"How ancient Polynesian explorers found the Hawaiian Islands, the most remote in Earth's largest sea; how they navigated, how they viewed themselves and their universe, and the arts, crafts, and values by which they survived and prospered without metals or the fuels and inventions believed necessary for life today." -- Amazon.com viewed August 7, 2020.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Drawing on archaeological and ethnohistorical sources, this book redefines the study of primary states by arguing for the inclusion of Polynesia, which witnessed the development of primary states in both Hawaii and Tonga.

Heiau, ‘Āina, Lani is a collaborative study of 78 temple sites in the ancient moku of Kahikinui and Kaupō in southeastern Maui, undertaken using a novel approach that combines archaeology and archaeoastronomy. Although temple sites (heiau) were the primary focus of Hawaiian archaeologists in the earlier part of the twentieth century, they were later neglected as attention turned to the excavation of artifact-rich habitation sites and theoretical and methodological approaches focused more upon entire cultural landscapes. This book restores heiau to center stage. Its title, meaning “Temples, Land, and Sky,” reflects the integrated approach taken by Patrick Vinton Kirch and Clive Ruggles, based upon detailed mapping of the structures, precise determination of their orientations, and accurate dating. Heiau, ‘Āina, Lani is the outcome of a joint fieldwork project by the two authors, spanning more than fifteen years, in a remarkably well-preserved archaeological landscape containing precontact house sites, walls, and terraces for dryland cultivation, and including scores of heiau ranging from simple upright stones dedicated to Kāne, to massive platforms where the priests performed rites of human sacrifice to the war god Kū. Many of these heiau are newly discovered and reported for the first time in the book. The authors offer a fresh narrative based upon some provocative interpretations of the complex relationships between the Hawaiian temple system, the landscape, and the heavens (the “skyscape”). They demonstrate that renewed attention to heiau in the context of contemporary methodological and theoretical perspectives offers important new insights into ancient Hawaiian cosmology, ritual practices, ethnogeography, political organization, and the habitus of everyday life. Clearly, Heiau, ‘Āina, Lani repositions the study of heiau at the forefront of Hawaiian archaeology.

Ancient Hawaiian culture for young learners. Includes illustrations, pronunciation guide, bibliography, charts, tables, and appendix. RL4

In Everything Ancient Was Once New, Emalani Case explores Indigenous persistence through the concept of Kahiki, a term that is at once both an ancestral homeland for Kānaka Maoli (Hawaiians) and the knowledge that there is life to be found beyond Hawaiʻi’s shores. Kahiki is therefore both a symbol of ancestral connection and the potential that comes with remembering and acting upon that connection. Tracing physical, historical, intellectual, and spiritual journeys to and from Kahiki, Case frames it as a place of refuge and sanctuary, a place where ancient knowledge can constantly be made anew. It is in Kahiki, and in the sanctuary it creates, that today’s Kānaka Maoli can find safety and reprieve from the continued onslaught of settler colonial violence while confronting some of the uncomfortable and challenging realities of being Indigenous in Hawaiʻi, in the Pacific, and in the world. The book engages with Kahiki as a shifting term employed by Kānaka Maoli to explain their lives and experiences at different points in history. Case argues for reactivated and reinvigorated engagements with Kahiki to support ongoing work aimed at decolonizing physical and ideological spaces and to reconnect Kānaka Maoli to peoples and places in the Pacific region and beyond in purposeful, meaningful ways. By tracing Kahiki through pivotal moments in history and critical moments in contemporary times, Case demonstrates how the idea of Kahiki—while not always mentioned by name—was, and is, always full of potential. Intertwining personal narrative with rigorous research and analysis, Case weaves the past and the present together, reflecting on ancient concepts and their continued relevance in movements to protect lands, waters, and oceans; to fight for social justice; to reexamine our responsibilities to each other across the Pacific region; and to open space for continued dialogue on what it means to be Indigenous when at home and when away. Everything Ancient Was Once New journeys to and from Kahiki, offering readers a sanctuary for reflection, deep learning, and continued dreaming with the past, in the present, and far into the future.

This book about Hawaii is written in the words and pictures of the children of Hawaii.

Daughters of Haumea: Women of Ancient Hawai'i Describes women's lives in pre-Western Hawai'i byu looking at the roles played by women in Hawaiian culture.