Navigating the landscape of Romantic literature and art across Europe and the Americas, An Outline of Romanticism in the West invites readers to embark upon a literary journey. Showcasing a breadth of theoretical and contextual approaches to the study of Romanticism, John Isbell provides an insightful contemporary overview of the field, paired with wide-ranging comparative reflections on the art and literature that helped shape it. Discussing seminal Romantic texts such as Mary Shelley’s Frankenstein, or Germaine de Staël’s Corinne ou l’Italie, Isbell provides a foundation through which to investigate core concepts, such as the continuum of Romance, the Romantic hero, and Romantic literature’s characteristic repudiation of its own Romanticism. Unusually for a single-author monograph, the book includes both published and unpublished material covering Romantic creation across Europe and the two Americas. Identifying Romanticism as an international movement, Isbell seeks to emphasise a theme frequently ignored by many academics: the roots of Romanticism, and its variations, as a national art. His arguments are supported by extensive interrogations of the political and historical contexts that moulded the outlooks of the writers and artists central to the period. An Outline of Romanticism in the West underlines the interplay between nationalism, history, and artistic inspiration, and will therefore be of value to students and scholars of literature and history, as well as to general readers with an interest in Romanticism in the West.

Two centuries of sexism have hidden Staël's place in international history. Straddling the divides of the French Revolution, Napoleonic Europe, emergent nationalism, and European Romanticism, and playing pivotal roles in those movements, she was also a friend of Byron, Jefferson, and Tsar Alexander. Extensive archival research, and a complete contextual overview of Staël's writings, here restore Staël's canonical status as political philosopher, historian, European Romantic theorist, and Revolutionary. While the term stateswoman is not commonly used, it describes Staël aptly, acting as she necessarily did through men around her. The brilliant game of masks and proxies imposed on her by patriarchy is detailed here, alongside her unending fight for the oppressed, from the nations of Napoleon's subjugated Europe to the victims of the Atlantic slave trade. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

This collection of essays reprints previously published writings about Trinity College Cambridge's most celebrated writer, Lord Byron, for the bicentennial commemoration of his death on 19 April 1824. Bringing together diverse contributions from a series of scholars, three of them fellows of Trinity College, it explores various aspects of Byron’s life and writing. The collection draws out the relationships between ‘memorials, marbles and ruins’, themes always prominent in his thinking and feeling. The earliest essay reprinted here dates from the bicentenary of Byron’s birth in 1788. Thirty-six years and two centuries later, this collection honours a figure of enduring, complex significance, with whom Trinity College is proud to be associated. It will be of value to scholars and students of Byron, as well as those interested in his life, in the bi-centenary year of his death.

This international collection of essays by leading authorities in literature and education presents the first comprehensive view of the impact of Romanticism on education over the course of the last two centuries. Romanticism’s reconception of self, nature, writing and the imagination forms a chapter of intellectual history that has led to a number of innovative programs in the schools. The book returns to the educational thinking of key figures from the time—Rousseau, Wordsworth, Mary Shelley and Coleridge—before charting their influence on such historical and contemporary developments as Montessori schools, art education, free schools and current writing programs. The contributors tend to challenge common assumptions concerning Romanticism and do not shy away from its darker side; their work encompasses both theoretical considerations of Romantic and post-modern conceptions of the self and practical concerns with Romanticism’s potential for the school curriculum. The Educational Legacy of Romanticism represents a multi-disciplinary inquiry into the continuing influence which cultural endeavours can have on the social practices of society.

It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers

It has been customary in the appraisal of the different approaches to the study of Japan anthropology to invoke an East-West dichotomy positing hegemonic ‘Western’ systems of thought against a more authentic ‘Eastern’ alternative. Top scholars in the field of Japan anthropology examine, challenge and attempt to move beyond the notion of an East-West divide in the study of Japan anthropology. They discuss specific fieldwork and ethnographic issues, the place of the person within the context of the dichotomy, and regional perspectives on the issue. Articulating the influence of the East-West divide in other disciplines, including museum studies, religion, business and social ecology, the book attempts to look towards a new anthropology that transcends the limitations of a simplistic East-West opposition, taking into account the wealth of regional and global perspectives that are exhibited by contemporary scholarship on Japan anthropology. In concluding if the progress achieved in anthropological work on Japan can provide a model for good practice beyond this regional specialization, this timely and important book provides a valuable examination of the current state of the academic study of Japan anthropology.

The poetry of Yosano Akiko covers all the many and varied aspects of the experience of love—from early romantic encounters between the lover and beloved to the intimate pleasures of mutual infatuation and then true love. The journey outlined in Akiko’s verse also grapples with jealousy and unrequited passion, as Akiko’s poem-narrative treats the rivalry between herself and her best friend, the poet Yamakawa Tomiko, for the affection of the dashing young literary lion, Yosano Tekkan, who later became Akiko’s husband. Thus, How Dark Is My Flower: Yosano Akiko and the Invention of Romantic Love tells a number of stories: a real-life romance unfolds in the poetry of these three poets examined in the book, as well as the story of the journey from romanticism to modernism undertaken by early 20th century Japanese poetry. How Dark Is My Flower emphasizes the astonishing innovations in diction and style, not to mention content, in Akiko’s work that transformed the tanka genre from a hidebound and conservative mode of verse to something much more daring and modern. This book pays particular attention to poetry, particularly the tanka genre, in the evolution of modernism in Japanese literature and breaks new ground in the study of modern Japanese literature by examining the invention and evolution of the concept of romantic love.

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.