Although the recent 'memory boom' has led to increasing interdisciplinary interest, there is a significant gap relating to the examination of this topic in Classics. In particular, there is need for a systematic exploration of ancient memory and its use as a critical and methodological tool for delving into ancient literature. The present volume provides just such an approach, theorising the use and role of memory in Graeco-Roman thought and literature, and building on the background of memory studies. The volume's contributors apply theoretical models such as memoryscapes, civic and cultural memory, and memory loss to a range of authors, from Homeric epic to Senecan drama, and from historiography to Cicero's recollections of performances. The chapters are divided into four sections according to the main perspective taken. These are: 1) the Mechanics of Memory, 2) Collective memory, 3) Female Memory, and 4) Oblivion. This modern approach to ancient memory will be useful for scholars working across the range of Greek and Roman literature, as well as for students, and a broader interdisciplinary audience interested in the intersection of memory studies and Classics.

Although the recent ‘memory boom’ has led to increasing interdisciplinary interest, there is a significant gap relating to the examination of this topic in Classics. In particular, there is need for a systematic exploration of ancient memory and its use as a critical and methodological tool for delving into ancient literature. The present volume provides just such an approach, theorising the use and role of memory in Graeco-Roman thought and literature, and building on the background of memory studies. The volume’s contributors apply theoretical models such as memoryscapes, civic and cultural memory, and memory loss to a range of authors, from Homeric epic to Senecan drama, and from historiography to Cicero’s recollections of performances. The chapters are divided into four sections according to the main perspective taken. These are: 1) the Mechanics of Memory, 2) Collective memory, 3) Female Memory, and 4) Oblivion. This modern approach to ancient memory will be useful for scholars working across the range of Greek and Roman literature, as well as for students, and a broader interdisciplinary audience interested in the intersection of memory studies and Classics.

Book celebrates the work of Simon Price.

An exploration of the roles of conflict and forgetting in ancient Athens. Athens, 403 B.C.E. The bloody oligarchic dictatorship of the Thirty is over, and the democrats have returned to the city victorious. Renouncing vengeance, in an act of willful amnesia, citizens call for---if not invent---amnesty. They agree to forget the unforgettable, the "past misfortunes," of civil strife or stasis. More precisely, what they agree to deny is that stasis---simultaneously partisanship, faction, and sedition---is at the heart of their politics. Continuing a criticism of Athenian ideology begun in her pathbreaking study The Invention of Athens, Nicole Loraux argues that this crucial moment of Athenian political history must be interpreted as constitutive of politics and political life and not as a threat to it. Divided from within, the city is formed by that which it refuses. Conflict, the calamity of civil war, is the other, dark side of the beautiful unitary city of Athens. In a brilliant analysis of the Greek word for voting, diaphora, Loraux underscores the conflictual and dynamic motion of democratic life. Voting appears as the process of dividing up, of disagreement---in short, of agreeing to divide and choose. Not only does Loraux reconceptualize the definition of ancient Greek democracy, she also allows the contemporary reader to rethink the functioning of modern democracy in its critical moments of internal stasis.

Death-defying and vulnerable fur-traders and Indians, demi-devils and almost-angels, and other complex personalities come fully to life in The Ancient Memory, which completes the collecting of John G. Neihardt's early short fiction begun with The End of the Dream and Other Stories. Originally published in popular magazines between 1905 and 1908, these stories about the American frontier illustrated Neihardt's artistry in the short form and foreshadow the themes, situations, and characterizations of his later, better-known work. Although two of the Indian stories, the ironic "Feather for Feather" and the satirical "A Political Coup at Little Omaha," were collected in The Lonesome Trail in 1907, none has been reprinted since early in the twentieth century. Other stories included here are "Like a Woman," featuring the plucky Pelagie, and "The Face in the Balcony," which is dedicated to "those who have gone through life misunderstood." "The Epic-Minded Scot," about a stranger who is stubbornly idealistic and scrupulous, is considered one of Neihardt's best tales. "The Brutal Fact" revolves around a William Tell type of contest between trapping partners that anticipates Neihardt's Song of Three Friends. "The Lure of Woman," a study of greed and revenge, was expanded into his novel Life's Lure. The ineffable "Ancient Memory" carries profound philosophical implications while presenting a strange doppelgänger of sorts. Finally, the memorable Waters—an alcoholic, one-legged, one-eyed frontier printer—is introduced in "The Discarded Fetish," which, with minor changes, became the first half of the novel The Dawn-Builder. In her foreword Neihardt's daughter Hilda Neihardt recalls intimate details incidental to the writing of these stories.

This book is an analysis of thinking, remembering and reminiscing according to ancient authors, and their medieval readers. The author argues that behind the various medieval methods in interpreting texts of the past lie two apparently incompatible theories of human knowledge and remembering, as well as two differing attitudes to matter and intellect. The book comprises a series of studies which take ancient texts as evidence of the past, and show how medieval readers and writers understood them. The studies confirm that medieval and renaissance interpretations and uses of the past differ greatly from modern interpretation and yet betray many startling continuities between modern and ancient and medieval theories.

Applies the 'life history' of objects approach to China's prehistoric, early dynastic and more recent material culture.

This book investigates the founding and building of cities in the ancient Near East. The creation of new cities was imagined as an ideological project or a divine intervention in the political narratives and mythologies of Near Eastern cultures, often masking the complex processes behind the social production of urban space. During the Early Iron Age (c.1200–850 BCE), Assyrian and Syro-Hittite rulers developed a highly performative official discourse that revolved around constructing cities, cultivating landscapes, building watercourses, erecting monuments and initiating public festivals. This volume combs through archaeological, epigraphic, visual, architectural and environmental evidence to tell the story of a region from the perspective of its spatial practices, landscape history and architectural technologies. It argues that the cultural processes of the making of urban spaces shape collective memory and identity as well as sites of political performance and state spectacle.

Combines multiple theoretical perspectives and diverse media to examine the relation between music and memory in ancient Greece and Rome.

In ancient, pre-literate cultures across the globe, tribal elders had encyclopedic memories. They could name all the animals and plants across a landscape, identify the stars in the sky, and recite the history of their people. Yet today, most of us struggle to memorize more than a short poem. Using traditional Aboriginal Australian song lines as a starting point, Dr. Lynne Kelly has since identified the powerful memory technique used by our ancestors and indigenous people around the world. In turn, she has then discovered that this ancient memory technique is the secret purpose behind the great prehistoric monuments like Stonehenge, which have puzzled archaeologists for so long.The henges across northern Europe, the elaborate stone houses of New Mexico, huge animal shapes in Peru, the statues of Easter Island—these all serve as the most effective memory system ever invented by humans. They allowed people in non-literate cultures to memorize the vast amounts of information they needed to survive. But how?For the first time, Dr. Kelly unlocks the secret of these monuments and their uses as "memory places" in her fascinating book. Additionally, The Memory Code also explains how we can use this ancient mnemonic technique to train our minds in the tradition of our forbearers.