As millions are slaughtered on the Western Front, a ridiculous and little-reported campaign is being waged in East Africa - a war they continued after the Armistice because no one told them to stop.

"A peaceful Europe without frontiers - Christine, Max and Paul take it for granted. Until a mysterious home page on the Internet pitches our three heroes into a land long before our time. Here, there are still guards at the city gate and every summer the raspberry ice cream war breaks out anew. The people in this country need a good lesson in democracy and Europe. Christine, Max and Paul arrive just in time to help"--P. [4] of cover.

In the aftermath of a devastating plague, a fearless young heroine embarks on a dangerous and surprising journey to save her world in this brilliantly inventive dystopian thriller, told in bold and fierce language, from a remarkable literary talent. My name be Ice Cream Fifteen Star and this be the tale of how I bring the cure to all the Nighted States . . . In the ruins of a future America, fifteen-year-old Ice Cream Star and her nomadic tribe live off of the detritus of a crumbled civilization. Theirs is a world of children; before reaching the age of twenty, they all die of a mysterious disease they call Posies—a plague that has killed for generations. There is no medicine, no treatment; only the mysterious rumor of a cure. When her brother begins showing signs of the disease, Ice Cream Star sets off on a bold journey to find this cure. Led by a stranger, a captured prisoner named Pasha who becomes her devoted protector and friend, Ice Cream Star plunges into the unknown, risking her freedom and ultimately her life. Traveling hundreds of miles across treacherous, unfamiliar territory, she will experience love, heartbreak, cruelty, terror, and betrayal, fighting with her whole heart and soul to protect the only world she has ever known. Guardian First Book Award finalist Sandra Newman delivers an extraordinary post-apocalyptic literary epic as imaginative as The Passage and as linguistically ambitious as Cloud Atlas. Like Hushpuppy in The Beasts of the Southern Wild grown to adolescence in a landscape as dangerously unpredictable as that of Ready Player One, The Country of Ice Cream Star is a breathtaking work from a writer of rare and unconventional talent.

"Rich in character and incident, An Ice-Cream War fulfills the ambition of the historical novel at its best." --The New York Times Book Review Booker Prize Finalist "Boyd has more than fulfilled the bright promise of [his] first novel. . . . He is capable not only of some very funny satire but also of seriousness and compassion." --Michiko Kakutani, The New York Times 1914. In a hotel room in German East Africa, American farmer Walter Smith dreams of Theodore Roosevelt. As he sleeps, a railway passenger swats at flies, regretting her decision to return to the Dark Continent--and to her husband. On a faraway English riverbank, a jealous Felix Cobb watches his brother swim, and curses his sister-in-law-to-be. And in the background of the world's daily chatter: rumors of an Anglo-German conflict, the likes of which no one has ever seen. In An Ice-Cream War, William Boyd brilliantly evokes the private dramas of a generation upswept by the winds of war. After his German neighbor burns his crops--with an apology and a smile--Walter Smith takes up arms on behalf of Great Britain. And when Felix's brother marches off to defend British East Africa, he pursues, against his better judgment, a forbidden love affair. As the sons of the world match wits and weapons on a continent thousands of miles from home, desperation makes bedfellows of enemies and traitors of friends and family. By turns comic and quietly wise, An Ice-Cream War deftly renders lives capsized by violence, chance, and the irrepressible human capacity for love. "Funny, assured, and cleanly, expansively told, a seriocomic romp. Boyd gives us studies of people caught in the side pockets of calamity and dramatizes their plights with humor, detail and grit." --Harper's "Boyd has crafted a quiet, seamless prose in which story and characters flow effortlessly out of a fertile imagination. . . . The reader emerges deeply moved." --Newsday

have great pleasure in writing this foreword to Dr. Latane’s book on the Novels of William Boyd. The book is a significant contribution to Boyd criticism. It has discussed the early, the middle and the last phase of Boyd’s novels. In doing if the author has defined the totality of Boyd’s vision. Indeed every novel is a part of this totality and the totality is more than a mere sum of the novels. The reciprocal relationship between the part and the whole is the crux of novel-criticism and the book has given due justice to this aspect. Another important feature of the book is the analysis of the postmodernist element in Boyd’s novels. This critical framework can be used to analysis the postmodernist element in the contemporary Indian novel in English. Even going further it can be used to analyse the Postmodernist element in the contemporary Marathi novel. A thesis is really acknowledged when it become a source material for the future researchers and comparatives. Mr. Latane’s book has that potential. I heartily wish a good reception to the book. Dr. Prakash Deshpande Kejkar Former Professor of English Shivaji University, Kolhapur

This study explores five major narratives of Ghanian-born novelist William Boyd from a satiric point of view. Boyd's novels and short stories take up some of the particular traits of satire, a genre which has gradually lost the impact it had in the eighteenth century. This book analyses the satiric spirit of four novels and one short story: A Good Man in Africa, An Ice-Cream War, Stars and Bars, Armadillo and The Destiny of Nathalie 'X'. It looks at the way Boyd approaches crucial events in twentieth-century history and how he unmasks the follies that underlay most of them. It also deals with issues such as the effects of British colonialism in Africa, the superficiality of Hollywood's film industry and the shortcomings of modern urban civilisation. The theoretical framework of this study is based on the analysis of recent satire criticism.

Interest in relations between knowledge, power, and space has a long tradition in a range of disciplines, but it was reinvigorated in the last two decades through critical engagement with Foucault and Gramsci. This volume focuses on relations between knowledge and power. It shows why space is fundamental in any exercise of power and explains which roles various types of knowledge play in the acquisition, support, and legitimization of power. Topics include the control and manipulation of knowledge through centers of power in historical contexts, the geopolitics of knowledge about world politics, media control in twentieth century, cartography in modern war, the power of words, the changing face of Islamic authority, and the role of Millennialism in the United States. This book offers insights from disciplines such as geography, anthropology, scientific theology, Assyriology, and communication science.

From the wild and wacky world of favorite funnyman Jean Shepherd, a dozen truer-than-life tales of tailgating on the Jersey Tumpike, infuriating infants, and other everyday catastrophes, defeats, and humiliations that are the familiar fate of Americans everywhere. Jean Shepherd was one of America’s favorite humorists, his most notable achievement being the creation of the indefatigable Ralphie Parker and his quest for a BB gun in the holiday classic A Christmas Story. But he was so much more, a comic Garrison Keillor–like figure whose unique voice transcended the airwaves and affected a whole generation of nostalgic Americans. A Fistful of Fig Newtons is classic Jean Shepherd—sidesplittingly funny and sardonically irreverent. It is a brilliant comic assessment of American life—all of them delivered in Jean Shepherd’s witty, classy, unforgettable style.

Revista de Estudios Ingleses es un anuario dirigido y gestionado por miembros del Departamento de Filología Inglesa y Alemana de la Universidad de Almería con el propósito de ofrecer un foro de intercambio de producción científica en campos del conocimiento tan diversos como la lengua inglesa, literatura en lengua inglesa, didáctica del inglés, traducción, inglés para fines específicos y otros igualmente vinculados a los estudios ingleses.