Elizabeth Barrett Browning was one of the most prominent English poets of the Victorian era. In the 1830s Elizabeth's cousin John Kenyon introduced her to prominent literary figures of the day such as William Wordsworth, Mary Russell Mitford, Samuel Taylor Coleridge, Alfred Tennyson and Thomas Carlyle. Her first adult collection, The Seraphim and Other Poems, was published in 1838. During this time she contracted a disease, possibly tuberculosis, which weakened her further. Living at Wimpole Street, in London, she wrote prolifically between 1841 and 1844, producing poetry, translation and prose. She campaigned for the abolition of slavery and her work helped influence reform in the child labour legislation. Her prolific output made her a rival to Tennyson as a candidate for poet laureate on the death of Wordsworth. Barrett Browning was widely popular in the U.K. and America during her lifetime. American poet Edgar Allan Poe was inspired by her poem Lady Geraldine's Courtship and specifically borrowed the poem's meter for his poem The Raven. Poe had reviewed Barrett Browning's work in the January 1845 issue of the Broadway Journal and said that "her poetic inspiration is the highest - we can conceive of nothing more august. Her sense of Art is pure in itself." In return, she praised The Raven and Poe dedicated his 1845 collection The Raven and Other Poems to her, referring to her as "the noblest of her sex." Her poetry greatly influenced Emily Dickinson, who admired her as a woman of achievement. Her popularity in the United States and Britain was further advanced by her stands against social injustice, including slavery in the United States, injustice toward Italian citizens by foreign rulers, and child labour.

Most of Elizabeth Barrett Browning's poetry has been unavailable to new readers, in spite of a growing appreciation of her innovativeness as a poet—and it spite of her onvious importance for any feminist reading of nineteenth-century English poetry. With the publication of this book, a major portion of Elizabeth Barrett Browning's wok returns to print. The poems selected here includ early verse published in 1826, when the poet was twenty, as well as the last poems she wrote before her death in 1861. Her religious verse appears alongside lively ballads, examples of her social-reforming and political verse, and generous selections of her love poetry, including the whole of the Sonnets from the Portuguese. The volume illustrates Elizabeth Barrett Browning's development as a poet and reveals her contribution to feminist literature. Innocent-seeming ballads, beloved in the Victorian period for their sweetness and condemned thereafter for their cloying sentimentality, here emerge as subversive articulations of the plight of women. "Few heard what Elizabeth Barrett Browning said [in her time]," Margaret Forster writes. "Today, with ears more finely attuned, we can hear her clearly."

A Gate Enables passage between what is inside and what is outside, and the connection poetry forges between inner and outer lives is the fundamental theme of these nine essays. Nine Gates begins with a close examination of the roots of poetic craft in "the mind of concentration" and concludes by exploring the writer's role in creating a sense of community that is open, inclusive and able to bind the individual and the whole in a way that allows each full self-expression. in between, Nine Gates illumines the nature of originality, translation, the various strategies by which meaning unfolds itself in language, poetry's roots in oral memory and the importance of the shadow to good art. A person who enters completely into the experience of a poem is initiated into a deeper intimacy with life. Delving into the nature of poetry, Jane Hirshfield also writes on the nature of the human mind, perception and experience. Nine Gates is about the underpinnings of poetic craft, but it is also about a way of being alive in the world -- alertly, musically, intelligently, passionately, permeably. In part a primer for the general reader, Nine Gates is also a manual for the working writer, with each "gate" exploring particular strategies of language and thought that allow a poem to convey meaning and emotion with clarity and force. Above all, Nine Gates is an insightful guide to the way the mind of poetry awakens our fundamental consciousness of what can be known when a person is most fully alive.

In addition to the acclaimed title poem, this collection includes "The Rape of the Lock," "Ode on Solitude," "The Dying Christian to His Soul," "An Essay on Criticism," "Epistle to Dr. Arbuthnot" and many others.

Ezra Pound's classic book about the meaning of literature.

An award-winning poet, teacher, and “champion of poetry” (Neil Genzlinger, New York Times) demystifies the elusive element of voice. In this accessible and distilled craft guide, acclaimed poet Tony Hoagland approaches poetry through the frame of poetic voice, that mysterious connective element that binds the speaker and reader together. In short, essayistic chapters and an appendix of thirty stimulating exercises, The Art of Voice explores the myriad ways to create a distinctive poetic voice, including vernacular, authoritative statement, speech register, tone-shifting, and using secondary voices. “Rich with lively examples” (New York Times Book Review), The Art of Voice provides a compelling introduction to contemporary poetry and an invaluable guide for any practicing writer.

"The first anthology of contemporary Brooklyn poets" --