stories which appeared originally, sometimes with slightly different texts in the following magazines: Partisan Review, The Olympia Reader, Audit, Accent, The New Leader, Nugget, Trace, Midstream.

The poems in this book have appeared in many magazines here and abroad ever since Jascha Kessler's first recognition, a Major Award in Poetry for a manuscript entered in the Hopwood Contest at the University of Michigan in 1952. Three volumes have been gathered here in the order in which they were first published. The reader may find that there is clear change and progression in both content and style and voice. Book jacket.

DIVExplores the relation between nineteenth-century American interest in ancient Egypt in architecture, literature, and science, and the ways Egypt was deployed by advocates for slavery and by African American writers./div

An essay is an exercise in communicating the essence of argumentationat best a presentation of whatever seems worth consideration either today or might be tomorrow. Occasions set down in words are arbitrary, precarious, at best haphazard. They are brought forward by impulses from the world outside and beyond the personal, caught in flight by the circumstances and vicissitudes of a life. Between the person described in the first of these varied prosings and the last offeredbetween the "what" I thought I was and the "who" I may have beenseventy-five years have passed. Whether deserving of another person's attention is not a judgment for this writer to make. Michel de Montaigne offers no better justification or excuse than to say he was concerned to study himself. His genius was not only fine but bold. What he wrote of himself in his world and what he took from great ancient writers is superlative in its objective, modest egoism and wisdom. As a casual essayist, I expect not the least comparison with that admirable and freest of men. All I can hope for is that whatever my reader may find worth the time passed with this volume offers as much diversion and entertainment as perhaps did my verse, fiction, and drama published during those same past years.

Three stories of a world shared by resurrected humans from all times and places—plus ten more tales by the Hugo Award–winning author of the World of Tiers series. On author Philip José Farmer’s Riverworld, humans from every era and culture have been simultaneously resurrected. Ancient Hebrews, medieval warriors, Spanish Inquisitors, and modern Americans intermingle in this strange new environment, but many still cling to old prejudices. Tom Mix, a silent-film star originally from early-twentieth-century Earth, is journeying among the vast population along the millions of miles of the River, in search of familiar faces from his own time. He’s been traveling the River for five years and believes people are starting to change. But when he’s entangled in a brutal clash between states, he discovers that some are slow to let go of the ideas that ruled them on Earth. This volume includes the novelette “Riverworld,” along with two additional Riverworld tales and ten other short stories, all strange, clever, and profound. Farmer’s explorations of the wonderful and bizarre—from a portrayal of Jesus and Satan as cowpokes to a reimagining of Edgar Rice Burroughs’s Tarzan in the style of William Burroughs—plunge the reader into “one of the most imaginative worlds in science fiction” (Booklist). This ebook includes“Riverworld,” “J. C. on the Dude Ranch,” “The Volcano,” “The Henry Miller Dawn Patrol,” “The Problem of Sore Bridge—Among Others,” “Brass and Gold (or Horse and Zeppelin in Beverly Hills),” “The Jungle Rot Kid on the Nod,” “The Voice of the Sonar in My Vermiform Appendix,” “Monolog,” “The Leaser of Two Evils,” “The Phantom of the Sewers,” “Up the Bright River,” “Crossing the Dark River,” and Philip JosFarmer’s article on the making of Riverworld, “The Source of the River.”