the shocking truth that lies buried in their past. FIRST IN NEW SERIES

The Old Testament books of wisdom and poetry carry themselves differently from those of the Pentateuch, the histories or the prophets. The divine voice does not peal from Sinai, there are no narratives carried along by prophetic interpretation nor are oracles declaimed by a prophet. Here Scripture often speaks in the words of human response to God and God's world. The hymns, laments and thanksgivings of Israel, the dirge of Lamentations, the questionings of Qohelet, the love poetry of the Song of Songs, the bold drama of Job and the proverbial wisdom of Israel all offer their textures to this great body of biblical literature. Then too there are the finely crafted stories of Ruth and Esther that narrate the silent providence of God in the course of Israelite and Jewish lives. This third Old Testament volume in IVP's celebrated "Black Dictionary" series offers nearly 150 articles covering all the important aspects of Job, Proverbs, Ecclesiastes, Psalms, Song of Songs, Lamentations, Ruth and Esther. Over 90 contributors, many of them experts in this literature, have contributed to the 'Dictionary of the Old Testament: Wisdom, Poetry and Writings'. This volume maintains the quality of scholarship that students, scholars and pastors have come to expect from this series. Coverage of each biblical book includes an introduction to the book itself as well as separate articles on their ancient Near Eastern background and their history of interpretation. Additional articles amply explore the literary dimensions of Hebrew poetry and prose, including acrostic, ellipsis, inclusio, intertextuality, parallelism and rhyme. And there are well-rounded treatments of Israelite wisdom and wisdom literature, including wisdom poems, sources and theology. In addition, a wide range of interpretive approaches is canvassed in articles on hermeneutics, feminist interpretation, form criticism, historical criticism, rhetorical criticism and social-scientific approaches. The 'Dictionary of the Old Testament: Wisdom, Poetry and Writings' is sure to command shelf space within arm's reach of any student, teacher or preacher working in this portion of biblical literature.

Get ready for King and Aurora’s long awaited, action-packed story! His responsibility is to his pack, his people—the territory of New Orleans. When the world devolved into chaos and fire, Alpha wolf King kept his territory from collapsing. Now, every day it seems there’s a new challenge—rogue witches, treacherous vampires, evil dragons. But his biggest threat is Aurora. Unique, magical, a female who sees him, the male, and not simply the Alpha in charge. But she’s thrown up so many walls that he’s afraid he’ll never be able to break through to the woman behind them. When the most dangerous threat they’ve ever faced ravages the city he’ll need her at his side—to defeat it, and then claim the woman who already owns him, body and soul. But she makes him want more. After being held captive for a year, Aurora has embraced her freedom. For the first time in her life she’s living away from her older sister in a new territory. A new world. She’s made friends and is helping New Orleans get back on its feet. But she’s far from the woman she used to be. Even so, she can’t fight her ever present and growing attraction to King. Except she’s afraid she’s broken, that she’ll never be able to have a normal relationship again—that she can’t handle being an Alpha’s mate. When an evil linked to his past threatens to tear them apart and destroy the city, she must set her fears aside and find the courage to follow her heart—and the wolf who’s already won it. Author note: Though part of a series, this book may be read as a stand-alone, complete with HEA.

On a primary level, the author seeks to answer the question, what is the best interpretation of הדעת טוב ורע. "The Knowledge of Good and Evil," in Gen 2:9, 17; 3:5, and 3:22? In Gen 3:5 and 3:22, this knowledge is said to be possessed by YHWH and the divine beings. This study analyzes the permutations of ) טוב"good") and רעע ("evil/bad") in the Hebrew Bible, with a majority focus in Genesis and the Deuteronomistic History and with a focus upon those textual instances in which YHWH has influence over 'good' and 'bad/evil.' Due to the results of the data, the author brings in a second level of discussion that focuses upon the hermeneutical principle of divine retribution as a structuring element for ancient Near Eastern historiography. On a third level, the author turns to divine blessing and cursing, and its association with good and evil in ancient Near Eastern texts and in the Hebrew Bible. Due to this specific theocentric analysis of the lexemes juxtaposed with the author's wider study of ancient Near Eastern history and culture, the answer to the guiding question of this study is therefore proposed by the author as, 'The Divine Knowledge for Administering Reward and Punishment.' Ergo, the Eden Narrative tells a story of how humans partly attain divinity becoming like YHWH and the divine beings (Gen 3:5; 3:22; Ps 82) in having acquired the forbidden divine knowledge for wielding ultimate power.