Excerpt from An Historical Sketch of Bookbinding The chier part of the present book was written as an Introduction to the Catalogue of the Exhibition of Bind ings, held at the Burlington Fine Arts Club in the Summer of 1891. In consequence of the growing interest in Binding it has been thought that an enlarged reprint of the Intro duction might be useful to students, since information on the subject is only to be found scattered up and down expensive illustrated works, most of which are no longer obtainable. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

An Historical Sketch Of Bookbinding is a part of ‘The History of Bookbinding Technique and Design’-A series of reprint volumes, original monographs, and translations relating to the history of bookbinding. The chief part of the present book was written as an Introduction to the Catalogue of the Exhibition of Bindings, held at the Burlington Fine Arts Club in the Summer of 1891. Includes an appendix of a detailed account of embroidered covers, metal ornaments and book-edge decoration from the ‘Magazine of Art.’

Each project in this book combines bookbinding with a specific craft such as quilting, jewelry making, or polymer clay, and offer levels of expertise: basic, novice, and expert. Illustrated step-by-step instructions and photographs demonstrate how to construct the cover pages, and a unique binding technique, easy enough for a beginner to master. Each project also features two other versions with the same binding geared to those with more or less experience. The novice version is for those who have no knowledge of the craft and want shortcuts, but love the look. For the quilter's book, for example, vintage quilt pieces become the covers so all that's needing in the binding. Or if you're interested in wool felting use an old sweater. This offers great opportunities for upcycling. The expert version is for those who have a great deal of knowledge and proficiency of a certain craft - the master art quilter, for example. For this version, an expert guest artist has created the cover and the author has created the binding. This offers yet another creative opportunity - the collaborative project. Since crafters often get involved with round-robins and other shared endeavors, this will show them yet another way to combine their skills. No other craft book offers the possibilities and challenges that Adventures in Bookbinding does. Readers will return to it again and again to find inspiration and ideas.

This book contains classic material dating back to the 1900s and before. The content has been carefully selected for its interest and relevance to a modern audience. Carefully selecting the best articles from our collection we have compiled a series of historical and informative publications on the subject of bookbinding. The titles in this range include "A History of French Bookbinding" "The Tools and Equipment of Bookbinding" "A Bookbinder's Guide to Sewing" and many more. Each publication has been professionally curated and includes all details on the original source material. This particular instalment, "A History of English Bookbinding" contains information on the styles and progress of bookbinding. It is intended to illustrate aspects of English bookbinding and serves as a guide for anyone wishing to obtain a general knowledge of the subject and understand the field in its historical context. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

From a quantitative point of view the achievement of the Kelmscott Press may not seem impressive: between 1891 and 1898 it produced fifty-two books and a set of specimen pages for another book. Yet each was remarkably beautiful. Designed by William Morris, printed on hand-presses, ornamented with initials and borders by Morris, and illustrated often by Edward Burne-Jones, these few Kelmscott Press books are famous everywhere today. Why they have so profoundly affected twentieth-century theories of book design and what cultural significance the founding of the Kelmscott Press played are some of the questions the author considers.

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