Excerpt from Ancient Hunters and Their Modern Representatives Some views which were admittedly heretical, when originally put forward, have since ceased to be so, and have acquired indeed a dangerously orthodox com plexion: at the last meeting Of the International Congress of Anthropologists in Geneva much might have been heard of the effects Of migration, but little Of indigenous evolution. It is unfortunate that some important questions, such for instance as the Antiquity Of Man, still remain open to controversy. In such cases I have endeavoured, without suppressing my own opinions, to represent the views Of each side with equal fairness. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Little more than seventy years after the British settled Van Diemen's Land (later Tasmania) in 1803, the indigenous community had been virtually wiped out. Yet this genocide at the hands of the British is virtually forgotten today. The Last Man is the first book specifically to explore the role of the British government and wider British society in this genocide. It positions the destruction as a consequence of British policy, and ideology in the region. Tom Lawson shows how Britain practised cultural destruction and then came to terms with and evaded its genocidal imperial past. Although the introduction of European diseases undoubtedly contributed to the decline in the indigenous population, Lawson shows that the British government supported what was effectively the ethnic cleansing of Tasmania - particularly in the period of martial law in 1828-1832. By 1835 the vast majority of the surviving indigenous community had been deported to Flinders Island, where the British government took a keen interest in the attempt to transform them into Christians and Englishmen in a campaign of cultural genocide. Lawson also illustrates the ways in which the destruction of indigenous Tasmanians was reflected in British culture - both at the time and since - and how it came to play a key part in forging particular versions of British imperial identity. Laments for the lost Tasmanians were a common theme in literary and museum culture, and the mistaken assumption that Tasmanians were doomed to complete extinction was an important part of the emerging science of human origins. By exploring the memory of destruction, The Last Man provides the first comprehensive picture of the British role in the destruction of the Tasmanian Aboriginal population.

The established reference work Guide to Reprints has been radically reworked for this edition. Bibliographical data was substantially increased where information was obtainable. In addition, the user-friendliness of Guide to Reprints was raised to the high level of other K.G. Saur directories through author-title cross-references, a subject volume, a person index and a publisher index. In this edition, the directory lists more than 60,000 titles from more than 350 publishers.

Prehistoric human life is a common reference point in contemporary culture, inspiring attempts to become happier, healthier, or better people. Exploited by capitalism, overwhelmed by technology, and living in the shadow of environmental catastrophe, we call on the prehistoric to escape the present, and to model alternative ways of living our lives. In Back to the Stone Age Ben Pitcher explores how ideas about race are tightly woven into the powerful origin stories we use to explain who we are, where we came from, and what we are like. Using a broad range of examples from popular culture – from everyday practices like lighting fires and walking in the woods to engagements with genetic technologies and Neanderthal DNA, from megaliths and museum mannequins to television shows and best-selling nonfiction – Pitcher demonstrates how prehistory is alive in the twenty-first century, and argues that popular flights back in time provide revealing insights into present-day anxieties, obsessions, and concerns. Back to the Stone Age shows that the human past is not set in stone. By opening up the prehistoric to critical contestation, Pitcher places racial justice at the centre of questions about the existence and persistence of Homo sapiens in the contemporary world.