Postmodern society seems incapable of elaborating an ethical critique of the market economy. Early modern society showed no such reticence. Between 1580 and 1680, Aristotelian teleology was replaced as the dominant mode of philosophy in England by Baconian empiricism. This was a process with implications for every sphere of life: for politics and theology, economics and ethics, aesthetics and sexuality. Through nuanced and original readings of Shakespeare, Herbert, Donne, Milton, Traherne, and Bunyan, David Hawkes sheds light on the antitheatrical controversy, and early modern debates over idolatry and value and trade. Hawkes argues that the people of Renaissance England believed that the decline of telos resulted in a reified, fetishistic mode of consciousness which manifests itself in such phenomena as religious idolatry, commodity fetish, and carnal sensuality. He suggests that the resulting early modern critique of the market economy has much to offer postmodern society.

Includes an introduction to the national convenants.

In this meticulously researched, award-winning book, James Holstun details seventeenth-century England’s first capitalist revolution, and its first anti-capitalist revolutions, in a stirring project of Marxist history from below.

'Church Music and Protestantism in Post-Reformation England' breaks new ground in the religious history of Elizabethan England, through a closely focused study of the relationship between the practice of religious music and the complex process of Protestant identity formation. Hearing was of vital importance in the early modern period, and music was one of the most prominent, powerful and emotive elements of religious worship. But in large part, traditional historical narratives of the English Reformation have been distinctly tone deaf. Recent scholarship has begun to take increasing notice of some elements of Reformed musical practice, such as the congregational singing of psalms in meter. This book marks a significant advance in that area, combining an understanding of theory as expressed in contemporary religious and musical discourse, with a detailed study of the practice of church music in key sites of religious worship. Divided into three sections - 'Discourses', 'Sites', and 'Identities' - the book begins with an exploration of the classical and religious discourses which underpinned sixteenth-century understandings of music, and its use in religious worship. It then moves on to an investigation of the actual practice of church music in parish and cathedral churches, before shifting its attention to the people of Elizabethan England, and the ways in which music both served and shaped the difficult process of Protestantisation. Through an exploration of these issues, and by reintegrating music back into the Elizabethan church, we gain an expanded and enriched understanding of the complex evolution of religious identities, and of what it actually meant to be Protestant in post-Reformation England.

The Puritans of seventeenth century England have been blamed for everything from the English civil war to the rise of capitalism. But who were the Puritans of Stuart England? Were they apostles of liberty, who fled from persecution to the New World? Or were they intolerant fanatics, intent on bringing godliness to Stuart England? This study provides a clear narrative of the rise and fall of the Puritans across the troubled seventeenth century. Their story is placed in context by analytical chapters, which describe what the Puritans believed and how they organised their religious and social life. Quoting many contemporary sources, including diaries, plays and sermons, this is a vivid and comprehensible account, drawing on the most recent scholarship. Readers will find this book an indispensable guide, not only to the religious history of seventeenth century England, but also to its political and social history.