Many years ago, while fellowshipping with a Jewish missionary Pappi Bodine introduced a concept of this Gospel, which became a burden on my heart to pursue. John used theTabernacle as the outline of his Gospel. The Tabernacle demonstrated Jesus’ labor and plan, providing the provision of salvation. The Purpose: The author’s primary goal is to provide to the Professor/Teacher materials to aid his instruction both in the classroom and pulpit.

Recent monographs on Johannine signs tend to focus on a single sign. Other studies that examine multiple signs mainly focus on the first half of John’s Gospel. In Christian circles, most preachers and believers remain preoccupied by the traditional view that John’s Gospel contains only seven signs. However, what constitutes a sign for John, and how signs function to achieve the purpose of the Gospel (John 20:30–31) is far from settled. Three features of this book explore important clues for solving this puzzle: (1) a fresh hypothesis that Jesus’s signs correspond to the four tabernacle signs (a pot of manna, Aaron’s staff, the bronze altar cover, and the bronze serpent), which makes sense given the tabernacle/temple theme of John’s Gospel; (2) a complete study that examines Johannine signs in the whole Gospel systematically to reveal how signs develop the book’s purpose; and (3) an adaptation of a sociolinguistic theory to examine the corresponding texts of the Old Testament and New Testament in light of how language functions in a social event. The author will show how Jesus’s signs fulfill the functions of the four tabernacle signs, and how Jesus’s crucifixion is the “all-inclusive” sign in witnessing to his identity.

With a scholar's mind and a pastor's heart, N. T. Wright helps us discover the clues John gives in his gospel that we might see even more clearly the reality of who Jesus is, the new creation he inaugurates and the difference that all makes. Includes 26 sessions for group or personal study.

The Knowing the Bible series is a new resource designed to help Bible readers better understand and apply God’s Word. Each 12-week study leads participants through one book of the Bible and is made up of four basic components: (1) Reflection questions designed to help readers engage the text at a deeper level; (2) “Gospel Glimpses” highlighting the gospel of grace throughout the book; (3) “Whole-Bible Connections” showing how any given passage connects to the Bible’s overarching story of redemption culminating in Christ; and (4) “Theological Soundings” identifying how historic orthodox doctrines are taught or reinforced throughout Scripture. With contributions from a wide array of influential pastors and church leaders, these gospel-centered studies will help Christians see and cherish the message of God’s grace on each and every page of the Bible. In this study of John’s Gospel, pastor and author Justin Buzzard helps readers understand the most theologically and philosophically profound account of Jesus’s life, death, and resurrection in the New Testament. From revealing his cosmic identity as being with the Father “in the beginning,” to recounting the many miraculous signs attesting to his divinity, Buzzard illuminates John’s unmatched portrait of Jesus Christ, the unique Son of God, sent from heaven to save all who would turn to him. This insightful guide encourages Christians to worship Christ as Lord and follow him on mission to the world.

The exodus—the story of God leading his chosen people out of slavery in Egypt—stands as a pivotal event in the Old Testament. But if you listen closely, you will hear echoes of this story of redemption all throughout God's Word. Using music as a metaphor, the authors point us to the recurring theme of the exodus throughout the entire symphony of Scripture, shedding light on the Bible's unified message of salvation and restoration that is at the heart of God's plan for the world.

"It is our purpose to give a verse by verse exposition of the fourth Gospel in the course of this series of studies, but before turning to the opening verses of chapter I it will be necessary to consider John's Gospel as a whole, with the endeavor of discovering its scope, its central theme, and its relation to the other three Gospels. We shall not waste the reader's time by entering into a discussion as to who wrote this fourth Gospel, as to where John was when he wrote it, nor as to the probable date when it was written. These may be points of academic interest, but they provide no food for the soul, nor do they afford any help to an understanding of this section of the Bible, and these are the two chief things we desire to accomplish. Our aim is to open up the Scriptures in such a way that the reader will be able to enter into the meaning of what God has recorded for our learning in this part of His Holy Word, and to edify those who are members of the Household of Faith." Arthur Walkington Pink was an English Christian evangelist and Biblical scholar known for his staunchly Calvinist and Puritan-like teachings. Though born to Christian parents, prior to conversion he migrated into a Theosophical society (an occult gnostic group popular in England during that time), and quickly rose in prominence within their ranks. His conversion came from his father's patient admonitions from Scripture. It was the verse, Proverbs 14:12, 'there is a way which seemeth right unto a man, but the end thereof are the ways of death, ' which particularly struck his heart and compelled him to renounce Theosophy and follow Jesus.

For the author of the fourth Gospel, there is neither a Christless church nor a churchless Christ. Though John's Gospel has been widely understood as ambivalent toward the idea of 'church', Andrew Byers argues that ecclesiology is as central a Johannine concern as Christology. Rather than focusing on the community behind the text, John's Gospel directs attention to the vision of community prescribed within the text, which is presented as a 'narrative ecclesiology' by which the concept of 'church' gradually unfolds throughout the Gospel's sequence. The theme of oneness functions within this script and draws on the theological language of the Shema, a centerpiece of early Jewish theology and social identity. To be 'one' with this 'one God' and his 'one Shepherd' involves the believers' corporate participation within the divine family. Such participation requires an ontological transformation that warrants an ecclesial identity expressed by the bold assertion found in Jesus' citation of Psalm 82: 'you are gods'.

This study not only carefully investigates the Jewish tradition of water and Spirit as the normative background of John 4, but also develops temple Christology by connecting these distinct traditions of water and the Spirit as eschatological life for John's use of Spirit as the source of new creational life. The aim of this thesis is to answer the following three crucial questions in order to sustain the development of the temple Christological theme in John 4: 1) What does the image of water represent?; 2) What does it mean to worship in Spirit and truth?, and 3) How do the disparate parts (water scene [4:6-15] and the Spirit scene [4:20-26]) function as a whole?

A series of Bible study guides following the format and content of the NIV Application Commentaries Series. Each study looks at the original meaning, bridging contexts, and contemporary significance of the text, and offers small group participants a better understanding and relevant application of the biblical material to their daily lives.