The world’s leading psychiatric authority on demonic possession delves into the hidden world of exorcisms and his own transformation from cynic to believer over the course of his twenty-five-year career. Successful New York psychiatrist Richard Gallagher was skeptical yet intrigued when a hard-nosed, no-nonsense Catholic priest asked him to examine a woman for a possible exorcism. Meeting her, Gallagher was astonished. The woman’s behavior defied logic. In an instant, she could pinpoint a person’s secret weaknesses. She knew how individuals she’d never known had died, including Gallagher’s own mother, who passed away after a lengthy battle with ovarian cancer. She spoke fluently in multiple languages, including Latin—but only when she was in a trance. This was not psychosis, Gallagher concluded. It was, in his scientific estimation, what could only be describe as paranormal ability. The woman wasn’t mentally disturbed—she was possessed. This remarkable case was the first of many that Gallagher would encounter. Sought after today by leaders of all faiths—ministers, priests, rabbis and imams, Gallagher has spent a quarter-century studying demonic activity and exorcisms throughout history and has witnessed more cases than any other psychiatrist in the world today. In this eerie and enthralling book, Gallagher chronicles his most famous cases for the first time, including: A professional who claimed her spiritualist mother had “assigned” her a spirit who “turned on her.” A petite woman—”90 pounds soaking wet”—who threw a 200-pound Lutheran deacon across the room to the horror of onlookers in a church hall; And “Julia,” the so-called Satanic queen and self-described witch, who exhibited “the most harrowing” case, a “once-in-a-century” possession. Going beyond horror movies and novels, Demonic Foes takes you deep into this hidden world, sharing in full details of these true-life tales of demonic possession.

Silent cinema and contemporaneous literature explored themes of mesmerism, possession, and the ominous agency of corporate bodies that subsumed individual identities. At the same time, critics accused film itself of exerting a hypnotic influence over spellbound audiences. Stefan Andriopoulos shows that all this anxiety over being governed by an outside force was no marginal oddity, but rather a pervasive concern in the late nineteenth and early twentieth centuries. Tracing this preoccupation through the period’s films—as well as its legal, medical, and literary texts—Andriopoulos pays particular attention to the terrifying notion of murder committed against one’s will. He returns us to a time when medical researchers described the hypnotized subject as a medium who could be compelled to carry out violent crimes, and when films like The Cabinet of Dr. Caligari and Dr. Mabuse, the Gambler famously portrayed the hypnotist’s seemingly unlimited power on the movie screen. Juxtaposing these medicolegal and cinematic scenarios with modernist fiction, Andriopoulos also develops an innovative reading of Kafka’s novels, which center on the merging of human and corporate bodies. Blending theoretical sophistication with scrupulous archival research and insightful film analysis, Possessed adds a new dimension to our understanding of today’s anxieties about the onslaught of visual media and the expanding reach of vast corporations that seem to absorb our own identities.

This interdisciplinary study investigates the relationship between culture, language and cognition based on the aspects of social structure, space and possession in Tonga, Polynesia. Grounded on extensive field research, Volkel explores the subject from an anthropological as well as from a linguistic perspective. The book provides new insights into the language of respect, an honorific system which is deeply anchored in the societal hierarchy, spatial descriptions that are determined by socio-cultural and geocentric parameters, kinship terminology and possessive categories that perfectly express the system of social status inequalities among relatives. These examples impressively show that language is deeply anchored in its cultural context. Moreover, the linguistic structures reflect the underlying cognitive frame of its speakers. Just as several cultural practices (sitting order, access to land and gift exchange processes) the linguistic means are not only expressions of stratified social networks but also tools to maintain or negotiate the underlying socio-cultural system."

He has bought a demon house in Indiana that has been described as a “portal to hell,” summoned the devil at the Hellfire Club in Ireland, and been attacked by a possessed doll in Mexico. But sometimes it’s his interactions with the living that rattle him the most, from innocent people harboring evil spirits to crazed fans to the victims of violent spirit attacks. Through his investigations of the world’s most haunted places, Zak has learned far more about the living and the dead than anyone should. He’s been to the edge of death and back and come away with a spiritual key that unlocks doors to another world that few have ever seen. Come along for the ride.

"The characteristics of possession are numerous and vary between different socio-cultural and historical contexts. Different ideas of possession can be observed within different cultural and social contexts both past and present. This makes defining possession all the more difficult. Various approaches to "ideas of possession" in different academic disciplines and in different cultural contexts allow the discourse(s) to benefit from insights that would otherwise remain confined to the society under discussion or the field that determines the method of study. The introduction presents an overview of recent interdisciplinary research on possession and scholarly attempts at a working definition, followed by a brief outline of the individual case studies in this volume"--

An innovative work of both economic anthropology and literary history, Arts of Possession draws on philosophical, theoretical, literary, historical, and archival sources and insights to situate the household at the center of the social and cultural imagination of fourteenth-century England. D. Vance Smith argues that in a period commonly represented as precapitalist there actually existed a sophisticated economic discourse -- and that discourse underlies common forms of representation and the writing of literary texts. His work provides a new historiography of capital and of the development of the relation between economic sophistication and cultural practices. Smith reads well-known and less-appreciated works -- such as Winner and Waster, Sir Launfal, The Canterbury Tales, and Piers Plowman -- for what they can tell us about the surpluses and economies that drew the medieval imagination, and about the complex ethics of possession at the heart of the fourteenth-century household. In bringing this to light, Smith's book itself becomes an eloquent meditation on the poetics and ethics of possession.