Frederick Zeh, a young German immigrant, had hardly arrived in the United States when he was caught up in the war fever that swept his new homeland. He joined the Mountain Howitzer and Rocket Company of the U.S. Army. His impressions of the siege of Veracruz, the long march to Mexico City, the bloody battles that occurred along the route, and the occupation of the capital provide a vivid and unusual account of the Mexican War from an enlisted man's point of view. Although Zeh held the lowly rank of "laborer" in the army, he was well-educated and an astute observer, and his story is both lively and well-written. Besides the horror of battles, he tells about relations between officers and enlisted men, military punishment, and the day-to-day life of the soldiers. Numerous anecdotes and personal stories enliven his narrative. He is unusually candid about abuses that occurred in the American army and toward Mexican civilians. His is also the first book-length account written by a German-American participant - a significant contribution, given that nearly half the regular army was made up of immigrant recruits.

The term "Manifest Destiny" has traditionally been linked to U.S. westward expansion in the nineteenth century, the desire to spread republican government, and racialist theories like Anglo-Saxonism. Yet few people realize the degree to which "Manifest Destiny" and American republicanism relied on a deeply anti-Catholic civil-religious discourse. John C. Pinheiro traces the rise to prominence of this discourse, beginning in the 1820s and culminating in the Mexican-American War of 1846-1848. Pinheiro begins with social reformer and Protestant evangelist Lyman Beecher, who was largely responsible for synthesizing seemingly unrelated strands of religious, patriotic, expansionist, and political sentiment into one universally understood argument about the future of the United States. When the overwhelmingly Protestant United States went to war with Catholic Mexico, this "Beecherite Synthesis" provided Americans with the most important means of defining their own identity, understanding Mexicans, and interpreting the larger meaning of the war. Anti-Catholic rhetoric constituted an integral piece of nearly every major argument for or against the war and was so universally accepted that recruiters, politicians, diplomats, journalists, soldiers, evangelical activists, abolitionists, and pacifists used it. It was also, Pinheiro shows, the primary tool used by American soldiers to interpret Mexico's culture. All this activity in turn reshaped the anti-Catholic movement. Preachers could now use caricatures of Mexicans to illustrate Roman Catholic depravity and nativists could point to Mexico as a warning about what America would be like if dominated by Catholics. Missionaries of Republicanism provides a critical new perspective on ''Manifest Destiny,'' American republicanism, anti-Catholicism, and Mexican-American relations in the nineteenth century.

This occasional paper is a concise overview of the history of the US Army's involvement along the Mexican border and offers a fundamental understanding of problems associated with such a mission. Furthermore, it demonstrates how the historic themes addressed disapproving public reaction, Mexican governmental instability, and insufficient US military personnel to effectively secure the expansive boundary are still prevalent today.

A cloth bag containing eight paperback copies of the title, that may also include a folder with sign out sheets.

Today, Churubusco is a residential suburb of Mexico City. In 1847, it was the stronghold of the San Patricios, a motley battalion of soldiers ― even some runaway American slaves ― who deserted the United States Army for a just, if suicidal, cause. In this graphic novel, Ferraris uses a bold charcoal technique to tell their story through the eyes of Gaetano Rizzo (based on a real U.S. soldier). A 22-year-old Sicilian immigrant, he joins the U.S. Army, who has promised him citizenship and a parcel of land if he will fight to take California away from Mexico. Soon, he sees sees the cruelty he is being ordered to inflict is no different from what he had escaped from in his home country.

Finalist for the Texas Institute of Letters’s Jesse H. Jones Award for Best Fiction A Long Petal of the Sea meets Cold Mountain in this “epic and exquisitely wrought” (Patricia Engel, New York Times bestselling author) saga following a Mexican army nurse and an Irish soldier who must fight, at first for their survival and then for their love, amidst the atrocity of the Mexican-American War—from the author of The Distance Between Us. A forgotten war. An unforgettable romance. The year is 1846. After the controversial annexation of Texas, the US Army marches south to provoke war with México over the disputed Río Grande boundary. Ximena Salomé is a gifted Mexican healer who dreams of building a family with the man she loves on the coveted land she calls home. But when Texas Rangers storm her ranch and shoot her husband dead, her dreams are burned to ashes. Vowing to honor her husband’s memory and defend her country, Ximena uses her healing skills as a nurse on the frontlines of the ravaging war. Meanwhile, John Riley, an Irish immigrant in the Yankee army desperate to help his family escape the famine devastating his homeland, is sickened by the unjust war and the unspeakable atrocities against his countrymen by nativist officers. In a bold act of defiance, he swims across the Río Grande and joins the Mexican Army—a desertion punishable by execution. He forms the St. Patrick’s Battalion, a band of Irish soldiers willing to fight to the death for México’s freedom. When Ximena and John meet, a dangerous attraction blooms between them. As the war intensifies, so does their passion. Swept up by forces with the power to change history, they fight not only for the fate of a nation but for their future together. “A grand and soulful novel by a storyteller who has hit her full stride” (Julia Alvarez, author of In the Time of the Butterflies), A Ballad of Love and Glory effortlessly illuminates a largely forgotten moment in history that impacts the US–México border to this day.

Antonio Bernal is a Guatemalan refugee in Los Angeles haunted by memories of his wife and child, who were murdered at the hands of a man marked with yellow ink. In a park near Antonio's apartment, Guillermo Longoria extends his arm and reveals a sinister tattoo—yellow pelt, black spots, red mouth. It is the sign of the death squad, the Jaguar Battalion of the Guatemalan army. This chance encounter between Antonio and his family's killer ignites a psychological showdown between these two men. Each will discover that the war in Central America has migrated with them as they are engulfed by the quemazones—"the great burning" of the Los Angeles riots. A tragic tale of loss and destiny in the underbelly of an American city, The Tattooed Soldier is Pulitzer Prize–winning reporter Héctor Tobar's mesmerizing exploration of violence and the marks it leaves upon us.

Johnny Rico is back. After risking his life as an Afghanistan stop-loss soldier, an experience he described in the cult phenomenon Blood Makes the Grass Grow Green, he now dares to embed himself on both sides of America’s most dangerous domestic conflict–the war for and against illegal immigration–in an exhilarating new exercise in immersion journalism. The gonzo author–part Hunter Thompson, part George Plimpton–explores a seemingly insoluble issue by getting his hands dirty and his boots on the ground. As a “typically spoiled American” who doesn’t speak a lick of Spanish, he takes it upon himself to try to cross the Mexican border into the United States illegally. Eager to tell the story from all sides–or simply to get good material for his book–Rico also travels treacherously with the Border Patrol, meets extreme immigrant advocates who publish maps for illegals, visits a modern-day “underground railroad” in Texas, and hunts for miscreants with angry vigilantes. In such hot spots as the Tecate Line, a forty-five-mile stretch of hills on California’s southern fringe, and Arizona’s Amnesty Trail, the single busiest part of the U.S. border, Rico encounters Los Zetas, the paramilitatry group that has taken over Mexico’s drug cartels, interviews the volunteer Minutemen, who believe in an imminent and apocalyptic Mexican invasion, and tries to recruit coyotes (human smugglers, usually fortified by meth and cocaine). In his heedless and openly opportunistic style, Rico unearths more truths about this explosive subject than most traditional reporters could ever hope to. Border Crosser is another knockout from this new-generation journalist, at once a concerned citizen, courageous spy, and unparalleled author.

An unprecedented account of the long-term cultural and political influences that Mexican-Americans will have on the collective character of our nation.In considering the largest immigrant group in American history, Gregory Rodriguez examines the complexities of its heritage and of the racial and cultural synthesis--mestizaje--that has defined the Mexican people since the Spanish conquest in the sixteenth century. He persuasively argues that the rapidly expanding Mexican American integration into the mainstream is changing not only how Americans think about race but also how we envision our nation. Brilliantly reasoned, highly thought provoking, and as historically sound as it is anecdotally rich, Mongrels, Bastards, Orphans, and Vagabonds is a major contribution to the discussion of the cultural and political future of the United States.

Shamrock and Sword's setting is the U.S.-Mexican War, remembered by Americans as an illustration of Manifest Destiny, the inevitable extension of the American frontier. It is remembered differently by Mexicans, who lost a substantial portion of their territory to an invading army. Perceptions on both sides of the border will be reshaped by Robert Ryal Miller's account of American soldiers who deserted to fight in the Mexican army. Miller uncovers the reasons for these desertions, presenting the soldiers' stories as they are revealed in records of the time. Many of these deserters were immigrant Irishmen.