Presents a selection from Metamorphoses, designed for those who have completed an introductory Latin course.

This revised and expanded second edition of R.A. LaFleur's Love and Transformation is designed to introduce intermediate and advanced high school and college students to the timeless artistry of Ovid's Metamorphoses and Amores. Including all the selections from the AP Ovid Syllabus, the volume contains "Daphne and Apollo," "Pyramus and Thisbe," "Orpheus and Eurydice," "Pygmalion," "Daedalu and Icarus," and "Baucis and Philmon" form the Metamorphoses, as well as Amores 1.1-3, 1.9, 1.11-12, and 3.15.

Ovid’s Metamorphoses is a Latin reader designed to partner existing elementary Latin textbooks. The book features thirty compelling stories, graduated in difficulty and adapted from Ovid’s epic Metamorphoses into prose. The original poem contains many different stories united thematically by the transformation which occurs in all of them; the epic features romance, seduction, humour, violence, monsters, and misbehaving gods. Each chapter contains: a Latin passage adapted from the epic an accompanying vocabulary list a short commentary to help with translation a concise review of the specific grammar covered a brief comment on a literary aspect of the poem, or featured myth. Suitable for college students studying Latin at the elementary level, Ovid’s Metamorphoses is designed to be used alongside elementary Latin textbooks. Preserving Ovid’s language and highly vivid descriptions, this reader introduces students to the epic masterpiece, allows them to consolidate their understanding of Latin prose, and offers opportunities for literary discussion. Christine Albright is the 2020 recipient of the CAMWS Bolchazy Pedagogy Book Award.

Perhaps no other classical text has proved its versatility so much as Ovid's epic poem. A staple of undergraduate courses in Classical Studies, Latin, English and Comparative Literature, Metamorphoses is arguably one of the most important, canonical Latin texts and certainly among the most widely read and studied. Ovid's 'Metamorphoses': A Reader's Guide is the ideal companion to this epic classical text offering guidance on: • Literary, historical and cultural context • Key themes • Reading the text • Reception and influence • Further reading

Of all the poets of ancient Rome Ovid had perhaps the most influence on the art and literature of Medieval and Renaissance Europe. Even today he is probably the most accessible of all classical poets to the non-specialist, both in his subject matter and in his style. Ovid is no less fascinated than we are by the human psyche and by the ways men and women relate to each other, and many of his views on these questions seem centuries ahead of his time. Ovid’s interest in narrative technique is so much like ours that modern critical terms such as “reader-response” could have been coined for his experiments with story telling. In the creation of different personae and points of view his ingenuity is endless. For the Amores he invented a posing poet-lover; for the Art of Love, his narrator is a cynical professor of seduction who is convinced, quite wrongly, that he has love down to a science. In the Heroides, a series of verse-letters from the famous women of legend to their lovers, he brilliantly recreated great moments of heroic mythology from the feminine point of view. The longest and most enchanting of his works, the Metamorphoses, an epic-length poem on the infinite changes of mythology and history, afforded him the richest opportunities of all to experiment with narrative techniques. In this book Sara Mack introduces Ovid to the general reader. After considering Ovid’s modernity, Mack surveys his poetry chronologically. Next she examines his most influential poems: the Amores, Heroides, Art of Love, and Metamorphoses. Finally she explores Ovidian wit, concluding with a look at Ovid’s influence on the arts.

No other ancient poet has had such a hold on the imagination of readers as Ovid. Through the centuries, artists, writers, and poets have found in his work inspiration for new creative endeavours.This anthology of twenty of the most influential papers published in the last thirty years represents the broad range of critical and scholarly approaches to Ovid's work. The entire range of his poetry, from the Amores to the Epistles from the Black Sea, is discussed by some of the leading scholars of Latin poetry, employing, critical methods ranging from philology to contemporary literary theory. In an introductory essay, Peter Knox surveys Ovidian scholarship over this period and locates the assembled papers within recent critical trends. Taken together, the articles in this collection offer the interested reader, whether experienced scholar or novice, an entrée into the current critical discourse on Ovid, who is at once one of the most accessible authors of classical antiquity and one of the least understood.

This introduction to Ovid's Metamorphoses considers how Ovid defined and shaped his narrative, its cultural context, and its vivid depictions of the cruelty of jealous gods, the pathos of human love, and the imaginative fantasy of flight, monsters, magicand illusion.

The Latin poet Ovid continues to fascinate readers today. In Italian Readers of Ovid from the Origins to Petrarch, Julie Van Peteghem examines what drew medieval Italian writers to the Latin poet’s works, characters, and themes. While accounts of Ovid’s influence in Italy often start with Dante’s Divine Comedy, this book shows that mentions of Ovid are found in some of the earliest poems written in Italian, and remain a constant feature of Italian poetry over time. By situating the poetry of the Sicilians, Dante, Cino da Pistoia, and Petrarch within the rich and diverse history of reading, translating, and adapting Ovid’s works, Van Peteghem offers a novel account of the reception of Ovid in thirteenth- and fourteenth-century Italy.