Originally pub.: New York: Oxford University Press, 1978.

Originally pub.: New York: Oxford University Press, 1978.

One of Pierre Michon's most powerful works, this book imagines decisive moments in the lives of five artists of different times and places: Vincent van Gogh, Francisco Goya, Antoine Watteau, Claude Lorrain, and Lorentino, a little-remembered disciple of Piero della Francesca. Michon focuses on particular moments when artist and model collide, whether that model is a person or a landscape, inner or outer. In the five separate tales he evokes the full passion of the artist's struggle to capture the world in images even as the world resists capture. Each story is a small masterpiece that transcends national boundaries and earns its place among the essential works of world literature.

While there is an ever-growing body of literature on the economic, cultural, and political aspects of globalization, there are no critical, up-to-date studies on its philosophical and ideological underpinnings. Vincenzo Pavone fills this gap in the literature by analyzing one of the most interesting actors operating on a global scale: the United Nations Educational, Scientific, and Cultural Organization (UNESCO). Assessing the influence of both seventeenth- and nineteenth-century scientific humanism on the ideas of Julian Huxley, the founding father of modern scientific humanism and the first director of UNESCO, the author discusses the changes that have occurred in UNESCO's self-perception, identity, and vision of globalization, particularly within the context of its four programs-MOST, IBC, the Dakar Framework for Action, and the CCP. Pavone further explores the relationship between scientific humanism and the development of UNESCO, showing how scientific humanism affected the history of UNESCO by inspiring a conception of the organization as truly global.

The World’s Greatest Detective Meets Horror’s Most Notorious Villains! Late 1895, and Sherlock Holmes and his faithful companion Dr John Watson are called upon to investigate a missing persons case. On the face of it, this seems like a mystery that Holmes might relish – as the person in question vanished from a locked room. But this is just the start of an investigation that will draw the pair into contact with a shadowy organisation talked about in whispers, known only as the ‘Order of the Gash.’ As more people go missing in a similar fashion, the clues point to a sinister asylum in France and to the underworld of London. However, it is an altogether different underworld that Holmes will soon discover – as he comes face to face not only with those followers who do the Order’s bidding on Earth, but those who serve it in Hell: the Cenobites. Holmes’ most outlandish adventure to date, one that has remained shrouded in secrecy until now, launches him headlong into Clive Barker’s famous Hellraising universe… and things will never be the same again. With an introduction by Hellraiser II actress Barbie Wilde.

"A collection of eight of Greenleaf's most compelling essays on servant-leadership, ... [an] approach to leadership ... which puts serving others, including employees, customers, and community, first."--Back cover.

A uniquely dark and elegant tale that illuminates the loneliness of childhood, the pain of loss and the power of imagination. It will charm and haunt its readers in equal measure. Eleven-year-old Mark is bored. He spends his days on the Brighton sea-front, practicing on his skate-board. His mother is too ill to leave the house, and his stepfather is determined that Mark shouldn't disturb her. So when the old lady who lives in the flat downstairs introduces him to rock cakes and offers to show him a secret, he's happy to indulge her. The old lady takes a large, old-fashioned key and leads Mark down a dusty corridor to a heavy door. Beyond the door is a world completely alien to Mark's understanding. For behind the old lady's tiny apartment, the house's original servants' quarters are still entirely intact, although derelict. Mark finds himself strangely drawn to this window onto the past, and when, the next time he visits, the old lady falls asleep, he steals the key and goes to visit the servants' quarters alone. And suddenly Mark's life takes a bizarre turn, as the past seems to collide with the present, dreams invade reality and truths become apparent to this hitherto unperceiving boy.