Young children usually think of their home as the structure in which they live. In Our Big Home, the author and illustrator present a much larger vision of home as the planet Earth. Linda Glaser's beautiful poem is a wonderful way to gently lead children toward the all-important understanding of caring for our environment. In her lyrical, child-oriented style, she presents the idea that our big home is shared not only with all people but with all plants and animals as well. She shows that we share the air, the water, the soil, and other elements that affect and sustain all of us who live on Earth. Elisa Kleven's vibrant art enhances the concept as she takes young readers to an African plain, a Caribbean island, a South American mountain, and around the world to see people and animals reveling in the beauty and abundance of our shared home.

december 29 and i woke to a morning that was quiet and white the first snow (just like magic) came on tip toes overnight Flowers blooming in sheets of snow make way for happy frogs dancing in the rain. Summer swims move over for autumn sweaters until the snow comes back again. In Julie Fogliano's skilled hand and illustrated by Julie Morstad's charming pictures, the seasons come to life in this gorgeous and comprehensive book of poetry.

A hopeful, music-infused poetry collection from Congolese poet Alain Mabanckou. These compelling poems by novelist and essayist Alain Mabanckou conjure nostalgia for an African childhood where the fauna, flora, sounds, and smells evoke snapshots of a life forever gone. Mabanckou's poetry is frank and forthright, urging his compatriots to no longer be held hostage by the civil wars and political upheavals that have ravaged their country and to embrace a new era of self-determination where the village roosters can sing again. These music-infused texts, beautifully translated by Nancy Naomi Carlson and supported by a grant from the National Endowment for the Arts, appear together in English for the first time. In these pages, Mabanckou pays tribute to his beloved mother, as well as to the regenerative power of nature, and especially of trees, whose roots are a metaphor for the poet's roots, anchored in the red earth of his birthplace. Mabanckou's yearning for the land of his ancestors is even more poignant because he has been declared persona non grata in his homeland, now called Congo-Brazzaville, due to his biting criticism of the country's regime. Despite these barriers, his poetry exudes hope that nature's resilience will lead humankind on the path to redemption and reconciliation.

"Poems addressed to the earth itself explore scientific concepts including plate tectonics, water cycles, and the creation of tides"--

This book introduces us to female perspectives on nature. Over 90 selections, from Emily Dickinson to Alice Walker, span a century and encompass the voices of a variety of women--some known for their writing on nature, and several outstanding new voices

HERE is fierce poetic imagination that faces indifference and cynicism with a rallying call for individual activism and collective action.

Selected by Nobel Laureate Louise Glück as Winner of the inaugural Bergman Prize, Rachel Mannheimer's debut, Earth Room, is a dazzling book-length narrative poem that explores with tenderness how art and love intersect to make one's life. Transporting the reader across decades and from the Moon to Mars by way of Alaska, Berlin, and the Hudson Valley, Earth Room considers a lineage of sculpture, performance, and land art--from Robert Smithson to Pina Bausch--with observations shaped by gender and environment, history and portents of apocalypse. With an urgent, direct, and unmistakably powerful voice, Mannheimer tests the line between nature and culture, ordinary life and performance. A work of sly wit and bracing sincerity, Earth Room is an original, unsparing book that Louise Glück calls "a lesson in how to make something of where we find ourselves."

"[An] enchanting anthology of nature poems. From the rain forests of Africa to the mountains of Japan, Judith Nicholls has brought toigether poems from many cultures, all of them celebrating out lovely Earth ... Includes poems by: Moira Andrews, Buson, Leonard Clark, Emily Dickinson, John Foster, J.W. Haackett, Issa, Kalidasa, Jean Kenward, A.M. Klein, Osip Mandelstam, David McCord, Grace Nichols, Mary Kawena Pukui, Priest Saigyo, Sappho, Ian Serraillier, Snorri Sturlason, Rabindranath Tagore, John Updike, Zaro Weil, Charlotte Zolotow"--Publisher's description

"One can only wish for more poets like David Lee."--Chowder Review Set in the American Southwest, So Quietly the Earth is a book of landscape meditations on philosophical, theological and environmental issues. Radically departing from his justly famous narratives of rural life, David Lee weaves the archetypal elements of earth, fire, water, and air throughout his poems as he explores spiritual connections to the natural world. David Lee, author of 15 books of poems, was named Utah's first Poet Laureate and in 2001 was a finalist for the United States Poet Laureate. A former seminary candidate, semi-pro baseball player and hog farmer, he recently retired as the head of the languages and literature department at Southern Utah University.

Ever thought to yourself, What is everything I've ever believed is a lie, and the Earth is in fact flat, and you'd like to read some poetry about this, by two men with outsider lifestyles and outsider hairstyles? Scott Manley Hadley and Sean Preston are Flat Earth poets writing Flat Earth poetry. This is their truth, because this is the truth. Why/how? Because Earth Is Flat. Scott Manley Hadley was - for real - 'Highly Commended' in the Forward Prizes for Poetry 2019. CONTAINS NUDE PHOTOGRAPHS.