"An Exposition of the Last Psalme", published in 1613, was delievered as a sermon by John Boys.

Reproduction of the original: An Exposition of the Last Psalme by Iohn Boys

An indispensable resource for students and scholars, The Oxford Handbook of the Psalms features a diverse array of essays that treat the Psalms from a variety of perspectives. Classical scholarship and approaches as well as contextual interpretations and practices are well represented. The coverage is uniquely wide ranging.

Widely regarded as the modern C. S. Lewis, N. T. Wright, one of the world’s most trusted and popular Bible scholars and the bestselling author of Simply Christian and Surprised by Hope, presents a manifesto urging Christians to live and pray the Bible’s Psalms in The Case for the Psalms. Wright seeks to reclaim the power of the Psalms, which were once at the core of prayer life. He argues that, by praying and living the Psalms, we enter into a worldview, a way of communing with God and knowing him more intimately, and receive a map by which we understand the contours and direction of our lives. For this reason, all Christians need to read, pray, sing, and live the Psalms. By providing the historical, literary, and spiritual contexts for reading these hymns from ancient Israel’s songbook, The Case for the Psalms provides the tools for incorporating these divine poems into our sacred practices and into our spirituality itself.

This expanded and completely revised fifth edition is a unique ebook, spanning a thousand years of music from Gregorian chant via Bach and Beethoven to current leading lights such as Thomas Adès and Kaija Saariaho. There are concise biographical profiles of more than 200 composers and informative summaries of the major compositions in all genres, from chamber works to operatic epics. Topics such as the influence of jazz, notation, conducting, the madrigal, and why Stradivarius made such great violins are covered fully in feature boxes. The Rough Guide to Classical Music in a new ebook (PDF) fromat has been praised for its mix of well-known composers with more obscure, but interesting, figures (like Antoine Brumel and Barbara Strozzi), and for the way it takes contemporary music seriously.