KENSINGTON PALACE, built by William and Mary, occupied by Queen Anne as one of her favourite residences, enlarged by George I. and greatly appreciated by George II. and his queen, Caroline, has received a greater renown and more interesting associations from having been the birthplace and early home of Queen Victoria. In celebration of the eightieth anniversary of that ever-memorable and auspicious event, Her Majesty decided on opening the State Apartments free to the public on the 24th of May, 1899, during Her Majesty’s pleasure. Before recapitulating the events of the Queen’s early life here, we must give a brief outline of the history of the Palace since it became a royal residence. The original building, of which it is probable that a good deal still stands, was erected mainly by Sir Heneage Finch, Lord Chancellor and Earl of Nottingham, who acquired the estate, including some hundred and fifty acres of meadow and park—now Kensington Gardens—from his brother Sir John Finch. Hence it was known as Nottingham House; and under that title it was bought from Daniel Finch, the second earl, for the sum of 18,000 guineas, in the summer or autumn of 1689, by King William III., who was anxious to have a convenient residence near enough to Whitehall for the transaction of business, and yet sufficiently far to be out of the smoky atmosphere, in which he found it impossible to breathe. The King, assisted by his Queen, at once set about enlarging and embellishing the mansion, and laying out new gardens.

Edward Impey provides a highly illustrated history of Kensington Palace from its foundation early in the 17th century, its early ownership when William and Mary bought it right through to its association with Diana, Princess of Wales and its current status in the 21st century.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ An Historical Guide To Kensington Palace, The Birthplace Of Queen Victoria: With A Catalogue Of The Pictures: Abridged From The Larger Edition Ernest Philip Alphonse Law Hugh Rees, Ltd., 1908

Queen Anne (1665-1714) was not charismatic, brilliant or beautiful, but under her rule, England rose from the chaos of regicide, civil war and revolution to the cusp of global supremacy. She fought a successful overseas war against Europe's superpower and her moderation kept the crown independent of party warfare at home. This biography reveals Anne Stuart as resolute, kind and practical--a woman who surmounted personal tragedy and poor health to become a popular and effective ruler.

In January 1839, photography was announced to the world. Two years prior, a young Queen Victoria ascended to the throne of Great Britain and Ireland. These two events, while seemingly unrelated, marked the beginnings of a relationship that continued throughout the nineteenth century and helped construct the image of an entire age. A Royal Passion explores the connections between photography and the monarchy through Victoria’s embrace of the new medium and her portrayal through the lens. Together with Prince Albert, her beloved husband, the Queen amassed one of the earliest collections of photographs, including works by renowned photographers such as Roger Fenton, Gustave Le Gray, and Julia Margaret Cameron. Victoria was also the first British monarch to have her life recorded by the camera: images of her as wife, mother, widow, and empress proliferated around the world at a time when the British Empire spanned the globe. The featured essays consider Victoria’s role in shaping the history of photography as well as photography’s role in shaping the image of the Queen. Including more than 150 color images—several rarely seen before—drawn from the Royal Collection and the J. Paul Getty Museum, this volume accompanies an exhibition of the same name, on view at the J. Paul Getty Museum from February 4 to June 20, 2014.

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