NEW YORK TIMES BESTSELLER • The Girl with the Dragon Tattoo series continues with this “engrossing” novel (USA Today) as brilliant hacker Lisbeth Salander teams up with journalist Mikael Blomkvist to uncover the secrets of her childhood and take revenge. • Also known as the Millennium series Lisbeth Salander—obstinate outsider, volatile seeker of justice for herself and others—seizes on a chance to unearth her mysterious past once and for all. And she will let nothing stop her—not the Islamists she enrages by rescuing a young woman from their brutality; not the prison gang leader who passes a death sentence on her; not the deadly reach of her long-lost twin sister, Camilla; and not the people who will do anything to keep buried knowledge of a sinister pseudoscientific experiment known only as The Registry. Once again, Lisbeth Salander and Mikael Blomkvist are the fierce heart of a thrilling full-tilt novel that takes on some of the world's most insidious problems. Look for the latest book in the Girl with the Dragon Tattoo series, The Girl in the Eagle's Talons, coming soon!

From “an eye for an eye” to debates over capital punishment, humanity has a long and controversial relationship with doling out justice for criminal acts. Today, crime and punishment remain significant parts of our culture, but societies vary greatly on what is considered criminal and how it should be punished. In this global survey of crime and punishment throughout history, Mitchel P. Roth examines how and why we penalize certain activities, and he scrutinizes the effectiveness of such efforts in both punishing wrongdoers and bringing a sense of justice to victims. Drawing on anthropology, archaeology, folklore, and literature, Roth chronicles the global history of crime and punishment—from early civilizations to the outlawing of sex crimes and serial homicide to the development of organized crime and the threat today of global piracy. He explores the birth of the penitentiary and the practice of incarceration as well as the modern philosophy of rehabilitation, arguing that these are perhaps the most important advances in the effort to safeguard citizens from harm. Looking closely at the retributions societies have condoned, Roth also look at execution and its many forms, showing how stoning, hemlock, the firing squad, and lethal injection are considered either barbaric or justified across different cultures. Ultimately, he illustrates that despite advances in every level of human experience, there is remarkable continuity in what is considered a crime and the sanctions administered. Perfect for students, academics, and general readers alike, this interdisciplinary book provides a fascinating look at criminality and its consequences.

As a girl coming of age during the era of civil rights, Patricia Bath made it her mission to become a doctor. When obstacles like racism, poverty, and sexism threatened this goal, she persevered--brightening the world with a game-changing treatment for blindness. Illustrations.x 10.

This book is a historical and philosophical meditation on paying back and buying back, that is, it is about retaliation and redemption. It takes the law of the talion - eye for an eye, tooth for a tooth - seriously. In its biblical formulation that law states the value of my eye in terms of your eye, the value of your teeth in terms of my teeth. Eyes and teeth become units of valuation. But the talion doesn't stop there. It seems to demand that eyes, teeth, and lives are also to provide the means of payment. Bodies and body parts, it seems, have a just claim to being not just money, but the first and precisest of money substances. In its highly original way, the book offers a theory of justice, not an airy theory though. It is about getting even in a toughminded, unsentimental, but respectful way. And finds that much of what we take to be justice, honor, and respect for persons requires, at its core, measuring and measuring up.

Lavishly illustrated with hundreds of full-color images, this family-oriented art resource introduces children to more than 50 great artists and their work, with corresponding activities and explorations that inspire artistic development, focused looking, and creative writing. This treasure trove of artwork from the National Gallery of Art includes, among others, works by Raphael, Rembrandt, Georgia O’Keeffe, Henri Matisse, Chuck Close, Jacob Lawrence, Pablo Picasso, and Alexander Calder, representing a wide range of artistic styles and techniques. Written by museum educators with decades of hands-on experience in both art-making activities and making art relatable to children, the activities include sculpting a clay figure inspired by Edgar Degas; drawing an object from touch alone, inspired by Joan Miro’s experience as an art student; painting a double-sided portrait with one side reflecting physical traits and the other side personality traits, inspired by Leonardo da Vinci’s Ginevra de' Benci; and creating a story based on a Mary Cassatt painting. Educators, homeschoolers, and families alike will find their creativity sparked by this art extravaganza.

Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands’ tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque “tropical” paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.

Developed by the Design Leader for Global Retail Hair at Procter & Gamble, An Eye for Color teaches readers how to develop their color sense. The book presents a unique, easy-to-follow system that the author developed to create effective color patterns, which differentiates it from the standard index-style books on the market that provide color combinations without placing those combinations in context. An Eye for Color shows how to build your own color index by "dissecting" a gorgeous selection of works used by master painters, graphic designers, fashion and furniture designers and craftsmen—all selected for their exceptional use of color. In addition, the book's compact design and irresistibly chunky format will make it useful and attractive to designers, artists, students, professionals, or anyone trying to find attractive color combinations. An Eye for Color is organized into chapters by color. In every spread, the author first presents the work of a designer or painter. Second, she breaks down the color palette of the work, providing color squares on the page in both RGB and CMYK configurations. Text accompanying each chosen image contains information on the artist's inspiration for his use of color and interprets it. The text also describes the technical, emotional and artistic qualities of the work. The third step is for the reader to replicate the color swatches with Pantone chips or a Photoshop print out and place them onto a rolodex card which would then become the basis for their own inspiration file. Perforated sheets at the beginning of each chapter will enable readers to immediately start building their rolodexes based on the examples shown in the book.

The Book They Can't Suppress Not for sixty years has a book been so brutally (and, in the end, unsuccessfully) suppressed as An Eye for an Eye. One major newspaper, one major magazine, and three major publishers paid $40,000 for it but were scared off. One printed 6,000 books, then pulped them. Two dozen publishers read An Eye for an Eye and praised it. "Shocking, "Startling," "Astonishing," "Mesmerizing," "Extraordinary," they wrote to Author John Sack. "I was rivited," "I was bowled over," "I love it," they wrote, but all two dozen rejected it. Finally, BasicBooks published An Eye for an Eye. It "sparked a furious controversy," said Newsweek. It became a best-seller in Europe but was so shunned in America that it also became, in the words of New York Magazine, "The Book They Dare Not Review." Since then, both 60 Minutes and The New York Times have corroborated what Sack wrote: that at the end of World War II, thousands of Jews sought revenge for the Holocaust. They set up 1,255 concentration camps for German civilians -- German men, women, children and babies. There they beat, whipped, tortured and murdered the Germans.

An Eye for an Eye, Book One in The Tales of Zebadiah Creed: Lower Missouri River, late summer 1835. Two brothers, fur trappers Zebadiah and Jonathan Creed, are bushwhacked. Jonathan is murdered and Zebadiah left dead. Zeb is found by a Quaker doctor and his daughter, who nurse him back to health and insist he stay with them. But the appeal of a peaceful life cannot quell Zeb’s burning desire for revenge and he sets out to find the two men who killed his brother. In recounting his search, Zebadiah Creed spins an exciting tale that leads readers by steamboat down the Great Mississippi to St. Louis and on to New Orleans, where Zeb finds revenge is never as simple as killing a man, and retribution and redemption are not the same.