How do life experiences feed into the books that an author writes? In An Autobiographical Letter, Norman Weeks recounts the experiential origins of his writings. Looking back over his first fifty years, he presents a comprehensive treatment of his life, especially those aspects that proved source material for what he would eventually write: His upbringing, education, maturation, personal interactions with friends and lovers, adventures and misadventures, travels and travails. A rich life, a rich lode for literary mining. The principal theme of An Autobiographical Letter, a literary biography, is the pursuit of personal vocation. We follow the thought processes of an author-at-work, as he reports on his various literary projects, -their roots, the subjects and their treatment, the difficulties of composition, the relation of form to content, revisions and new versions in the pursuit of perfection, and, at last, attempts to market the finished books. In all, a self-revelation and an exegesis of the author's works

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

“An insightful memoir that uncovers unique stories about matters of the heart.” —Essence The inspiring New York Times bestseller from Common—the Grammy Award, Academy Award, and Golden Globe–winning musician, actor, and activist—explores how love and mindfulness can build communities and allow you to take better control of your life through actions and words. Common believes that the phrase “let love have the last word” is not just a declaration; it is a statement of purpose, a daily promise. Love is the most powerful force on the planet, and ultimately the way you love determines who you are and how you experience life. Touching on God, self-love, partners, children, family, and community, Common explores the core tenets of love to help us understand what it means to receive and, most importantly, to give love. He moves from the personal—writing about his daughter, to whom he wants to be a better father—to the universal, where he observes that our society has become fractured under issues of race and politics. He knows there’s no quick remedy for all of the hurt in the world, but love—for yourself and for others—is where the healing begins. In his first public reveal, Common also shares a deeply personal experience of childhood molestation that he is now confronting…and forgiving. Courageous, insightful, brave, and characteristically authentic, Let Love Have the Last Word shares Common’s own unique and personal stories of the people and experiences that have led to a greater understanding of love and all it has to offer. It is a powerful call to action for a new generation of open hearts and minds, one that is sure to resonate for years to come.

The essays in Tracing the Autobiographical work with the literatures of several nations to reveal the intersections of broad agendas (for example, national ones) with the personal, the private, and the individual. Attending to ethics, exile, tyranny, and hope, the contributors listen for echoes and murmurs as well as authoritative declarations. They also watch for the appearance of auto/biography in unexpected places, tracing patterns from materials that have been left behind. Many of the essays return to the question of text or traces of text, demonstrating that the language of autobiography, as well as the textualized identities of individual persons, can be traced in multiple media and sometimes unlikely documents, each of which requires close textual examination. These “unlikely documents” include a deportation list, an art exhibit, reality TV, Web sites and chat rooms, architectural spaces, and government memos, as well as the more familiar literary genres—a play, the long poem, or the short story. Interdisciplinary in scope and contemporary in outlook, Tracing the Autobiographical is a welcome addition to autobiography scholarship, focusing on non-traditional genres and on the importance of location and place in life writing. Read the chapter “Gender, Nation, and Self-Narration: Three Generations of Dayan Women in Palestine/Israel” by Bina Freiwald on the Concordia University Library Spectrum Research Repository website.

"... You're invited to a roundtable discussion with today's most successful memoirists"--P. [4] of cover.

A wry, moving collection of letters from the late J. F. Powers, "a comic writer of genius" (Mary Gordon) Best known for his 1963 National Book Award–winning novel, Morte D'Urban, and as a master of the short story, J. F. Powers drew praise from Evelyn Waugh, Flannery O'Connor, Saul Bellow, and Philip Roth, among others. Though Powers's fiction dwelt chiefly on the lives of Catholic priests, he long planned to write a novel of family life, a feat he never accomplished. He did, however, write thousands of letters, which, selected here by his daughter, Katherine A. Powers, become an intimate version of that novel, dynamic with plot and character. They show a dedicated artist, passionate lover, reluctant family man, pained aesthete, sports fan, and appreciative friend. At times wrenching and sad, at others ironic and exuberantly funny, Suitable Accommodations is the story of a man at odds with the world and, despite his faith, with his church. Beginning in prison, where Powers spent more than a year as a conscientious objector, the letters move on to his courtship, marriage, comically unsuccessful attempt to live in the woods, life in the Midwest and in Ireland, an unorthodox view of the Catholic Church, and an increasingly bizarre search for "suitable accommodations," which included three full-scale emigrations to Ireland. Here, too, are encounters with such diverse people as Thomas Merton, Eugene McCarthy, Robert Lowell, Theodore Roethke, Sean O'Faolain, Frank O'Connor, Dorothy Day, and Alfred Kinsey. An NPR Best Book of 2013

Named a Best Book of 2018 by New York Magazine, the Washington Post, Publisher's Weekly, NPR, and Time, among many others, this essay collection from the author of The Queen of the Night explores how we form identities in life and in art. As a novelist, Alexander Chee has been described as “masterful” by Roxane Gay, “incendiary” by the New York Times, and "brilliant" by the Washington Post. With his first collection of nonfiction, he’s sure to secure his place as one of the finest essayists of his generation as well. How to Write an Autobiographical Novel is the author’s manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing ​— ​Tarot-reading, bookselling, cater-waiting for William F. Buckley ​— ​the writing of his first novel, Edinburgh, and the election of Donald Trump. By turns commanding, heartbreaking, and wry, How to Write an Autobiographical Novel asks questions about how we create ourselves in life and in art, and how to fight when our dearest truths are under attack. Named a Best Book by: Time, Washington Post, Entertainment Weekly, NPR, Wired, Esquire, Buzzfeed, New York Public Library, Boston Globe, Paris Review, Mother Jones,The A.V. Club, Out Magazine, Book Riot, Electric Literature, PopSugar, The Rumpus, My Republica, Paste, Bitch, Library Journal, Flavorwire, Bustle, Christian Science Monitor, Shelf Awareness, Tor.com, Entertainment Cheat Sheet, Roads and Kingdoms, Chicago Public Library, Hyphen Magazine, Entropy Magazine, Chicago Review of Books, The Coil, iBooks, and Washington Independent Review of Books Winner of the Publishing Triangle's Randy Shilts Award for Gay Nonfiction * Recipient of the Lambda Literary Trustees' Award * Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay * Finalist for a Lambda Literary Award for Gay Memoir/Biography

Reveals the life of the poet chronicling his chronic depression, his love of jazz music, and his suicide attempt