"The text is not without poetry. Observing a storm near Whitby in 1849, Merryweather wrote, 'I arrived at Danby Beacon ... where the sun was shining, and I then bheld, from that elevation, one of the most sublime sights I ever witnessed: the hills from Glazedale to Kildale were crowned with the blackest nimbi I ever saw; forming an ampitheatre from twelve to sixteen miles in extent, from which issued forked lightning and roaring thunder; and between Rosedale and Westerdale were two waterspouts discharging from the base of the clouds, one of inky blackness, and like an inverted steeple, the other not so dark, but spiral towards its apex. This grand scene reminder me of one of Martin's painting.'"--Antiquarian bookseller's description.

Collecting texts taken from letters, diaries, literature, scientific journals and reports, Pandæmonium gathers a beguiling narrative as it traces the development of the machine age in Britain. Covering the years between 1660 and 1886, it offers a rich tapestry of human experience, from eyewitness reports of the Luddite Riots and the Peterloo Massacre to more intimate accounts of child labour, Utopian communities, the desecration of the natural world, ground-breaking scientific experiments, and the coming of the railways. Humphrey Jennings, co-founder of the Mass Observation movement of the 1930s and acclaimed documentary film-maker, assembled an enthralling narrative of this key period in Britain's national consciousness. The result is a highly original artistic achievement in its own right. Thanks to the efforts of his daughter, Marie-Louise Jennings, Pandæmonium was originally published in 1985, and in 2012 it was the inspiration behind Danny Boyle's electrifying Opening Ceremony for the London Olympic Games. Frank Cottrell Boyce, who wrote the scenario for the ceremony, contributes a revealing new foreword for this edition.

Why Elephants Cry is a fascinating frolic through the literature and evidence surrounding the use of unusual behavior of animals to measure and predict the environment. The role of animals, from the smallest ant to the biggest elephant, as predictors of environmental changes is framed around the climate crisis, which highlights the increasingly important part that animals will have to play in the future. Renowned biologist Professor John T. Hancock collects anecdotal stories and myths along with scientific evidence, demonstrating that observation of animals can be of tangible use. He looks at the measurement of the air temperature using ants, crickets and snakes, and goes on to assess the evidence that the observation of a wide range of animals can predict the weather or the imminent eruption of volcanoes and earthquakes. Evidence of animals being able to predict lunar and solar events, such as lunar cycles and the Northern Lights, is also considered. This is the only time that all this literature has been brought together in one place, a fascinating reference for anybody interested in animals and the environment. The book is also an ideal supplementary textbook for students studying animal behaviour.

Armed with razor-sharp teeth and capable of drinking many times its volume of blood, the leech is an unlikely cure for ill health. Yet that is exactly the role this worm-like parasite has played in both Western and Eastern medicine throughout history. In this book, Robert G. W. Kirk and Neil Pemberton explore how the leech surfaces in radically different spheres. The ancients used them in humeral medicine to bring the four humors of the body—blood, phlegm, and black and yellow bile—back into balance. Today, leeches are used in plastic and reconstructive surgery to help reattach severed limbs and remove pools of blood before it kills tissue. Leeches have also been used in a nineteenth-century meteorological barometer and a twentieth-century biomedical tool that helped win a Nobel Prize. Kirk and Pemberton also reveal the dark side of leeches as they are portrayed in fiction, film, and popular culture. From Bram Stoker’s Dracula to a video game player’s nemesis, the leech is used to represent the fears of science run amok. Leech shines new light on one of humanity’s most enduring and unlikely companions.

Privately published in 1855, this catalogue lists several hundred contemporary publications that testify to the impact of the Great Exhibition.