The Bronze Age in China spans a period of nearly 2,000 years from the 21st to the 3rd century BC. Its

In contrast to the West, where diamonds, gold and silver have usually been highly valued, in China bronzes and jades were chosen early on for the societyâe(tm)s most valued artefacts, and retained this very high status over millennia. Bronze and jades were used in China for ritual and burial, and were thus associated with the sacred worlds of the ancestors and spirits. In later China, these precious relics of the past were collected by rulers and scholars as routes to understanding a distant golden age. These ancient objects, some dating from the neolithic period, set the artistic standard for all time; this is where Chinese art begins. Chinese bronzes, in particular, are one of the worldâe(tm)s major art forms. Few if any other ancient cultures achieved the artistic excellence and technical virtuosity in bronze attained in China. Using a unique casting method involving multiple ceramic section moulds, the Chinese cast vessels, weapons and ornaments of great beauty and elegance. Jade, too, is central to Chinaâe(tm)s culture. This tough translucent stone has been worked to produce the most prized ornaments and ceremonial implements from the Neolithic period to the present day. The jades featured in this catalogue, carved by some of the groups of ancient inhabitants in the Shanghai area. They include wonderful, decorated ritual jades, cong, bi discs, weapons and ornaments. This catalogue not only celebrates an important collection, but highlights the extraordinary skills of the craftsmen of very early cultures, placing the objects in their historical and archaeological context. Here are exquisite objects made for the ancient Chinese elite and subsequently revered by emperors and collectors alike.

This catalog focuses on the casting techniques of archiac bronzes.

A lavishly illustrated book that offers an in-depth look at the cultural practices surrounding the tradition of collecting ancient bronzes in China during the 18th and 19th centuries In ancient China (2000–221 b.c.) elaborate bronze vessels were used for rituals involving cooking, drinking, and serving food. This fascinating book not only examines the cultural practices surrounding these objects in their original context, but it also provides the first in-depth study tracing the tradition of collecting these bronzes in China. Essays by international experts delve into the concerns of the specialized culture that developed around the vessels and the significant influence this culture, with its emphasis on the concept of antiquity, had on broader Chinese society. While focusing especially on bronze collections of the 18th and 19th centuries, this wide-ranging catalogue also touches on the ways in which contemporary artists continue to respond to the complex legacy of these objects. Packed with stunning photographs of exquisitely crafted vessels, Mirroring China’s Past is an enlightening investigation into how the role of ancient bronzes has evolved throughout Chinese history.

The Chinese art collection in the Museum of Fine Arts, Boston, is one of the finest outside East Asia, with particularly superb holdings of paintings and ceramics, along with important sculptures, bronzes and examples of the decorative arts. Some 100 objects have been selected here to represent its riches, arranged to explore themes such as religion or the scholar tradition throughout China's long history. The works featured in Arts of China range from Neolithic tomb artifacts to contemporary painting and include exquisite porcelains, paintings, sculptures, lacquerware and metalwork created for worship, court life, foreign trade or everyday use. Many reflect engagement with earlier traditions or with cultures outside China, including those of Central Asia and India as well as Europe and America. Enhanced with illuminating essays, this book offers an ideal introduction to the breathtaking beauty and variety of Chinese art.