In 1827 six Osage people—four men and two women—traveled to Europe escorted by three Americans. Their visit was big news in France, where three short publications about the travelers appeared almost immediately. Virtually lost since the 1830s, all three accounts are gathered, translated, and annotated here for the first time in English. Among the earliest writings devoted to Osage history and culture, these works provide unique insights into Osage life and especially into European perceptions of American Indians. William Least Heat-Moon’s introduction poignantly tells of people leaving one alien nation, the United States, to visit an even more alien culture an ocean away. In France the Osages found themselves lionized as “noble savages.” They went to the theater, rode in a hot-air balloon, and even had an audience with the king of France. Many Europeans ogled them as if they were exhibits in a freak show. As the entourage moved through Belgium, Holland, Germany, Switzerland, and Italy, interest in the Osages declined. Soon they were reduced to begging in the suburbs of Paris, without the means to return home. Translated by Heat-Moon and James K. Wallace, the three featured texts are surprisingly accurate as basic descriptions of Osage history, geography, and lifeways. The French authors, influenced by racist and sexist expectations, misinterpreted some of the behaviors they describe. But they also dismiss rumors of cannibalism among the Osages and observe that “the behavior of some whites . . . was not conducive to giving the Indians a favorable opinion of white morality.” An Osage Journey to Europe, 1827–1839 offers scholars and general readers both a compelling story and a singular glimpse into nineteenth-century cultural exchange.

The Osage empire, as most histories claim, was built by Osage men’s prowess at hunting and war. But, as Tai S. Edwards observes in Osage Women and Empire, Osage cosmology defined men and women as necessary pairs; in their society, hunting and war, like everything else, involved both men and women. Only by studying the gender roles of both can we hope to understand the rise and fall of the Osage empire. In Osage Women and Empire, Edwards brings gender construction to the fore in the context of Osage history through the nineteenth century. Edwards’s examination of the Osage gender construction reveals that the rise of their empire did not result in an elevation of men’s status and a corresponding reduction in women’s. Consulting a wealth of sources, both Osage and otherwise—ethnographies, government documents, missionary records, traveler narratives—Edwards considers how the first century and a half of colonization affected Osage gender construction. She shows how women and men built the Osage empire together. Once confronted with US settler colonialism, Osage men and women increasingly focused on hunting and trade to protect their culture, and their traditional social structures—including their system of gender complementarity—endured. Gender in fact functioned to maintain societal order and served as a central site for experiencing, adapting to, and resisting the monumental change brought on by colonization. Through the lens of gender, and by drawing on the insights of archaeology, ethnography, linguistics, and oral history, Osage Women and Empire presents a new, more nuanced picture of the critical role of men and women in the period when the Osage rose to power in the western Mississippi Valley and when that power later declined on their Kansas reservation.

The history of Indigenous people in present-day Missouri is far more nuanced, complex, and vibrant than the often-told tragic stories of conflict with white settlers and forced Indian removal would lead us to believe. In this path-breaking narrative, Greg Olson presents the Show Me State’s Indigenous past as one spanning twelve millennia of Native presence, resilience, and evolution. While previous Missouri histories have tended to include Indigenous people only during periods when they constituted a threat to the state’s white settlement, Olson shows us the continuous presence of Native people that includes the present day. Beginning thousands of years before the state of Missouri existed, Olson recounts how centuries of inventiveness and adaptability enabled Native people to create innovations in pottery, agriculture, architecture, weaponry, and intertribal diplomacy. Olson also shows how the resilience of Indigenous people like the Osages allowed them to thrive as fur traders, even as settler colonialists waged an all-out policy of cultural genocide against them. Though the state of Missouri claimed to have forced Indigenous people from its borders after the 1830s, Olson uses U.S. Census records and government rolls from the allotment period to show that thousands remained. In the end, he argues that, with a current population of 27,000 Indigenous people, Missouri remains very much a part of Indian Country, and that Indigenous history is Missouri history.

Cover -- Half Title -- Title -- Copyright -- Contents -- ACKNOWLEDGMENTS -- INTRODUCTION -- ONE: From Manhattan to Paris -- TWO: London and the Alps -- THREE: Italian Skies -- FOUR: Imaginary Politics -- FIVE: Republican Principles -- SIX: Rough Homecoming -- SEVEN: Public Versus Private -- EIGHT: Libels on Libels -- NINE: A Legacy Reclaimed -- TEN: Piecework and Patchwork -- ELEVEN: At Sea -- TWELVE: Coming on Shore -- THIRTEEN: Florida and the Pacific -- FOURTEEN: Speculations -- FIFTEEN: Last Words -- SIXTEEN: Endings -- APPENDIX: Cooper's Libel Suits -- LIST OF ABBREVIATIONS -- NOTES -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Illustrations

This revealing book presents a selection of lost articles from “Our Osage Hills,” a newspaper column by the renowned Osage writer, naturalist, and historian, John Joseph Mathews. Signed only with the initials “J.J.M.,” Mathews’s column featured regularly in the Pawhuska Daily Journal-Capital during the early 1930s. While Mathews is best known for his novel Sundown (1934), the pieces gathered in this volume reveal him to be a compelling essayist. Marked by wit and erudition, Mathews’s column not only evokes the unique beauty of the Osage prairie, but also takes on urgent political issues, such as ecological conservation and Osage sovereignty. In Our Osage Hills, Michael Snyder interweaves Mathews’s writings with original essays that illuminate their relevant historical and cultural contexts. The result isan Osage-centric chronicle of the Great Depression, a time of environmental and economic crisis for the Osage Nation and country as a whole. Drawing on new historical and biographical research, Snyder’s commentaries highlight the larger stakes of Mathews’s reflections on nature and culture and situate them within a fascinating story about Osage, Native American, and American life in the early twentieth century. In treating topics that range from sports, art, film, and literature to the realities and legacies of violence against the Osages, Snyder conveys the broad spectrum of Osage familial, social, and cultural history.

Drawing on a rare family archive and archival material from the Osage Nation, this book documents a unique relationship among white settlers, the Osage and African Americans in Oklahoma. The history of white settlement and colonization is often discussed in the context of the cultural erasure of, and violence perpetuated against, American Indians and enslaved blacks. Conversely, histories of American Indian nations often end with colonial conquest, and exclude the experiences of white settlers. The author's anthropological approach examines the lived experience of individuals--including her own family members--and their nuanced and intersecting relationships as they negotiate cultural and geographic landscapes of oppression and technological change. The art, architecture, body ornamentation, sacred objects, ceremonies and performances accompanying this transformation are all addressed.

This four-volume encyclopedia chronicles the historical roots of the United States' current military dominance, documenting its growth from continental expansionism to hemispheric hegemony to global empire. This groundbreaking four-volume encyclopedia offers sweeping coverage of a subject central to American history and of urgent importance today as the nation wrestles with a global imperial posture and the long-term viability of the largest military establishment in human history. The work features more than 650 entries encompassing the full scope of American expansionism and imperialism from the colonial era through the 21st-century "War on Terror." Readers will learn about U.S.-Native American conflicts; 19th-century land laws; early forays overseas, for example, the opening of Japan; and America's imperial conflicts in Cuba and the Philippines. U.S. interests in Latin America are explored, as are the often-forgotten ambitions that lay behind the nation's involvement in the World Wars. The work also offers extensive coverage of the Cold War and today's ongoing conflicts in Iraq, Afghanistan, Africa, and the Middle East as they relate to U.S. national interests. Notable individuals, including American statesmen, military commanders, influential public figures, and anti-imperialists are covered as well. The inclusion of cultural elements of American expansionism and imperialism—for example, Hollywood films and protest music—helps distinguish this set from other more limited works.

A riveting account of the conquest of the vast American heartland that offers a vital reconsideration of the relationship between Native Americans and European colonists, and the pivotal role of the mighty Mississippi. America’s waterways were once the superhighways of travel and communication. Cutting a central line across the landscape, with tributaries connecting the South to the Great Plains and the Great Lakes, the Mississippi River meant wealth, knowledge, and power for those who could master it. In this ambitious and elegantly written account of the conquest of the West, Jacob Lee offers a new understanding of early America based on the long history of warfare and resistance in the Mississippi River valley. Lee traces the Native kinship ties that determined which nations rose and fell in the period before the Illinois became dominant. With a complex network of allies stretching from Lake Superior to Arkansas, the Illinois were at the height of their power in 1673 when the first French explorers—fur trader Louis Jolliet and Jesuit priest Jacques Marquette—made their way down the Mississippi. Over the next century, a succession of European empires claimed parts of the midcontinent, but they all faced the challenge of navigating Native alliances and social structures that had existed for centuries. When American settlers claimed the region in the early nineteenth century, they overturned 150 years of interaction between Indians and Europeans. Masters of the Middle Waters shows that the Mississippi and its tributaries were never simply a backdrop to unfolding events. We cannot understand the trajectory of early America without taking into account the vast heartland and its waterways, which advanced and thwarted the aspirations of Native nations, European imperialists, and American settlers alike.

Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.