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Excerpt from An Ohio Woman in the Philippines: Giving Personal Experiences and Descriptions Including Incidents of Honolulu, Ports in Japan and China The sail from San Francisco to Honolulu was almost without incident few of the two thousand souls on board were ill at all. They divided up into various cliques and parties, such as are usually made up on ocean voyages. When we arrived at Honolulu, I did not expect to land, but I was fortunate in having friends of my son's, Hon. J. Mott Smith, Secretary of State, and family meet me, and was taken to his more than delightful home and very generously, royally entertained. My impressions were, as we entered the bay, that the entire population of Honolulu was in the water. There seemed to be hundreds of little brown bodies afloat just like ducks. The passengers threw small coins into the bay, and those aquatic, human bodies would gather them before they could reach the bottom. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Three novellas--including Obsession, Platinum, and Cadena de Amor--examine the Philippine experience through the lives of three female characters, a prostitute, a student activist, and a politician.

Body Parts of Empire is a study of abjection in American visual culture and popular literature from the Philippine-American War (1899–1902). During this period, the American national territory expanded beyond its continental borders to islands in the Pacific and the Caribbean. Simultaneously, new technologies of vision emerged for imagining the human body, including the moving camera, stereoscopes, and more efficient print technologies for mass media. Rather than focusing on canonical American authors who wrote at the time of U.S. imperialism, this book examines abject texts—images of naked savages, corpses, clothed native elites, and uniformed American soldiers—as well as bodies of writing that document the goodwill and violence of American expansion in the Philippine colony. Contributing to the fields of American studies, Asian American studies, and gender studies, the book analyzes the actual archive of the Philippine-American War and how the racialization and sexualization of the Filipino colonial native have always been part of the cultures of America and U.S. imperialism. By focusing on the Filipino native as an abject body of the American imperial imaginary, this study offers a historical materialist optic for reading the cultures of Filipino America.