Anarchists Never Surrender provides a complete picture of Victor Serge’s relationship to anarchism. The volume contains writings going back to his teenage years in Brussels, where he became influenced by the doctrine of individualist anarchism. At the heart of the anthology are key articles written soon after his arrival in Paris in 1909, when he became editor of the newspaper l’anarchie. In these articles Serge develops and debates his own radical thoughts, arguing the futility of mass action and embracing “illegalism.” Serge's involvement with the notorious French group of anarchist armed robbers, the Bonnot Gang, landed him in prison for the first time in 1912. Anarchists Never Surrender includes both his prison correspondence with his anarchist comrade Émile Armand and articles written immediately after his release. The book also includes several articles and letters written by Serge after he had left anarchism behind and joined the Russian Bolsheviks in 1919. Here Serge analyzed anarchism and the ways in which he hoped anarchism would leaven the harshness and dictatorial tendencies of Bolshevism. Included here are writings on anarchist theory and history, Bakunin, the Spanish revolution, and the Kronstadt uprising. Anarchists Never Surrender anthologizes Victor Serge’s previously unavailable texts on anarchism and fleshes out the portrait of this brilliant writer and thinker, a man I.F. Stone called one of the “moral figures of our time.”

Perhaps no period has so marked, so deformed, or so defined the anarchist movement as the three years in France from 1892 to 1894, the years known as the Age of Attentats, the years dominated by the Propagandists of the Deed. Death to Bourgeois Society tells the story of four young anarchists who were guillotined in France in the 1890s. Their courage was motivated by noble ideals whose realization they saw their bombs and assassinations as hastening. In a time of cynicism and political decay for many, they represented a purity lacking in society, and their actions when they were captured, their forthrightness, their defiance up to the guillotine only added to their luster. The texts collected in Death to Bourgeois Society focus on the main avatars of this movement: the grave robber/murderer/terrorist Ravachol; Auguste Vaillant, who bombed the Chamber of Deputies; Emile Henry, who attacked both the bourgeois in their class function and their very existence; and the Italian immigrant Santo Caserio, who brought down the curtain on the age when he assassinated the French president Sadi Carnot. The volume contains key first person narratives of the events, from Ravachol’s forbidden speech and his account of his life, to Henry’s questioning at his trial and his programmatic letter to the director of the prison in which he was held, to Vaillant’s confrontation with the investigators immediately after tossing his bomb, and Caserio’s description of the assassination and his defense at his trial.

With a new preface, Robert Paul Wolff's classic analysis of the foundations of the authority of the state and the problems of political authority and moral autonomy in a democracy.

The untold story of the Russian Revolution: its antecedents, its far-reaching changes, its betrayal by Bolshevik terror, and the massive resistance of non-Bolshevik revolutionaries.

The Paris Commune of 1871, the first instance of a working-class seizure of power, has been subject to countless interpretations; reviled by its enemies as a murderous bacchanalia of the unwashed while praised by supporters as an exemplar of proletarian anarchism in action. As both a successful model to be imitated and as a devastating failure to be avoided. All of the interpretations are tendentious. Historians view the working class’s three-month rule through their own prism, distant in time and space. Voices of the Paris Commune takes a different tack. In this book only those who were present in the spring of 1871, who lived through and participated in the Commune, are heard. The Paris Commune had a vibrant press, and it is represented here by its most important newspaper, Le Cri du Peuple, edited by Jules Vallès, member of the First International. Like any legitimate government, the Paris Commune held parliamentary sessions and issued daily printed reports of the heated, contentious deliberations that belie any accusation of dictatorship. Included in this collection is the transcript of the debate in the Commune, just days before its final defeat, on the establishing of a Committee of Public Safety and on the fate of the hostages held by the Commune, hostages who would ultimately be killed. Finally, Voices of the Paris Commune contains a selection from the inquiry carried out twenty years after the event by the intellectual review La Revue Blanche, asking participants to judge the successes and failures of the Paris Commune. This section provides a fascinating range of opinions of this epochal event.

Robert Nozicka s Anarchy, State, and Utopia is a powerful, philosophical challenge to the most widely held political and social positions of our age ---- liberal, socialist and conservative.

Victor Serge (1890–1947) played many parts, as he recounted in his indelible Memoirs of a Revolutionary. The son of anti-czarist exiles in Brussels, Serge was a young anarchist in Paris; a syndicalist rebel in Barcelona; a Bolshevik in Petrograd; a Comintern agent in Central Europe; a comrade of Trotsky’s; a friend of writers like Andrei Bely, Boris Pilnyak, and André Breton; a prisoner of Stalin; a dissident Marxist in exile in Mexico... Like Serge’s extraordinary novels, A Blaze in a Desert: Selected Poems bears witness to decades of revolutionary upheavals in Europe and the advent of totalitarian rule; many of the poems were written during the “immense shipwreck” of Stalin’s ascendancy. In poems datelined Petrograd, Orenburg, Paris, Marseille, the Caribbean, and Mexico, Serge composed elegies for the fallen—as well as prospective elegies for the living who, like him, endured prison, exile, and bitter disappointment in the revolutions of the first half of the twentieth century: Night falls, the boat pulls in, stop singing. Exile relights its captive lamps on the shore of time. Throughout A Blaze in a Desert, Serge draws on the heritage of late- and post-Symbolist writers like Verhaeren, Rictus, Apollinaire, Blok, and Bely—themselves authors of messages of a more general resistance by the human spirit—to express the anguish of the failure of the Russian Revolution and to search out glimmers of hope in the ruins of the Second World War. A Blaze in a Desert comprises Victor Serge’s sole published book of poetry, Resistance (1938), his unpublished manuscript Messages (1946), and his last poem, “Hands” (1947).

Lessons of the Spanish Revolution examines the many ways in which Spain’s revolutionary movement contributed to its own defeat. Was it too weak to carry through the revolution? To what extent was the purchase of arms and raw materials from outside sources dependent upon the appearance of a constitutional government inside Republican Spain? What chances had an improvised army of guerrillas against a trained fighting force? These were some of the practical problems facing the revolutionary movement and its leaders. But in seeking to solve these problems, the anarchists and revolutionary syndicalists were also confronted with other fundamental questions. Could they collaborate with political parties and reformist unions? Given the circumstances, was one form of government to be supported against another? Should the revolutionary impetus of the first days of resistance be halted in the interests of the armed struggle against Franco or be allowed to develop as far as the workers were prepared to take it? Was the situation such that the social revolution could triumph and, if not, what was to be the role of the revolutionary workers? Originally written as a series of weekly articles in the 1950s and expanded, republished, and translated into many languages over the years, Vernon Richards’s analysis remains essential reading for all those interested in revolutionary praxis.

When the Bastille was stormed on July 14, 1789, it wasn't a crowd of breeches-wearing professionals that attacked the prison, it was the working people of Paris. The Permanent Guillotine is an anthology of figures who expressed the will and wishes of this nascent revolutionary class, in all its rage, directness, and contradictoriness.

Birth of Our Power is an epic novel set in Spain, France, and Russia during the heady revolutionary years 1917–1919. Serge’s tale begins in the spring of 1917, the third year of mass slaughter in the blood-and-rain-soaked trenches of World War I. When the flames of revolution suddenly erupt in Russia and Spain, Europe is “burning at both ends.” Although the Spanish uprising eventually fizzles, in Russia the workers, peasants, and common soldiers are able to take power and hold it. Serge’s “tale of two cities” is constructed from the opposition between Barcelona, the city “we” could not take, and Petrograd, the starving, beleaguered capital of the Russian Revolution besieged by counter-revolutionary Whites. Between the romanticism of radicalized workers awakening to their own power in a sun-drenched Spanish metropolis to the grim reality of workers clinging to power in Russia’s dark, frozen revolutionary outpost. From “victory in defeat” to “defeat in victory.” The novel was composed a decade after the revolution in Leningrad, where Serge was living in semicaptivity because of his declared opposition to Stalin’s dictatorship over the revolution.