This anthology explores the multitude of evidence for recognisable fairy tales drawn from sources in the much older cultures of the ancient world, appearing much earlier than the 17th century where awareness of most fairy tales tends to begin. It presents versions of Cinderella, The Emperor’s New Clothes, Snow White, The Frog Prince and a host of others where the similarities to familiar ‘modern’ versions far outweigh the differences. Here we find Cinderella as a courtesan, Snow White coming to a tragic end or an innocent heroine murdering her sisters. We find an emperor’s new clothes where the flatterers compare him to Alexander the Great, or a pair of adulterers caught in a magic trap. Tantalising fragments suggest that there is more to be discovered: we can point to a Sleeping Beauty where the girl takes on the green colouring of the surrounding wood, or we encounter a Rumpelstiltskin connected to a mystery cult. The overall picture suggests a much richer texture of popular tale as a fascinating new legacy of antiquity. This volume breaks down the traditional barriers between Classical Mythology and the fairy tale, and will be an invaluable resource for anyone working on the history of fairy tales and folklore.

Here are 125 magnificent folktales collected from anthologies and journals published from the mid-nineteenth century to the present day. Beginning with tales of the ancient times and continuing through the arrival of the saints in Ireland in the fifth century, the periods of war and family, the Literary Revival championed by William Butler Yeats, and the contemporary era, these robust and funny, sorrowful and heroic stories of kings, ghosts, fairies, treasures, enchanted nature, and witchcraft are set in cities, villages, fields, and forests from the wild western coast to the modern streets of Dublin and Belfast. Edited by Henry Glassie With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library

The first anthology to present the entire range of ancient Greek and Roman stories- from myths and fairy tales to jokes Captured centaurs and satyrs, talking animals, people who suddenly change sex, men who give birth, the temporarily insane and the permanently thick-witted, delicate sensualists, incompetent seers, a woman who remembers too much, a man who cannot laugh-these are just some of the colorful characters who feature in the unforgettable stories that ancient Greeks and Romans told in their daily lives. Together they created an incredibly rich body of popular oral stories that include, but range well beyond, mythology-from heroic legends, fairy tales, and fables to ghost stories, urban legends, and jokes.

A complete collection of much loved Irish fairy tales, myths and legends, bound into a beautiful new edition. Enjoy the rich mythical history of Ireland from the arrival of the Tuatha De Danann on the island and their great battles with the Fomorians right up to the modern day fairytales of Irish storytelling. Including the Ulster Cycle, and the Fenian Cycle, the book features heroes such as Cuchulainn and Fionn Mac Cumhaill, and many traditional favourites such as The Children of Lir.

The first modern study of the ancient fairytale, it bridges a major gap between the study of the ancient world and the wider world of oral culture, and will be of immense value and interest to students of a wide variety of disciplines.

Fantasy in Greek and Roman Literature offers an overview of Greek and Roman excursions into fantasy, including imaginary voyages, dream-worlds, talking animals and similar impossibilities. This is a territory seldom explored and extends to rarely read texts such as the Aesop Romance, The Battle of the Frogs and the Mice, and The Pumpkinification of the Emperor Claudius. Bringing this diverse material together for the first time, Anderson widens readers’ perspectives on the realm of fantasy in ancient literature, including topics such as dialogues with the dead, Utopian communities and fantastic feasts. Going beyond the more familiar world of myth, his examples range from The Golden Ass to the Late Antique Testament of a Pig. The volume also explores ancient resistance to the world of make-believe. Fantasy in Greek and Roman Literature is an invaluable resource not only for students of classical and comparative literature, but also for modern writers on fantasy who want to explore the genre’s origins in antiquity, both in the more obvious and in lesser-known texts.

The 21 colourful Burmese folk tales in this volume have been retold in English by teachers from the Phaung Daw Oo Monastic Education High School, Mandalay, Myanmar, formerly Burma. Accompanying the stories are 22 illustrations created by their young pupils. Herein you will find stories like THE CROW IS AS PROUD AS THE PEACOCK , THE THREE SISTERS, THE BLIND BOY, SHIN MWE LON AND MIN NANDA, THE GREEDY KING, A DISRESPECTFUL DAUGHTER and many more. Herein you will find stories like The Crow Is As Proud As The Peacock , The Three Sisters, The Blind Boy, Shin Mwe Lon And Min Nanda, The Greedy King, A Disrespectful Daughter and many more. As with most folk tales with Eastern origins, the stories have deeper meanings hidden beneath what, on the surface, may appear to be a simple story. The morals in these Burmese tales often reoccur in the tales from other cultures’. Such universal themes include traditional family values and respect, still very much to the fore in a country that to a great extent has stood still in time. 55% of the net profit from the sale of this book will be donated to the Phaung Daw Oo Monastic Education High School, Mandalay to assist with teaching materials. These funds will assist the inspired school founders, Ven. U Nayaka and Ven. U Jotika, who, to date, have helped many underprivileged children benefit from a high standard of education.

This collection of exemplary essays by internationally recognized scholars examines the fairy tale from historical, folkloristic, literary, and psychoanalytical points of view. For generations of children and adults, fairy tales have encapsulated social values, often through the use of fixed characters and situations, to a far greater extent than any other oral or literary form. In many societies, fairy tales function as a paradigm both for understanding society and for developing individual behavior and personality. A few of the topics covered in this volume: oral narration in contemporary society; madness and cure in the 1001 Nights; the female voice in folklore and fairy tale; change in narrative form; tests, tasks, and trials in the Grimms' fairy tales; and folklorists as agents of nationalism. The subject of methodology is discussed by Torborg Lundell, Stven Swann Jones, Hans-Jorg Uther, and Anna Tavis.