Paris, 1933. In the aftermath of her love triangle with novelist Henry Miller and his dancer wife June, thirty-year-old Anaïs Nin is left reeling. Stifled by her bourgeois marriage, she retreats into the midnight world of the Grand Guignol, the legendary theatre of horror and fear whose devoted patrons thrill at the macabre spectacles depicted on the black box stage. It is there that she falls under the spell of the actress Paula Maxa, known as The Maddest Woman of All Time, who awakens Anaïs to a secret realm of bewitchment and vice, of pleasure and pain. Only Maxa already belongs to Monsieur Guillard, the lustful night creature that haunts the dark streets of Pigalle. As the demon lover's insatiable hunger grows stronger by the hour, Anaïs finds herself trapped in a far more dangerous triangle, a cat-and-mouse game with Maxa's very soul as the ultimate prize.

A year in the life (1931-1932) of writer Anais Nin when she met Henry Miller and his wife June.

The sixth volume of the diary of “one of the most extraordinary and unconventional writers of [the twentieth] century” (The New York Times Book Review). Anaïs Nin continues “one of the most remarkable diaries in the history of letters” with this volume covering more than a decade of her midcentury life (Los Angeles Times). She debates the use of drugs versus the artist’s imagination; portrays many famous people in the arts; and recounts her visits to Sweden, the Brussels World’s Fair, Paris, and Venice. “[Nin] looks at life, love, and art with a blend of gentility and acuity that is rare in contemporary writing.” —John Barkham Reviews Edited and with a preface by Gunther Stuhlmann

The second volume of “one of the most remarkable diaries in the history of letters” (Los Angeles Times). Beginning with the author’s arrival in New York, this diary recounts Anaïs Nin’s work as a psychoanalyst, and is filled with the stories of her analytical patients—as well as her musings over the challenges facing the artist in the modern world. The diary of this remarkably daring and candid woman provides a deeply intimate look inside her mind, as well as a fascinating chapter in her tumultuous life in the latter years of the 1930s.

The acclaimed author details her bohemian life in 1930s Paris—including her famous affair with Henry Miller—in the classic first volume of her diaries. Born in France to Cuban parents, Anais Nin began keeping a diary at the age of eleven and continued the practice for the rest of her life. Confessional, scandalous, and thoroughly absorbing, her diaries became one of the most celebrated literary projects of the twentieth century. Writing candidly of her marriages and affairs—including those with psychoanalyst Otto Rank and author Henry Miller—Nin presents a passionate and detailed record of a modern woman’s journey of self-discovery. Edited and with an introduction by Gunther Stuhlmann, this celebrated first volume begins in the winter of 1931 and ends in the fall of 1934. It covers an auspicious time in Nin’s life, from when she is about to publish her first book to her decision to leave Paris for New York.

The Theatre of the Grand Guignol, which began in turn-of-the-century Paris, celebrated horror and fear. Innocent victims, mangled beauty, insanity, mutilation, depravity and guilt were its primary themes. This text examines its history, themes and methods and summarizes its plots.

The third volume of “one of the most remarkable diaries in the history of letters” (Los Angeles Times). This candid volume from the renowned diarist covers her years of struggle, and eventual triumph, as an author in America during World War II. “Transcending mere self-revelation . . . the diary examines human personality with a depth and understanding seldom surpassed since Proust . . . dream and fact are balanced and . . . in their joining lie the elements of masterpiece.” —The Washington Post “Just one page of Nin’s extraordinary diaries contains more sex, melodrama, fantasies, confessions, and observations than most novels, and reflects much about the human psyche we strive to repress.” —Booklist Edited and with a preface by Gunther Stuhlmann

This book introduces the importance of echoism as a clinical entity and a theoretical concept. In Ovid's version of the myth of Echo and Narcissus, the character Echo receives equal attention to her counterpart, Narcissus, yet she has been completely marginalised in the pervasive literatures on narcissism. The author draws upon her work with patients who have experienced relationships with narcissistic partners or parents, and have developed a particular configuration of object relations and ways of relating for which she uses the term echoism. She uses psychoanalytic theory and existential philosophical ideas to underpin her formulations and inform her clinical thinking. Donnna Savery explores the question 'Am I an Echoist?' and introduces the concept of Echoism in the following YouTube video: https://www.youtube.com/watch?v=EEyjolXL7lA

"Bloodcurdling shrieks, fiendish schemes, deeds of darkness, mayhem and mutilation—we all have a rough idea of what Grand Guignol stands for. But until now it has been hard to find out much more about it than that. According to the American theater historian Mel Gordon, no major history of the theater so much as mentions it, although it is a form of entertainment that held its own on the Paris stage for more than half a century. But Mr. Gordon has made a thorough job of filling the gap."—John Gross, The New York Times Here is the expanded edition of classic outré book, The Grand Guignol, first published in 1988 and now long out of print. Like the original anthology, it includes an illustrated introduction to the theater of Paris and abroad, a breakdown of its stage tricks, a summary of one hundred plots, extensive photo documentation, André de Lord's essay, "Fear in Literature," and two originally produced Grand Guignol scripts. The expanded edition also contains additional graphic and textual material including a color insert of Grand Guignol posters; the 1938 autobiographical account of Maxa, the company's leading female performer entitled "I Am the Maddest Woman in the World"; and the controversial playscript Orgy in the Lighthouse.

Creepy Crawls is a ghoulish and ghastly terror-touring travel guide to the most dreadfully Horror-ed of destinations! From Tobe Hooper’s 1974 drive-in classic The Texas Chainsaw Massacre to the real-life Baltimore haunts of Edgar Allan Poe to the macabre features of Paris, France, Creepy Crawls offers morbidly offbeat locations for horror aficionados and travel buffs alike. Author Leon Marcelo lurks with you amongst the foulest of frightfully fiendish horror sites, and offers the name and address of each destination, horror trivia and curiosities, photographs, travel tips, all in an entertainingly ghoulish narrative that is in the jugular vein of beloved horror-host Elvira and the classic horror comic book icon The Crypt Keeper.